Donald Revell

(1954 / New York)

Biography of Donald Revell

Donald Revell poet

Born in the Bronx, Donald Revell received his PhD at SUNY Buffalo and is the author of more than a dozen books of poetry, translations, and essays. His recent books include Drought-Adapted Vine (2015), Tantivy (2012), and the prose work, Essay: A Critical Memoir (2015). Steeped in the work of Henry David Thoreau and William Carlos Williams, Revell’s poetry is “seriously Christian but not doctrinaire, mystical without setting intellect aside, angry over political matters without ever growing stale or shrill, and more often joyful than any other living poet of his powers,” observes critic Stephen Burt, noting that in A Thief of Strings (2007) Revell “may have constructed the only language of ecstasy that makes sense for our secular, self-doubting age.”

Since his first collection, From Abandoned Cities (1983), a National Poetry Series winner, Revell’s poetry has moved toward a yearning for transparency and innocence. Although Revell was originally a formalist poet, his more recent work tends to be in free verse and aims, in his words, “to make something out of words through which meaning can pass without impediment and without significant loss of energy.” As he teaches his students, “Craft is nothing. Sincerity is everything.”

His awards include two Pushcart Prizes, two Shestack Prizes, the Gertrude Stein Award in Innovative American Poetry, two PEN Center USA Awards in poetry, and fellowships from the NEA, the Ingram Merrill Foundation, and the John Simon Guggenheim Memorial Foundation.

After editing the Denver Quarterly from 1988 to 1994, Revell joined the Colorado Review as poetry editor in 1995. He has taught at the Universities of Tennessee, Denver, Missouri, Iowa, Alabama, Utah, and Nevada-Las Vegas.

Revell lives in Las Vegas, Nevada, with his wife, poet Claudia Keelan.

PoemHunter.com Updates

Warm Days in January

It has never been so easy to cry
openly or to acknowledge children.
Never before could I walk directly
to the center of an island city
feeling the automatism of millions
drawing one pious breath, shouldering
the sunset, holding it up in the oily
tree-line a while longer. Years ago,
I was never sad enough and nothing

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