Arvind Krishna Mehrotra
Biography of Arvind Krishna Mehrotra
Arvind Krishna Mehrotra is a noted Indian English poet, anthologist, literary critic and translator. He is well known for incorporating a post-modernist style in modern English poetry.
Arvind Krishna Mehrotra a popular name in modern English poetry was born the year 1947 in Lahore. He has published four volumes of poetry. Mehrotra had completed his education from Oxford University. Presently the poet has been nominated for the chair of Professor of Poetry at the University of Oxford in 2009. It is the style of Mehrotra to continually revise a small body of work, polishing, crafting, and aiming at elegance, wit precision and an impersonality which will fix the poem and the personal memories that are its source.
Mehrotras poetry largely falls into two groups. His earliest work is an immediate reaction to his discovery of various modern, post-modernist and earlier avant-garde style and poetics. On the contrary Mehrotra`s present phase is different as it involves a precise recording of external, a making of art from specifics and details, the notating of what he calls, "location". Often the subject matter comes from memories of childhood or from reading history. The technique which has been used by Mehrotra is generally the surrealistic technique. He likes to juxtapose bits and pieces of sensibility as represented by clichâ€šd language, sentiments and situations.
In the poems there has been abundant use of Allahabad because most of his poems are related to the nostalgic moments and reminiscences of Allahabad where he had spent a major portion of his life. Mehrotra`s increasing pre-occupation with personal and local realities is derived from his imagism and he demands that poetry be made of specifics and also express its locations.
As a poet Mehrotra also has the capacity to create continuities and connections between language and experience. Mehrotras early poems have several characteristics of post-modernism. The form is highly fragmented and relies on collage and montage with no mythic, formal or symbolic structure to create coherence. As in much post modernist literature it seems to enclose itself with the focus on the text rather than society or history.
The poems of Mehrotra show very little feeling of exhaustion and hopelessness which is noticeable in some of the other post-modernist writers. As far as humour of Mehrotra is concerned it was iconoclastic in nature. Mehrotra`s poetry offers a cool, clever, ironic catalogue of received ideas and ready made speech.
Some of the notable literary works of Mehrotra includes, "The Exquisite Corpse", "The Sale", "The Roys", "The Book of Common Places and a lot more. Hence it can be concluded saying that Arvind Kishore Mehrotra had incorporated a style in his poems which had ample resemblance with post-modern literary works.
Arvind Krishna Mehrotra's Works:
(1984). Middle earth. Three crowns books. Delhi: Oxford University Press.
(1976). Nine enclosures. Bombay: Clearing House.
(1982). Distance in statute miles. Bombay: Clearing House.
(1998). The transfiguring places: poems. Delhi: Ravi Dayal Publisher.
(2003). History of Indian literature in English. New York: Columbia University Press, (
(1992). The Oxford India anthology of twelve modern Indian poets. Delhi: Oxford University Press. excerpts
Translated into German as Mehrotra, A. K. (2006). Indische Dichter der Gegenwart eine Anthologie englischsprachiger Lyrik Indiens. Heidelberg: Verl. Das Wunderhorn.
(1993). Periplus: poetry in translation. Delhi: Oxford University Press.
(2007). The last bungalow: writings on Allahabad. New Delhi: Penguin Books.
(1991). The Absent traveller: Prākrit love poetry from the Gāthāsaptaśatī of Sātavāhana Hāla. Delhi: Distributed by Orient Longman.
Editor of Literary Magazines
Ezra, Allahabad, India, Ezra-Fakir Press, 1966.
"A magazine of neo imagiste poetry."
Fakir, Bombay, Concrete poetry, Bombay.
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Arvind Krishna Mehrotra Poems
This is about the green miraculous trees, And old clocks on stone towers, And playgrounds full of light And dark blue uniforms.
Lakes do not happen Only in geography. I know one with a Japanese garden And a limited zoo; it is surrounded
To An Unborn Daughter
If writing a poem could bring you Into existence, I'd write one now,
On The Death Of A Sunday Painter
He smoked a cherry-wood pipe, knew all about cannas, And deplored our lack of a genuine fast bowler. My uncle called his wife Soft Hands.
Last night a line appeared,Unbidden, unsigned; It had eight memorable Syllables. I'll keep you,
Mirza Ghalib In Old Age
His eyesight failed him, But in his soldier's hands, Still held like a sword, Was the mirror of couplets.
Where Will The Next One Come From
The next one will come from the air It will be an overripe pumpkin It will be the missing shoe
Canticle For My Son
The dog barks and the cat mews, The moon comes out in the sky, The birds are mostly settled.
Bharati Bhavan Library, Chowk, Allahabad...
A day in 1923. The reading room is full. In pin-dropp silence, Accountants, homoeopaths,
I recognize my father's wooden skin The sun in the west lights up his bald bones I see his face and then his broken pair of shoes His voice comes through, an empty sleeve.
To An Unborn Daughter
If writing a poem could bring you
Into existence, I'd write one now,
Filling the stanzas with more
Skin and tissue than a body needs,
Filling the lines with speech.
I'd even give you your mother's
Close-bitten nails and light-brown eyes,
For I think she had them. I saw her