Biography of Ann Taylor
Ann Taylor was an English poet and literary critic. In her youth she was a writer of verse for children, for which she achieved long-lasting popularity. In the years immediately preceding her marriage, she became an astringent literary critic of growing reputation. She is, however, best remembered as the elder sister and collaborator of Jane Taylor.
The literary family
The Taylor sisters were part of an extensive literary family, daughters of Isaac Taylor of Ongar. Ann was born in Islington and lived with her family at first in London and later in Lavenham in Suffolk, in Colchester and, briefly, in Ongar. The sisters' brother, Isaac Taylor, was, like his father, an engraver of considerable distinction and later became an educational pioneer and Independent minister and wrote a number of very successful instructional books for the young. Their mother, Mrs. (Ann Martin) Taylor (1757–1830) wrote seven works of moral and religious advice - in many respects, strikingly liberal for their time - two of them fictionalized.
Ann and Jane Taylor's brothers, Isaac and Jefferys, also wrote, the former being one of the most learned men of his day, a theologian of international reputation, but also the inventor of a patent beer tap in use throughout Britain for many years. Rev. Isaac Taylor's elder brother Charles edited The Literary Panorama, for which he also wrote extensively on many topics from art to politics, and produced, anonymously, a massive annotated translation of Calmet's Dictionary of the Bible, which remained a model for biblical scholarship for several decades. His younger brother Josiah was an influential and successful publisher, chiefly of works on architecture and design.
The sisters and their authorship of various works have often been confused, usually to Jane's advantage. This is in part because their early works for children were published together and without attribution, but also because Jane, by dying young at the height of her powers, unwittingly attracted early posthumous eulogies, including what is almost a hagiography by her brother Isaac, and much of Ann's work came to be ascribed to Jane, a borrowing which, Ann ruefully remarked, she could ill afford and which Jane certainly did not require. It is true that Jane achieved much more than Ann as a writer of poetry for an adult readership - though Ann's poem "The Maniac's Song", published in the Associate Minstrels (1810), was probably the finest short poem by either sister, and it has even been postulated that it was an inspiration for John Keat's La Belle Dame sans Merci.
However, Ann also deserves to be remembered as a writer of prose, as evidenced particularly by her autobiography and by the many letters of hers that survive; her style is strong and vivid and, when she is not too preoccupied with moral and religious themes - like her sister Jane, she tended to undue pessimism about her own spiritual worth - it is often shot through with a pleasing, and sometimes acerbic, wit. The Autobiography also provides much detailed and fascinating information about the life of a moderately prosperous dissenting family in the late 18th and early 19th centuries.
Ann Taylor's son, Josiah Gilbert, wrote: "two little poems–"My Mother," and "Twinkle, twinkle, little Star," are perhaps, more frequently quoted than any; the first, a lyric of life, was by Ann, the second, of nature, by Jane; and they illustrate this difference between the sisters." Both poems attracted the compliment of frequent parody throughout the 19th century. The logician Augustus De Morgan asserted (somewhat extravagantly!) that Gilbert's mother wrote "one of the most beautiful lyrics in the English language, or any other language" and not knowing that Ann Gilbert was still alive, called upon Tennyson to supply a less heterodox version of the final stanza, which seemed to de Morgan unworthy of the rest.
Original Poems for Infant Minds by several young persons (by Ann and Jane and others) was first issued in two volumes in 1804 and 1805. Rhymes for the Nursery followed in 1806, and Hymns for Infant Minds in 1808. In Original Poems for Infant Minds the authors were identified for each poem. In Rhymes for the Nursery (1806) poems were not identified by author. Attributions for the sisters' poems can be found in an exceptional Taylor resource: The Taylors of Ongar: An Analytical Bio-Bibliography by Christina Duff Stewart. Stewart cites a copy of Rhymes for the Nursery belonging to a nephew, Canon Isaac Taylor, annotated to indicate the respective authorship of Ann and Jane. Stewart also confirms attributions of Original Poems based on publisher's records.
