1
|
A Girl
|
57
|
100%
|
0
|
0%
|
2
|
A Pact
|
39
|
68%
|
0
|
0%
|
3
|
A Song Of The Degrees
|
6
|
10%
|
0
|
0%
|
4
|
A Villonaud: Ballad Of The Gibbet
|
5
|
8%
|
0
|
0%
|
5
|
A Virginal
|
3
|
5%
|
0
|
0%
|
6
|
Alba
|
11
|
19%
|
0
|
0%
|
7
|
Albatre
|
5
|
8%
|
0
|
0%
|
8
|
Alf’s Eighth Bit
|
6
|
10%
|
0
|
0%
|
9
|
Alf’s Fifth Bit
|
3
|
5%
|
0
|
0%
|
10
|
Alf’s Fourth Bit
|
4
|
7%
|
0
|
0%
|
11
|
Alf’s Ninth Bit
|
2
|
3%
|
0
|
0%
|
12
|
Alf’s Second Bit
|
4
|
7%
|
0
|
0%
|
13
|
Alf’s Seventh Bit
|
3
|
5%
|
0
|
0%
|
14
|
Alf’s Sixth Bit
|
3
|
5%
|
0
|
0%
|
15
|
Alf’s Tenth Bit
|
3
|
5%
|
0
|
0%
|
16
|
Alf’s Third Bit
|
4
|
7%
|
0
|
0%
|
17
|
Alf’s Twelfth Bit
|
3
|
5%
|
0
|
0%
|
18
|
Amities
|
3
|
5%
|
0
|
0%
|
19
|
An Immorality
|
19
|
33%
|
0
|
0%
|
20
|
An Object
|
3
|
5%
|
0
|
0%
|
21
|
Ancient Music
|
11
|
19%
|
0
|
0%
|
22
|
Ancient Wisdom, Rather Cosmic
|
4
|
7%
|
0
|
0%
|
23
|
Ancora
|
4
|
7%
|
0
|
0%
|
24
|
And The Days Are Not Full Enough
|
29
|
50%
|
0
|
0%
|
25
|
And Thus In Nineveh
|
12
|
21%
|
0
|
0%
|
26
|
Another Bit And An Offer
|
5
|
8%
|
0
|
0%
|
27
|
Apparuit
|
11
|
19%
|
0
|
0%
|
28
|
April
|
6
|
10%
|
0
|
0%
|
29
|
Arides
|
6
|
10%
|
0
|
0%
|
30
|
Äþñßá (Greek Title)
|
4
|
7%
|
0
|
0%
|
31
|
Au Jardin
|
4
|
7%
|
0
|
0%
|
32
|
Au Salon
|
3
|
5%
|
0
|
0%
|
33
|
Ballad For Gloom
|
4
|
7%
|
0
|
0%
|
34
|
Ballad Of The Goodly Fere
|
4
|
7%
|
0
|
0%
|
35
|
Ballatetta
|
4
|
7%
|
0
|
0%
|
36
|
Before Sleep
|
3
|
5%
|
0
|
0%
|
37
|
Black Slippers: Bellotti
|
2
|
3%
|
0
|
0%
|
38
|
Brennbaum
|
4
|
7%
|
0
|
0%
|
39
|
Cantico Del Sole
|
2
|
3%
|
0
|
0%
|
40
|
Canto 13
|
3
|
5%
|
0
|
0%
|
41
|
Canto 49
|
3
|
5%
|
0
|
0%
|
42
|
Canto I
|
1
|
1%
|
0
|
0%
|
43
|
Canto Iii
|
1
|
1%
|
0
|
0%
|
44
|
Canto Xiii: Kung Walked
|
3
|
5%
|
0
|
0%
|
45
|
Canto Xlix: For The Seven Lakes
|
2
|
3%
|
0
|
0%
|
46
|
Canto Xlv
|
2
|
3%
|
0
|
0%
|
47
|
Canto XVI
|
1
|
1%
|
0
|
0%
|
48
|
Canto XXXVI
|
6
|
10%
|
0
|
0%
|
49
|
Cantus Planus
|
3
|
5%
|
0
|
0%
|
50
|
Causa
|
2
|
3%
|
0
|
0%
|
51
|
Cino
|
4
|
7%
|
0
|
0%
|
52
|
Coda
|
2
|
3%
|
0
|
0%
|
53
|
Coitus
|
2
|
3%
|
0
|
0%
|
54
|
Come To My Cantilations
|
3
|
5%
|
0
|
0%
|
55
|
Commission
|
7
|
12%
|
0
|
0%
|
56
|
Dance Figure
|
2
|
3%
|
0
|
0%
|
57
|
Dans Un Omnibus De Londres
|
2
|
3%
|
0
|
0%
|
58
|
De Ægypto
|
2
|
3%
|
0
|
0%
|
59
|
Dieu! Qu'Il La Fait
|
2
|
3%
|
0
|
0%
|
60
|
Dompna Pois De Me No'Us Cal
|
2
|
3%
|
0
|
0%
|
61
|
Donna Mi Prega
|
2
|
3%
|
0
|
0%
|
62
|
Dum Capitolium Scandet
|
2
|
3%
|
0
|
0%
|
63
|
E.P. Ode Pour L'Election De Son Sepulchre
|
2
|
3%
|
0
|
0%
|
64
|
Envoi
|
2
|
3%
|
0
|
0%
|
65
|
Epilogue
|
2
|
3%
|
0
|
0%
|
66
|
Epitaph
|
2
