Arthur Rimbaud

Arthur Rimbaud Poems

1.

I.

No one's serious at seventeen.
--On beautiful nights when beer and lemonade
...

A small green valley where a slow stream flows
And leaves long strands of silver on the bright
Grass; from the mountaintop stream the Sun's
...

In winter we’ll travel in a little pink carriage
With cushions of blue.
We’ll be fine. A nest of mad kisses waits
In each corner too.
...

Against a fall of snow, a Being Beauiful, and very tall.
Whistlings of death and circles of faint music
Make this adored body, swelling and trembling
Like a specter, rise...
...

5.

I have kissed the summer dawn. Before the palaces, nothing moved. The water lay dead. Battalions of shadows still kept the forest road.

I walked, walking warm and vital breath, While stones watched, and wings rose soundlessly.
...

Oh, my Beautiful! Oh, my Good!
Hideous fanfare where yet I do not stumble!
Oh, rack of enchantments!
For the first time, hurrah for the unheard-of work,
...

Long after the days and the seasons, and people and countries.
The banner of raw meat against the silk of seas and arctic flowers;
...

In the blue summer evenings, I will go along the paths,
And walk over the short grass, as I am pricked by the wheat:
Daydreaming I will feel the coolness on my feet.
I will let the wind bathe my bare head.
...

Everything seen...
The vision gleams in every air.
Everything had...
The far sound of cities, in the evening,
...

As I drifted on a river I could not control,
No longer guided by the bargemen's ropes.
They were captured by howling Indians
...

Is it possible that She will have me forgiven for ambitions continually crushed,--
that an affluent end will make up for the ages of indigence,--
...

12.

Reality being too thorny for my great personality.
--I found myself nevertheless at my lady's,
...

13.

While the red-stained mouths of machine guns ring
Across the infinite expanse of day;
While red or green, before their posturing King,
The massed battalions break and melt away;
...

It has been found again.
What ? - Eternity.
It is the sea fled away
With the sun.
...

On the black gallows, one-armed friend,
The paladins are dancing, dancing
The lean, the devil's paladins
The skeletons of Saladins.
...

I

On the calm black water where the stars are sleeping
White Ophelia floats like a great lily ;
...

As soon as the idea of the Deluge had subsided,
A hare stopped in the clover and swaying flowerbells,
and said a prayer to the rainbow,
...

O cowards! There she is!
Pile out into the stations!
The sun with its fiery lungs blew clear
...

On a brilliant morning, in a city of lovely people,
A wonderful man and a wonderful woman
Were shouting out loud, in the middle of town:
'Oh, my friends... I wanter her to be queen! '
...

My sad heart slobbers at the poop
my heart covered with tobacco-spit
They spew streams of soup at it
My sad heart drools at the poop
...

