Alfred Lord Tennyson
Biography of Alfred Lord Tennyson
Alfred Tennyson, 1st Baron Tennyson, FRS was Poet Laureate of the United Kingdom during much of Queen Victoria's reign and remains one of the most popular poets in the English language.
Tennyson excelled at penning short lyrics, such as "In the Valley of Cauteretz", "Break, Break, Break", "The Charge of the Light Brigade", "Tears, Idle Tears" and "Crossing the Bar". Much of his verse was based on classical mythological themes, such as Ulysses, although In Memoriam A.H.H. was written to commemorate his best friend Arthur Hallam, a fellow poet and fellow student at Trinity College, Cambridge, who was engaged to Tennyson's sister, but died from a brain haemorrhage before they could marry. Tennyson also wrote some notable blank verse including Idylls of the King, "Ulysses," and "Tithonus." During his career, Tennyson attempted drama, but his plays enjoyed little success.
A number of phrases from Tennyson's work have become commonplaces of the English language, including "Nature, red in tooth and claw", "'Tis better to have loved and lost / Than never to have loved at all", "Theirs not to reason why, / Theirs but to do and die", "My strength is as the strength of ten, / Because my heart is pure", "Knowledge comes, but Wisdom lingers", and "The old order changeth, yielding place to new". He is the ninth most frequently quoted writer in The Oxford Dictionary of Quotations.
Tennyson was born in Somersby, Lincolnshire, a rector's son and fourth of 12 children. He derived from a middle-class line of Tennysons, but also had noble and royal ancestry.
His father, George Clayton Tennyson (1778–1831), was rector of Somersby (1807–1831), also rector of Benniworth and Bag Enderby, and vicar of Grimsby (1815). The rector was the elder of two sons, but was disinherited at an early age by his father, the landowner George Tennyson (1750–1835) (owner of Bayons Manor and Usselby Hall), in favour of his younger brother Charles, who later took the name Charles Tennyson d'Eyncourt. Rev. George Clayton Tennyson raised a large family and "was a man of superior abilities and varied attainments, who tried his hand with fair success in architecture, painting, music, and poetry. He was comfortably well off for a country clergyman and his shrewd money management enabled the family to spend summers at Mablethorpe and Skegness, on the eastern coast of England." Alfred Tennyson's mother, Elizabeth Fytche (1781–1865), was the daughter of Stephen Fytche (1734–1799), vicar of St. James Church, Louth (1764) and rector of Withcall (1780), a small village between Horncastle and Louth. Tennyson's father "carefully attended to the education and training of his children."
Tennyson and two of his elder brothers were writing poetry in their teens, and a collection of poems by all three were published locally when Alfred was only 17. One of those brothers, Charles Tennyson Turner later married Louisa Sellwood, the younger sister of Alfred's future wife; the other was Frederick Tennyson. Another of Tennyson's brothers, Edward Tennyson, was institutionalised at a private asylum, where he died.
Education and First Publication
Tennyson was first a student of Louth Grammar School for four years (1816–1820) and then attended Scaitcliffe School, Englefield Green and King Edward VI Grammar School, Louth. He entered Trinity College, Cambridge in 1827, where he joined a secret society called the Cambridge Apostles. At Cambridge Tennyson met Arthur Henry Hallam, who became his closest friend. His first publication was a collection of "his boyish rhymes and those of his elder brother Charles" entitled Poems by Two Brothers published in 1827.
In 1829 he was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuctoo." Reportedly, "it was thought to be no slight honour for a young man of twenty to win the chancellor's gold medal."He published his first solo collection of poems, Poems Chiefly Lyrical in 1830. "Claribel" and "Mariana", which later took their place among Tennyson's most celebrated poems, were included in this volume. Although decried by some critics as overly sentimental, his verse soon proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge.
Return to Lincolnshire and Second Publication
In the spring of 1831 Tennyson's father died, requiring him to leave Cambridge before taking his degree. He returned to the rectory, where he was permitted to live for another six years, and shared responsibility for his widowed mother and the family. Arthur Hallam came to stay with his family during the summer and became engaged to Tennyson's sister, Emilia Tennyson.
In 1833, Tennyson published his second book of poetry, which included his well-known poem, The Lady of Shalott. The volume met heavy criticism, which so discouraged Tennyson that he did not publish again for 10 years, although he continued to write. That same year, Hallam died suddenly and unexpectedly after suffering a cerebral haemorrhage while on vacation in Vienna. Hallam's sudden and unexpected death in 1833 had a profound impact on Tennyson, and inspired several masterpieces, including "In the Valley of Cauteretz" and In Memoriam A.H.H., a long poem detailing the 'Way of the Soul'.
