Alfred Corn


Seeing All The Vermeers

Met Museum, 1965, the first
I'll see, his Young Woman Sleeping.
Stage right, bright-threaded carpet flung over the table
where a plate of apples, crumpled napkin
and drained wineglass abut the recapped pitcher.
Propped by one hand, her leaning drowse,
behind which, a door opens on the dream, dim, bare
but for a console and framed mirror—or a painting
too shadowed to make out. Next to it,

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