Arthur Rimbaud Biography

Jean Nicolas Arthur Rimbaud was a French poet. Born in Charleville, Ardennes, he produced his best known works while still in his late teens—Victor Hugo described him at the time as "an infant Shakespeare"—and he gave up creative writing altogether before the age of 20. As part of the decadent movement, Rimbaud influenced modern literature, music and art. He was known to have been a libertine and a restless soul, travelling extensively on three continents before his death from cancer just after his 37th birthday. Family and childhood (1854–1861) Arthur Rimbaud was born into the provincial middle class of Charleville (now part of Charleville-Mézières) in the Ardennes département in northeastern France. He was the second child of a career soldier, Frédéric Rimbaud, and his wife Marie-Catherine-Vitalie Cuif. His father, a Burgundian of Provençal extraction, rose from a simple recruit to the rank of captain, and spent the greater part of his army years in foreign service. Captain Rimbaud fought in the conquest of Algeria and was awarded the Légion d'honneur. The Cuif family was a solidly established Ardennais family, but they were plagued by unstable and bohemian characters; two of Arthur Rimbaud's uncles from his mother's side were alcoholics. Captain Rimbaud and Vitalie married in February 1853; in the following November came the birth of their first child, Jean-Nicolas-Frederick. The next year, on 20 October 1854, Jean-Nicolas-Arthur was born. Three more children, Victorine-Pauline-Vitalie (who died a month after she was born), Jeanne-Rosalie-Vitalie and Frederique-Marie-Isabelle, followed. Arthur Rimbaud's infancy is said to have been prodigious; a common myth states that soon after his birth he had rolled onto the floor from a cushion where his nurse had put him only to begin crawling toward the door. In a more realistic retelling of his childhood, Mme Rimbaud recalled when after putting her second son in the care of a nurse in Gespunsart, supplying clean linen and a cradle for him, she returned to find the nurse's child sitting in the crib wearing the clothes meant for Arthur. Meanwhile, the dirty and naked child that was her own was happily playing in an old salt chest. Soon after the birth of Isabelle, when Arthur was six years old, Captain Rimbaud left to join his regiment in Cambrai and never returned. He had become irritated by domesticity and the presence of the children while Madame Rimbaud was determined to rear and educate her family by herself. The young Arthur Rimbaud was therefore under the complete governance of his mother, a strict Catholic, who raised him and his older brother and younger sisters in a stern and religious household. After her husband's departure, Mme Rimbaud became known as "Widow Rimbaud". Schooling and teen years (1862–1871) Fearing that her children were spending too much time with and being over-influenced by neighbouring children of the poor, Mme Rimbaud moved her family to the Cours d'Orléans in 1862. This was a better neighborhood, and whereas the boys were previously taught at home by their mother, they were then sent, at the ages of nine and eight, to the Pension Rossat. For the five years that they attended school, however, their formidable mother still imposed her will upon them, pushing for scholastic success. She would punish her sons by making them learn a hundred lines of Latin verse by heart and if they gave an inaccurate recitation, she would deprive them of meals. When Arthur was nine, he wrote a 700-word essay objecting to his having to learn Latin in school. Vigorously condemning a classical education as a mere gateway to a salaried position, Rimbaud wrote repeatedly, "I will be a rentier (one who lives off his assets)". He disliked schoolwork and his mother's continued control and constant supervision; the children were not allowed to leave their mother's sight, and, until the boys were sixteen and fifteen respectively, she would walk them home from the school grounds. As a boy, Arthur was small, brown-haired and pale with what a childhood friend called "eyes of pale blue irradiated with dark blue—the loveliest eyes I've seen". When he was eleven, Arthur had his First Communion; despite his intellectual and individualistic nature, he was an ardent Catholic like his mother. For this reason he was called "sale petit Cagot" ("snotty little prig") by his fellow schoolboys. He and his brother were sent to the Collège de Charleville for school that same year. Until this time, his reading was confined almost entirely to the Bible, but he also enjoyed fairy tales and stories of adventure such as the novels of James Fenimore Cooper and Gustave Aimard. He became a highly successful student and was head of his class in all subjects but sciences and mathematics. Many of his schoolmasters remarked upon the young student's ability to absorb great quantities of material. In 1869 he won eight first prizes in the school, including the prize for Religious Education, and in 1870 he won seven firsts. When he had reached the third class, Mme Rimbaud, hoping for a brilliant scholastic future for her second son, hired a tutor, Father Ariste L'héritier, for private lessons. Lhéritier succeeded in sparking the young scholar's love of Greek and Latin as well as French classical literature. He was also the first person to encourage the boy to write original verse in both French and Latin Rimbaud's first poem to appear in print was "Les Étrennes des orphelins" ("The Orphans' New Year's Gift"), which was published in the 2 January 1870 issue of Revue pour tous. Two weeks after his poem was printed, a new teacher named Georges Izambard arrived at the Collège de Charleville. Izambard became Rimbaud's literary mentor and soon a close accord formed between professor and student and Rimbaud for a short time saw Izambard as a kind of older brother figure. At