Tennyson and his family were allowed to stay in the rectory for some time, but later moved to High Beach, Essex in 1837. An unwise investment in an ecclesiastical wood-carving enterprise soon led to the loss of much of the family fortune. Tennyson then moved to London, and lived for a time at Chapel House, Twickenham.
In 1842, while living modestly in London, Tennyson published two volumes of Poems, of which the first included works already published and the second was made up almost entirely of new poems. They met with immediate success. Poems from this collection, such as Locksley Hall, "Tithonus", and "Ulysses" have met enduring fame. The Princess: A Medley, a satire on women's education, which came out in 1847, was also popular for its lyrics. W. S. Gilbert later adapted and parodied the piece twice: in The Princess (1870) and in Princess Ida (1884).
It was in 1850 that Tennyson reached the pinnacle of his career, finally publishing his masterpiece, In Memoriam A.H.H., dedicated to Hallam. Later the same year he was appointed Poet Laureate, succeeding William Wordsworth . In the same year (on 13 June), Tennyson married Emily Sellwood, whom he had known since childhood, in the village of Shiplake. They had two sons, Hallam Tennyson (b. 11 August 1852) – named after his friend – and Lionel (b. 16 March 1854).
After Wordsworth's death in 1850, and Samuel Rogers' refusal, Tennyson was appointed to the position of Poet Laureate, which he held until his own death in 1892, by far the longest tenure of any laureate before or since. He fulfilled the requirements of this position by turning out appropriate but often uninspired verse, such as a poem of greeting to Alexandra of Denmark when she arrived in Britain to marry the future King Edward VII. In 1855, Tennyson produced one of his best known works, "The Charge of the Light Brigade", a dramatic tribute to the British cavalrymen involved in an ill-advised charge on 25 October 1854, during the Crimean War. Other esteemed works written in the post of Poet Laureate include Ode on the Death of the Duke of Wellington and Ode Sung at the Opening of the International Exhibition.
Queen Victoria was an ardent admirer of Tennyson's work, and in 1884 created him Baron Tennyson, of Aldworth in the County of Sussex and of Freshwater in the Isle of Wight. Tennyson initially declined a baronetcy in 1865 and 1868 (when tendered by Disraeli), finally accepting a peerage in 1883 at Gladstone's earnest solicitation. He took his seat in the House of Lords on 11 March 1884.
Tennyson also wrote a substantial quantity of non-official political verse, from the bellicose "Form, Riflemen, Form", on the French crisis of 1859, to "Steersman, be not precipitate in thine act/of steering", deploring Gladstone's Home Rule Bill.
Tennyson was the first to be raised to a British Peerage for his writing. A passionate man with some peculiarities of nature, he was never particularly comfortable as a peer, and it is widely held that he took the peerage in order to secure a future for his son Hallam.
Thomas Edison made sound recordings of Tennyson reading his own poetry, late in his life. They include recordings of The Charge of the Light Brigade, and excerpts from "The splendour falls" (from The Princess), "Come into the garden" (from Maud), "Ask me no more", "Ode on the death of the Duke of Wellington", "Charge of the Heavy Brigade", and "Lancelot and Elaine"; the sound quality is as poor as wax cylinder recordings usually are.
Towards the end of his life Tennyson revealed that his "religious beliefs also defied convention, leaning towards agnosticism and pandeism": Famously, he wrote in In Memoriam: "There lives more faith in honest doubt, believe me, than in half the creeds." [The context directly contradicts the apparent meaning of this quote.] In Maud, 1855, he wrote: "The churches have killed their Christ." In "Locksley Hall Sixty Years After," Tennyson wrote: "Christian love among the churches look'd the twin of heathen hate." In his play, Becket, he wrote: "We are self-uncertain creatures, and we may, Yea, even when we know not, mix our spites and private hates with our defence of Heaven." Tennyson recorded in his Diary (p. 127): "I believe in Pantheism of a sort." His son's biography confirms that Tennyson was not an orthodox Christian, noting that Tennyson praised Giordano Bruno and Spinoza on his deathbed, saying of Bruno, "His view of God is in some ways mine," in 1892.
Tennyson continued writing into his eighties. He died on 6 October 1892 at Aldworth, aged 83. He was buried at Westminster Abbey. A memorial was erected in All Saints' Church, Freshwater. His last words were; "Oh that press will have me now!".
He was succeeded as 2nd Baron Tennyson by his son, Hallam, who produced an authorised biography of his father in 1897, and was later the second Governor-General of Australia.
