Biography of Eric Pankey
Eric Pankey (born 1959 in Kansas City, Missouri) is an American poet and artist. He is married to the poet Jennifer Atkinson (born 1955).
Pankey's poetry has moved from the literal and narrative as in _Heartwood,_ towards the suggestiveness of Emerson, without the hopefulness implicit in Emerson's transcendentalism. In Pankey's poems, often written in free verse forms or in prose poetry, the hint of grand comprehensiveness is suggested, without the hope of absorption into a universalizing or redemptive whole. The result, as in his "Souvenir de Voyage" (2015 in Verse)—an implied answer to Baudelaire's "Invitation au Voyage," is a glimpse of redemption from which the speaker of the poems, and thus the reader, is blocked, a promise unfulfilled and perhaps unfulfillable. Behind this urge lies a religious impulse that may remind a reader of T. S. Eliot. Yet the persistence of the seeking separates Pankey from Samuel Beckett; he remains on the closer side of despair.
Eric Pankey Poems
Three Mathew Brady Photographs
1. Confederate Dead behind a Stone Wall at Fredericksburg, Virginia Where the glass negative broke: A silky, liquid black,
Study for Salome Dancing Before Herod
In the movement toward disappearance, She is pulled by an undertow of ecstasy. She wakes in a room where she never fell asleep. A thousand starlings leaf-out a bare tree.
An arctic, oblique light— Grave, earthward— Roughs in a snowfield's scoured basin,
Light By Which I Read
One does not turn to the rose for shade, nor the charred song of the redwing for solace. This past I patch with words is a flaw in the silvering, memory seen
The wasp's paper nest hung all winter. Sun, angled in low and oblique, Backlit—with cold fever—the dull lantern.
Beyond the traceries of the auroras, The fires of tattered sea foam, The ghost-terrain of submerged icebergs; Beyond a cinder dome's black sands,
The wasp's paper nest hung all winter.
Sun, angled in low and oblique,
Backlit—with cold fever—the dull lantern.
Emptied, the dangled nest drew him:
Gray. Translucent. At times an heirloom
Of glare, paper white as burning ash.
Neither destination nor charm, the nest