the age of fifteen, Rimbaud was showing maturity as a poet; the first poem he showed Izambard, "Ophélie", would later be included in anthologies as one of Rimbaud's three or four best poems. When the Franco-Prussian War broke out, Izambard left Charleville and Rimbaud became despondent. He ran away to Paris with no money for his ticket and was subsequently arrested and imprisoned for a week. After returning home, Rimbaud ran away to escape his mother's wrath. From late October 1870, Rimbaud's behaviour became outwardly provocative; he drank alcohol, spoke rudely, composed scatological poems, stole books from local shops, and abandoned his hitherto characteristically neat appearance by allowing his hair to grow long. At the same time he wrote to Izambard about his method for attaining poetical transcendence or visionary power through a "long, intimidating, immense and rational derangement of all the senses. The sufferings are enormous, but one must be strong, be born a poet, and I have recognized myself as a poet." It is rumoured that he briefly joined the Paris Commune of 1871, which he portrayed in his poem L'orgie parisienne (ou : Paris se repeuple), ("The Parisian Orgy" or "Paris Repopulates"). Another poem, Le cœur volé ("The Stolen Heart"), is often interpreted as a description of him being raped by drunken Communard soldiers, but this is unlikely since Rimbaud continued to support the Communards and wrote poems sympathetic to their aims. Life with Verlaine (1871–1875) Rimbaud was encouraged by friend and office employee Charles Auguste Bretagne to write to Paul Verlaine, an eminent Symbolist poet, after letters to other poets failed to garner replies. Taking his advice, Rimbaud sent Verlaine two letters containing several of his poems, including the hypnotic, gradually shocking "Le Dormeur du Val" (The Sleeper in the Valley), in which certain facets of Nature are depicted and called upon to comfort an apparently sleeping soldier. Verlaine, who was intrigued by Rimbaud, sent a reply that stated, "Come, dear great soul. We await you; we desire you," along with a one-way ticket to Paris. Rimbaud arrived in late September 1871 at Verlaine's invitation and resided briefly in Verlaine's home Verlaine, who was married to the seventeen-year-old and pregnant Mathilde Mauté, had recently left his job and taken up drinking. In later published recollections of his first sight of Rimbaud, Verlaine described him at the age of seventeen as having "the real head of a child, chubby and fresh, on a big, bony rather clumsy body of a still-growing adolescent, and whose voice, with a very strong Ardennes accent, that was almost a dialect, had highs and lows as if it were breaking." Rimbaud and Verlaine began a short and torrid affair. Whereas Verlaine had likely engaged in prior homosexual experiences, it remains uncertain whether the relationship with Verlaine was Rimbaud's first. During their time together they led a wild, vagabond-like life spiced by absinthe and hashish. They scandalized the Parisian literary coterie on account of the outrageous behaviour of Rimbaud, the archetypical enfant terrible, who throughout this period continued to write strikingly visionary verse. The stormy relationship between Rimbaud and Verlaine eventually brought them to London in September 1872, a period about which Rimbaud would later express regret. During this time, Verlaine abandoned his wife and infant son (both of whom he had abused in his alcoholic rages). Rimbaud and Verlaine lived in considerable poverty, in Bloomsbury and in Camden Town, scraping a living mostly from teaching, in addition to an allowance from Verlaine's mother. Rimbaud spent his days in the Reading Room of the British Museum where "heating, lighting, pens and ink were free." The relationship between the two poets grew increasingly bitter. By late June 1873, Verlaine grew frustrated with the relationship and returned to Paris, where he quickly began to mourn Rimbaud's absence. On 8 July, he telegraphed Rimbaud, instructing him to come to the Hotel Liège in Brussels; Rimbaud complied at once. The Brussels reunion went badly: they argued continuously and Verlaine took refuge in heavy drinking. On the morning of 10 July, Verlaine bought a revolver and ammunition. That afternoon, "in a drunken rage," Verlaine fired two shots at Rimbaud, one of them wounding the 18-year-old in the left wrist. Rimbaud dismissed the wound as superficial, and did not initially seek to file charges against Verlaine. But shortly after the shooting, Verlaine (and his mother) accompanied Rimbaud to a Brussels railway station, where Verlaine "behaved as if he were insane." His bizarre behavior induced Rimbaud to "fear that he might give himself over to new excesses," so he turned and ran away. In his words, "it was then I [Rimbaud] begged a police officer to arrest him [Verlaine]." Verlaine was arrested for attempted murder and subjected to a humiliating medico-legal examination. He was also interrogated with regard to both his intimate correspondence with Rimbaud and his wife's accusations about the nature of his relationship with Rimbaud. Rimbaud eventually withdrew the complaint, but the judge nonetheless sentenced Verlaine to two years in prison. Rimbaud returned home to Charleville and completed his prose work Une Saison en Enfer ("A Season in Hell")—still widely regarded as one of the pioneering examples of modern Symbolist writing—which made various allusions to his life with Verlaine, described as a drôle de ménage ("domestic farce") with his frère pitoyable ("pitiful brother") and vierge folle ("mad virgin") to whom he was l'époux infernal ("the infernal groom"). In 1874 he returned to London with the poet Germain Nouveau and put together his groundbreaking Illuminations. Travels (1875–1880) Rimbaud and Verlaine met for the last time in March 1875, in Stuttgart, Germany, after