No one says Paris anymore.
There's no such thing as Paris, no
Café de la Paix, no Titian's Entombment
in the Louvre or Hotel La Sanguin
...
transparent stomach fat as a coin purse. Beak too big for its face, like a baby
wearing huge sunglasses. Tuft of white fuzz, oh darling old man. Always
...
it was the barber and the undertaker who got into the heart
of the village earlier than even the firemen and the pharmacist
the barber would call hey pauly that's what he called paul
the undertaker and they'd head for marge taylor's place
...
thatched roof like the one on Stack's garage and inside
six stools covered in split red plastic, five booths, a cement
floor (I'm being honest about its frailties) and an oil heater
the kids gathered around drinking their cocoa, no I didn't
...
and their little brother Sonny but they were busy
for a long time on the top floor of that old barn
at the edge of their dad's property and finally
one day led me up the stairs into what had been
...
You can be one of the richest men in town
today and just a splatter at the bottom of your grain
elevator tomorrow, you can be a town in the morning
and by evening a pile of cinders, the old barber shop
...
Some women make a pilgrimage to visit it
in the Indiana library charged to keep it safe.
I didn't drive to it; I dreamed it, the thick braid
...
Since it's just me here I've
found the back and stayed
there most of the time, in
rain and snow and the
no-moon nights, dodging the front
I used to put up like a yard
gussied and groomed, all
edged and flower-lined, my
bottled life.
Uncorked, I had a thought: I
want the want
I dreamed of wanting once, a
quarter cup of sneak-peek
at what prowls in the back, at
what sings in the
wet rag space behind the garage, back
where the rabbits nest, where
I smell something soupish, sour and dank and it's
filled with weeds like rough
cat tongues and
the wind is unfostered, untended,
now that it's just me here and
I am so hungry
for the song that grows tall like a weed
grows, and grows.
When I was a
little girl
my ma said a woman gets
tired and sick
of the front yard, of
kissing the backside of a
rose.
...
There is a force that breaks the body, inevitable,
the by-product is pain, unexceptional as a rain
gauge, which has become arcane, rhyme, likewise,
unless it's assonant or internal injury, gloom, joy,
which is also a dish soap, but not the one that rids
seabirds of oil from wrecked tankers, that's Dawn,
which should change its name to Dusk, irony being
the flip side of sentimentality here in the Iron Age,
ironing out the kinks in despair, turning it to hairdo
from hair, to do, vexing infinitive, much better to be
pain's host, body of Christ as opposed to the Holy
Ghost, when I have been suffering at times I could
step away from it by embracing it, a blues thing,
a John Donne thing, divest by wrestling, then sing.
...
What is it you feel I asked Kurt when you listen to
Ravel's String Quartet in F-major, his face was so lit up
and I wondered, "the music is unlike the world I live
or think in, it's from somewhere else, unfamiliar and unknown,
not because it is relevant to the familiar and comfortable,
but because it brings me to that place that I didn't/couldn't
imagine existed. And sometimes that unfamiliar place is closer
to my world than I realize, and sometimes it's endlessly distant,"
that's what he wrote in an email when I asked him
to remind me what he'd said earlier, off the cuff, "I don't
recall exactly what I said," he began, a sentence written
in iambic pentameter, and then the rest, later he spoke of two
of his brothers who died as children, leukemia and fire,
his face, soft, I'm listening to Ravel now, its irrelevancy.
...