The art of Tennyson's Poetry
Tennyson used a wide range of subject matter, ranging from medieval legends to classical myths and from domestic situations to observations of nature, as source material for his poetry. The influence of John Keats and other Romantic poets published before and during his childhood is evident from the richness of his imagery and descriptive writing. He also handled rhythm masterfully. The insistent beat of Break, Break, Break emphasises the relentless sadness of the subject matter. Tennyson's use of the musical qualities of words to emphasise his rhythms and meanings is sensitive. The language of "I come from haunts of coot and hern" lilts and ripples like the brook in the poem and the last two lines of "Come down O maid from yonder mountain height" illustrate his telling combination of onomatopoeia, alliteration and assonance:
The moan of doves in immemorial elms
And murmuring of innumerable bees.
Tennyson was a craftsman who polished and revised his manuscripts extensively. Few poets have used such a variety of styles with such an exact understanding of metre; like many Victorian poets, he experimented in adapting the quantitative metres of Greek and Latin poetry to English. He reflects the Victorian period of his maturity in his feeling for order and his tendency towards moralising and self-indulgent melancholy. He also reflects a concern common among Victorian writers in being troubled by the conflict between religious faith and expanding scientific knowledge. Like many writers who write a great deal over a long time, he can be pompous or banal, but his personality rings throughout all his works – work that reflects a grand and special variability in its quality. Tennyson possessed the strongest poetic power; he put great length into many works, most famous of which are Maud and Idylls of the King, the latter one of literature's treatments of the legend of King Arthur and The Knights of the Round Table.
Alfred Lord Tennyson's Works:
Poems, Chiefly Lyrical (1830):
Lady Clara Vere de Vere (1832)
The Lady of Shalott (1832, 1842)
The Palace of Art
St. Simeon Stylites (1833)
The Two Voices (1834)
The Princess; A Medley (1847)
In Memoriam A.H.H. (1849)
Ring Out, Wild Bells (1850)
The Eagle (1851)
Maud; A Monodrama (1855/1856)
The Charge of the Light Brigade (1854)
Enoch Arden and Other Poems (1862/1864)
Flower in the crannied wall (1869)
The Window – Song cycle with Arthur Sullivan. (1871)
Idylls of the King (composed 1833–1874)
Locksley Hall Sixty Years After (1886)
Crossing the Bar (1889)
The Foresters – a play with incidental music by Arthur Sullivan (1891)
Kapiolani (published after his death by Hallam Tennyson)
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Alfred Lord Tennyson Poems
It little profits that an idle king, By this still hearth, among these barren crags, Match'd with an aged wife, I mete and dole Unequal laws unto a savage race,
I come from haunts of coot and hern, I make a sudden sally And sparkle out among the fern, To bicker down a valley.
Charge Of The Light Brigade
HALF a league, half a league, Half a league onward, All in the valley of Death Rode the six hundred.
All Things Will Die
All Things will Die Clearly the blue river chimes in its flowing
Crossing The Bar
Sunset and evening star, And one clear call for me! And may there be no moaning of the bar, When I put out to sea,
Flow down, cold rivulet, to the sea, Thy tribute wave deliver: No more by thee my steps shall be, For ever and for ever.
He clasps the crag with crooked hands; Close to the sun in lonely lands, Ring'd with the azure world, he stands. The wrinkled sea beneath him crawls;
Break, Break, Break
Break, break, break, On thy cold gray stones, O Sea! And I would that my tongue could utter
‘and Ask Ye Why These Sad Tears Stream?’
'And ask ye why these sad tears stream?' ‘Te somnia nostra reducunt.’ OVID.
Once in a golden hour I cast to earth a seed. Up there came a flower, The people said, a weed.
Home They Brought Her Warrior Dead
Home they brought her warrior dead: She nor swooned, nor uttered cry: All her maidens, watching, said, ‘She must weep or she will die.’
Come Not When I Am Dead
Come not, when I am dead, To drop thy foolish tears upon my grave, To trample round my fallen head, And vex the unhappy dust thou wouldst not save.
Ask Me No More
Ask me no more: the moon may draw the sea; The cloud may stoop from heaven and take the shape, With fold to fold, of mountain or of cape; But O too fond, when have I answer'd thee?
The Lady Of Shalott (1842)
PART I On either side the river lie Long fields of barley and of rye, That clothe the wold and meet the sky;
I thought of Thee, my partner and my guide,
As being past away. -Vain sympathies!
For backward, Duddon! as I cast my eyes,
I see what was, and is, and will abide;
Still glides the Stream, and shall not cease to glide;
The Form remains, the Function never dies;
While we, the brave, the mighty, and the wise,
We Men, who in our morn of youth defied
The elements, must vanish; -be it so!