Biography of Arthur Symons
Arthur William Symons, was a British poet, critic and magazine editor.
Born in Milford Haven, Wales, of Cornish parents, Symons was educated privately, spending much of his time in France and Italy. In 1884–1886 he edited four of Bernard Quaritch's Shakespeare's Quarto Facsimiles, and in 1888–1889 seven plays of the "Henry Irving" Shakespeare. He became a member of the staff of the Athenaeum in 1891, and of the Saturday Review in 1894, but his major editorial feat was his work with the short-lived Savoy.
His first volume of verse, Days and Nights (1889), consisted of dramatic monologues. His later verse is influenced by a close study of modern French writers, of Charles Baudelaire, and especially of Paul Verlaine. He reflects French tendencies both in the subject-matter and style of his poems, in their eroticism and their vividness of description. Symons contributed poems and essays to the Yellow Book, including an important piece which was later expanded into The Symbolist Movement in Literature, which would have a major influence on William Butler Yeats and T.S. Eliot. From late 1895 through 1896 he edited, along with Aubrey Beardsley and Leonard Smithers, The Savoy, a literary magazine which published both art and literature. Noteworthy contributors included Yeats, George Bernard Shaw, and Joseph Conrad.
In 1892, The Minister's Call, Symons's first play, was produced by the Independent Theatre Society – a private club – to avoid censorship by the Lord Chamberlain's Office.
In 1902 Symons made a selection from his earlier verse, published as Poems. He translated from the Italian of Gabriele D'Annunzio The Dead City (1900) and The Child of Pleasure (1898), and from the French of Émile Verhaeren The Dawn (1898). To The Poems of Ernest Dowson(1905) he prefixed an essay on the deceased poet, who was a kind of English Verlaine and had many attractions for Symons. In 1909 Symons suffered a psychotic breakdown, and published very little new work for a period of more than twenty years. His Confessions: A Study in Pathology (1930), has a moving description of his breakdown and treatment.
Arthur Symons's Works:
Days and Nights (1889)
London Nights (1895)
Amoris victima (1897)
Images of Good and Evil (1899)
Poems in 2 volumes.(Contains: The Loom of Dreams in the second Volume, 1901), (1902)
A Book of Twenty Songs (1905)
The Fool of the World and other Poems (1906)
Knave of Hearts (1913)
Love's Cruelty (1923)
Jezebel Mort, and other poems (1931)
Studies in Two Literatures (1897)
Aubrey Beardsley: An Essay with a Preface (1898)
The Symbolist Movement in Literature (1899; 1919)
Plays, Acting and Music (1903)
Studies in Prose and Verse (1904)
Spiritual Adventures (1905)
Studies in Seven Arts (1906).
Figures of Several Centuries (1916)
Studies in the Elizabethan Drama (1919)
Charles Baudelaire: A Study (1920)
Confessions: A Study in Pathology (1930)
A Study of Walter Pater (1934)
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Arthur Symons Poems
To A Dancer
Intoxicatingly Her eyes across the footlights gleam, (The wine of love, the wine of dream) Her eyes, that gleam for me!
Before The Squall
The wind is rising on the sea, The windy white foam-dancers leap; And the sea moans uneasily, And turns to sleep, and cannot sleep.
Side by side through the streets at midnight, Roaming together, Through the tumultuous night of London, In the miraculous April weather.
O, Water, Voice Of My Heart...
O water, voice of my heart, crying in the sand, All night long crying with a mournful cry, As I lie and listen, and cannot understand
The Andante Of Snakes
They weave a slow andante as in sleep, Scaled yellow, swampy black, plague-spotted white; With blue and lidless eyes at watch they keep A treachery of silence; infinite
Because it is the day of Palms, Carry a palm for me, Carry a palm in Santa Chiara, And I will watch the sea;
Love And Sleep
I have laid sorrow to sleep; Love sleeps. She who oft made me weep Now weeps.
As a perfume doth remain In the folds where it hath lain, So the thought of you, remaining Deeply folded in my brain,
Amends To Nature
I have loved colours, and not flowers; Their motion, not the swallows wings; And wasted more than half my hours Without the comradeship of things.
As A Perfume
As a perfume doth remain In the folds where it hath lain, So the thought of you, remaining
To A Gitana Dancing
Because you are fair as souls of the lost are fair, And your eyelids laugh with desire, and your laughing feet Are winged with desire, and your hands are wanton, and sweet Is the promise of love in your lips, and the rose in your hair
The Loom Of Dreams
I broider the world upon a loom, I broider with dreams my tapestry; Here in a little lonely room I am master of earth and sea,
Miraculous silver-work in stone Against the blue miraculous skies, The belfry towers and turrets rise Out of the arches that enthrone
Pastel: Masks And Faces
The light of our cigarettes Went and came in the gloom: It was dark in the little room.
In Fountain Court
The fountain murmuring of sleep,
A drowsy tune;
The flickering green of leaves that keep
The light of June;
Peace, through a slumbering afternoon,
The peace of June.
A waiting ghost, in the blue sky,
The white curved moon;