Verlaine's release from prison and his conversion to Catholicism. By then Rimbaud had given up writing and decided on a steady, working life; some speculate he was fed up with his former wild living, while others suggest he sought to become rich and independent to afford living one day as a carefree poet and man of letters. He continued to travel extensively in Europe, mostly on foot. In May 1876 he enlisted as a soldier in the Dutch Colonial Army to travel free of charge to Java in the Dutch East Indies (now Indonesia) where four months later he deserted and fled into the jungle, eventually returning incognito to France by ship. At the official residence of the mayor of Salatiga, a small city at the foot of a dormant volcano located 46 km south of Semarang, capital of Central Java Province, there is a marble plaque stating that Rimbaud was once settled at the city. As a deserter, Rimbaud would have faced a Dutch firing squad if caught. In December 1878, Rimbaud arrived in Larnaca, Cyprus, where he worked for a construction company as a foreman at a stone quarry. In May of the following year he had to leave Cyprus because of a fever, which on his return to France was diagnosed as typhoid. Abyssinia (1880–1891) In 1880 Rimbaud finally settled in Aden, Yemen as a main employee in the Bardey agency. In 1884 he left his job at Bardey's to become a merchant on his own account in Harar, Ethiopia, where his commercial dealings notably included coffee and weapons. In this period, he struck up a very close friendship with the Governor of Harar, Ras Makonnen, father of future Ethiopian Emperor Haile Selassie. Death (1891) In February 1891, Rimbaud developed what he initially thought was arthritis in his right knee. It failed to respond to treatment and became agonisingly painful, and by March the state of his health forced him to prepare to return to France for treatment. In Aden, Rimbaud consulted a British doctor who mistakenly diagnosed tubercular synovitis and recommended immediate amputation. Rimbaud delayed until 9 May to set his financial affairs in order before catching the boat back to France. On arrival, he was admitted to hospital—the Hôpital de la Conception, in Marseille—where his right leg was amputated on 27 May. The post-operative diagnosis was cancer. After a short stay at his family home in Charleville, he attempted to travel back to Africa, but on the way his health deteriorated and he was readmitted to the same hospital in Marseille where the amputation had been performed, and spent some time there in great pain, attended by his sister Isabelle. Rimbaud died in Marseille on 10 November 1891, at the age of 37, and was interred in Charleville. Poetry In May 1871, Rimbaud wrote two letters explaining his poetic philosophy. The first was written May 13 to Izambard, in which Rimbaud explained: I'm now making myself as scummy as I can. Why? I want to be a poet, and I'm working at turning myself into a seer. You won't understand any of this, and I'm almost incapable of explaining it to you. The idea is to reach the unknown by the derangement of all the senses. It involves enormous suffering, but one must be strong and be a born poet. It's really not my fault. Rimbaud said much the same in his second letter, commonly called the Lettre du voyant ("Letter of the Seer"). Written May 15—before his first trip to Paris—to his friend Paul Demeny, the letter expounded his revolutionary theories about poetry and life, while also denouncing most poets that preceded him. Wishing for new poetic forms and ideas, he wrote: I say that one must be a seer, make oneself a seer. The poet makes himself a seer by a long, prodigious, and rational disordering of all the senses. Every form of love, of suffering, of madness; he searches himself, he consumes all the poisons in him, and keeps only their quintessences. This is an unspeakable torture during which he needs all his faith and superhuman strength, and during which he becomes the great patient, the great criminal, the great accursed – and the great learned one! – among men. – For he arrives at the unknown! Because he has cultivated his own soul – which was rich to begin with – more than any other man! He reaches the unknown; and even if, crazed, he ends up by losing the understanding of his visions, at least he has seen them! Let him die charging through those unutterable, unnameable things: other horrible workers will come; they will begin from the horizons where he has succumbed! Rimbaud expounded the same ideas in his poem, "Le bateau ivre" ("The Drunken Boat"). This hundred-line poem tells the tale of a boat that breaks free of human society when its handlers are killed by "Redskins" (Peaux-Rouges). At first thinking that it drifts where it pleases, it soon realizes that it is being guided by and to the "poem of the sea". It sees visions both magnificent ("the blue and yellow of singing phosphorescence", "l'éveil jaune et bleu des phosphores chanteurs",) and disgusting ("nets where a whole Leviathan was rotting" "nasses / Où pourrit dans les joncs tout un Léviathan). It ends floating and washed clean, wishing only to sink and become one with the sea. Archibald MacLeish has commented on this poem: "Anyone who doubts that poetry can say what prose cannot has only to read the so-called Lettres du Voyant and 'Bateau Ivre' together. What is pretentious and adolescent in the Lettres is true in the poem—unanswerably true." Rimbaud's poetry influenced the Symbolists, Dadaists and Surrealists, and later writers adopted not only some of his themes, but also his inventive use of form and language. French poet Paul Valery stated that "all known literature is written in the language of common sense—except Rimbaud's." Cultural legacy Rimbaud's poetry, as well as his life, made an indelible impression on 20th century writers, musicians and artists. Pablo Picasso, Dylan Thomas,