Marriage and widowhood
On December 24, 1813, Ann married Joseph Gilbert, an Independent (later Congregational) minister and theologian, and left Ongar to make a new home far from her family, at Masborough near Rotherham. A widower of thirty-three, Gilbert had proposed to Ann before he had even met her, forming a sound estimation of her character and intelligence from her writings, particularly as a trenchant critic in The Eclectic Review. Gilbert was, at the time of their marriage, the classical tutor at Rotherham Independent College - the nearest thing to a university open to dissenters at this time - and simultaneously pastor of the Nether Chapel in Sheffield. In 1817, he moved to the pastorate of the Fish Street Chapel in Hull and then, in 1825, to Nottingham, serving in chapels in the city for the rest of his life.
Kept busy with the duties of wife and later mother, Ann Gilbert still managed to write poems, hymns, essays, and letters. Her interest in public matters, such as atheism, prison reform, and the anti-slavery movement, often spurred her to take up her pen, and the results of those scattered moments found a way into print. Oddly for one of such independence of mind and strongly held and usually liberal opinions, she was firmly opposed to female suffrage.
After Gilbert died on December 12, 1852, Ann found time to write a short memoir of her husband. Nor did she spend the rest of her long life in gentle retirement. As well as actively supporting the members of her large family, through visits and a constant stream of letters - family was always of central concern to the Taylors - she travelled widely in many parts of Britain, taking in her stride as an old lady traveling conditions that might have daunted one much younger. She died on December 20, 1866 and was buried next to her husband in Nottingham General Cemetery, although the inscription recording this on the vast Gothic sarcophagus has disappeared.
Ann Taylor's Works:
Infant Minds (by several young persons, including both Taylor sisters 1805)
Rhymes for the Nursery (with Jane Taylor, 1806)
Hymns for Infant minds (with Jane Taylor, 1808)
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Ann Taylor Poems
Who sat and watched my infant head When sleeping on my cradle bed, And tears of sweet affection shed? My Mother.
The Baby's Dance
Dance little baby, dance up high, Never mind baby, mother is by; Crow and caper, caper and crow, There little baby, there you go;
One ugly trick has often spoil'd The sweetest and the best; Matilda, though a pleasant child, One ugly trick possess'd,
For A Naughty Little Girl
My sweet little girl should be cheerful and mild She must not be fretful and cry! Oh! why is this passion? remember, my child, GOD sees you, who lives in the sky.
A True Story
Little Ann and her mother were walking one day Through London's wide city so fair, And business obliged them to go by the way That led them through Cavendish Square.
Little Girls Must Not Fret
WHAT is it that makes little Emily cry? Come then, let mamma wipe the tear from her eye: There–lay down your head on my bosom–that's right,
Learning To Go Alone
Come, my darling, come away, Take a pretty walk to-day; Run along, and never fear, I'll take care of baby dear:
Jane And Eliza
There were two little girls, neither handsome nor plain; One's name was Eliza, the other's was Jane: They were both of one height, as I've heard people say, They were both of one age, I believe, to a day.
About The Little Girl That Beat Her Sist...
Go, go, my naughty girl, and kiss Your little sister dear; I must not have such things as this, And noisy quarrels here.
Thank you, pretty cow, that made Pleasant milk to soak my bread, Every day and every night, Warm, and fresh, and sweet, and white.
Poor Martha is old, and her hair is turn'd grey, And her hearing has left her for many a year; Ten to one if she knows what it is that you say, Though she puts her poor wither'd hand close to her ear.
AH, Mary! what, do you for dolly not care? And why is she left on the floor? Forsaken, and cover'd with dust, I declare;
THERE was one little Jim, 'Tis reported of him, And must be to his lasting disgrace, That he never was seen
From morning till night it was Lucy's delight To chatter and talk without stopping: There was not a day but she rattled away, Like water for ever a-dropping.
Poor Martha is old, and her hair is turn'd grey,
And her hearing has left her for many a year;
Ten to one if she knows what it is that you say,
Though she puts her poor wither'd hand close to her ear.
I've seen naughty children run after her fast,
And cry, "Martha, run, there's a bullock so bold;"
And when she was frighten'd, laugh at her at last,
Because she believed the sad stories they told.