The Best Poem Of Arthur Rimbaud

Novel

I.

No one's serious at seventeen.
--On beautiful nights when beer and lemonade
And loud, blinding cafés are the last thing you need
--You stroll beneath green lindens on the promenade.

Lindens smell fine on fine June nights!
Sometimes the air is so sweet that you close your eyes;
The wind brings sounds--the town is near--
And carries scents of vineyards and beer. . .

II.

--Over there, framed by a branch
You can see a little patch of dark blue
Stung by a sinister star that fades
With faint quiverings, so small and white. . .

June nights! Seventeen!--Drink it in.
Sap is champagne, it goes to your head. . .
The mind wanders, you feel a kiss
On your lips, quivering like a living thing. . .

III.

The wild heart Crusoes through a thousand novels
--And when a young girl walks alluringly
Through a streetlamp's pale light, beneath the ominous shadow
Of her father's starched collar. . .

Because as she passes by, boot heels tapping,
She turns on a dime, eyes wide,
Finding you too sweet to resist. . .
--And cavatinas die on your lips.

IV.

You're in love. Off the market till August.
You're in love.--Your sonnets make Her laugh.
Your friends are gone, you're bad news.
--Then, one night, your beloved, writes. . .!

That night. . .you return to the blinding cafés;
You order beer or lemonade. . .
--No one's serious at seventeen
When lindens line the promenade.

Arthur Rimbaud Comments

Jetty J Newnham 19 November 2012

If I hadn't read the beat poets I may never of heard Rimbaud, I thank them for that. Its also possible that if I had not read either I may not write my own.

32 21 Reply
Grace Moneymaker 23 December 2014

Good ol' Arthur Rimbaud. He inspires me to write poetry, even though I am a troubled poet like he was. One of the best.

16 27 Reply
Nellie Cbriggs 12 July 2020

I commend this pastor for taking responsibility and asking his community to take specific precautions before coming back together. It is unfortunate that the Texas state guidelines may have been more lax..............self21.

1 0 Reply
Soran M. H 08 February 2020

Rimbaud the rebel and creative poet for centuries...his soul shining in the sky among the bright stars... our favorite poet.....

9 0 Reply
Nadeem Ishaque 03 November 2018

Rimbaud can so easily vacillate between the lyric and the epic

5 1 Reply
Frederick Kesner 08 March 2018

An elusive character to the end. A major struggle in the study of Rimbaud would be his turning completely away from poetry in the last years of his life. It must have been a personal torment for poetry flows naturally from wells springing from within the poet.

6 3 Reply
Fabrizio Frosini 22 November 2015

by Rimbaud, in Italian: La danza degli impiccati Alla nera forca, amabile moncone, danzano, danzano i paladini, i magri paladini del demonio, gli scheletri dei Saladini! Messer Belzebù tira per la cravatta i suoi piccoli neri fantocci che fan smorfie al cielo, e picchiandoli in fronte con la ciabatta li fa danzare sulle note d'un vecchio Natale! E i fantocci scioccati intrecciano i loro gracili braccini, come neri organi i petti squarciati che un tempo stringevano dolci donzelle cozzano a lungo in un amore immondo. Urrà per i gai danzatori che non hanno più pancia! Possono fare giravolte, perché il palco è così grande! Op! Che non si sappia se è danza o battaglia! Belzebù irato coi suoi violini raglia! O duri talloni, non usate mai sandali! Quasi tutti han tolto la camicia di pelle! Il resto non impaccia si guarda senza schifo. Sui crani la neve posa un candido cappello: la cornacchia è un pennacchio sulle incrinate teste, un brano di carne trema sul mento scarno: si direbbe vorticante nelle oscure resse di prodi, rigide armature di cartone. Urrà! La tramontana soffia al gran ballo degli scheletri! La forca nera mugola come un organo di ferro! E i lupi rispondono da foreste violette: all'orizzonte il cielo è d'un rosso inferno... Olà, scuotete quei funebri capitani che sgranano sornioni tra le dita spezzate un rosario d'amore sulle vertebre pallide: questo non è un monastero, o trapassati! Oh! Ecco, nel mezzo della danza macabra nel cielo rosso un folle scheletro avanza di slancio, e come un cavallo impenna: e, poiché al collo la corda è stretta, raggrinza le dita sul femore che scricchiola con grida simili a ghigni e come un acrobata che rientra nella sua baracca rimbalza nel ballo al canto delle ossa. Alla nera forca, amabile moncone, danzano, danzano i paladini, i magri paladini del demonio, gli scheletri dei Saladini! -Arthur Rimbaud

166 5 Reply

Arthur Rimbaud Quotes

The poet makes himself a seer by a long, prodigious, and rational disordering of all the senses. Every form of love, of suffering, of madness; he searches himself, he consumes all the poisons in him, and keeps only their quintessences.

I is another.

I saw that all beings are fated to happiness: action is not life, but a way of wasting some force, an ennervation. Morality is the weakness of the brain.

But, truly, I have wept too much! The dawns are heartbreaking. Every moon is atrocious and every sun bitter.

Life is the farce which everyone has to perform.

Only divine love bestows the keys of knowledge.

I am the slave of my baptism. Parents, you have caused my misfortune, and you have caused your own.

When you are seventeen you aren't really serious.

The Sun, the hearth of affection and life, pours burning love on the delighted earth.

Idle youth, enslaved to everything; by being too sensitive I have wasted my life.

One evening I sat Beauty on my knees—And I found her bitter—And I reviled her.

I believe that I am in hell, therefore I am there.

I invented the colors of the vowels!—A black, E white, I red, O blue, U green—I made rules for the form and movement of each consonant, and, and with instinctive rhythms, I flattered myself that I had created a poetic language accessible, some day, to all the senses.

What a life! True life is elsewhere. We are not in the world.

Eternity. It is the sea mingled with the sun. ... L'éternité.

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