|
3%
|
0
|
0%
|
67
|
Epitaphs
|
5
|
8%
|
0
|
0%
|
68
|
Erat Hora
|
7
|
12%
|
0
|
0%
|
69
|
Exile’s Letter
|
6
|
10%
|
0
|
0%
|
70
|
Ezra On The Strike
|
2
|
3%
|
0
|
0%
|
71
|
Famam Librosque Cano
|
1
|
1%
|
0
|
0%
|
72
|
Fish And Shadow
|
2
|
3%
|
0
|
0%
|
73
|
For E. Mcc
|
1
|
1%
|
0
|
0%
|
74
|
Francesca
|
2
|
3%
|
0
|
0%
|
75
|
Fratres Minores
|
2
|
3%
|
0
|
0%
|
76
|
From "Hugh Selwyn Mauberly"
|
2
|
3%
|
0
|
0%
|
77
|
Further Instructions
|
1
|
1%
|
0
|
0%
|
78
|
Gentildonna
|
2
|
3%
|
0
|
0%
|
79
|
Grace Before Song
|
2
|
3%
|
0
|
0%
|
80
|
Guido Invites You Thus
|
1
|
1%
|
0
|
0%
|
81
|
Heather
|
1
|
1%
|
0
|
0%
|
82
|
Her Monument, The Image Cut Thereon
|
2
|
3%
|
0
|
0%
|
83
|
Historion
|
2
|
3%
|
0
|
0%
|
84
|
Histrion
|
1
|
1%
|
0
|
0%
|
85
|
Homage To Quintus Septimus Florentis Christianus
|
1
|
1%
|
0
|
0%
|
86
|
Homage To Sextus Propertius - I
|
6
|
10%
|
0
|
0%
|
87
|
Homage To Sextus Propertius - Ii
|
3
|
5%
|
0
|
0%
|
88
|
Homage To Sextus Propertius - Iii
|
3
|
5%
|
0
|
0%
|
89
|
Homage To Sextus Propertius - Iv
|
1
|
1%
|
0
|
0%
|
90
|
Homage To Sextus Propertius - Ix
|
2
|
3%
|
0
|
0%
|
91
|
Homage To Sextus Propertius - V
|
2
|
3%
|
0
|
0%
|
92
|
Homage To Sextus Propertius - Vi
|
1
|
1%
|
0
|
0%
|
93
|
Homage To Sextus Propertius - Vii
|
1
|
1%
|
0
|
0%
|
94
|
Homage To Sextus Propertius - Viii
|
4
|
7%
|
0
|
0%
|
95
|
Homage To Sextus Propertius - X
|
2
|
3%
|
0
|
0%
|
96
|
Homage To Sextus Propertius - Xi
|
1
|
1%
|
0
|
0%
|
97
|
Homage To Sextus Propertius - Xii
|
1
|
1%
|
0
|
0%
|
98
|
Horae Beatae Inscripto
|
1
|
1%
|
0
|
0%
|
99
|
Hugh Selwyn Mauberly (Part I)
|
3
|
5%
|
0
|
0%
|
100
|
Image From D'Orleans
|
2
|
3%
|
0
|
0%
|
101
|
Impressions Of Francois-Marie Arouet (De Voltaire)
|
2
|
3%
|
0
|
0%
|
102
|
In A Station Of The Metro
|
34
|
59%
|
0
|
0%
|
103
|
In Durance
|
3
|
5%
|
0
|
0%
|
104
|
In Exitum Cuiusdam
|
4
|
7%
|
0
|
0%
|
105
|
In Tempore Senectutis
|
3
|
5%
|
0
|
0%
|
106
|
In The Old Age Of The Soul
|
1
|
1%
|
0
|
0%
|
107
|
Invern
|
1
|
1%
|
0
|
0%
|
108
|
Ione, Dead The Long Year
|
5
|
8%
|
0
|
0%
|
109
|
Ité
|
1
|
1%
|
0
|
0%
|
110
|
La Fraisne
|
1
|
1%
|
0
|
0%
|
111
|
La Regina Avrillouse
|
2
|
3%
|
0
|
0%
|
112
|
Ladies
|
1
|
1%
|
0
|
0%
|
113
|
Lament Of The Frontier Guard
|
1
|
1%
|
0
|
0%
|
114
|
Langue D'Oc
|
7
|
12%
|
0
|
0%
|
115
|
L'Art
|
2
|
3%
|
0
|
0%
|
116
|
Leave-Taking Near Shoku
|
1
|
1%
|
0
|
0%
|
117
|
Les Millwin
|
2
|
3%
|
0
|
0%
|
118
|
L'Homme Moyen Sensuel
|
1
|
1%
|
0
|
0%
|
119
|
Liu Ch'E
|
3
|
5%
|
0
|
0%
|
120
|
M. Pom-Pom
|
4
|
7%
|
0
|
0%
|
121
|
Marvoil
|
1
|
1%
|
0
|
0%
|
122
|
Masks
|
1
|
1%
|
0
|
0%
|
123
|
Mauberley
|
2
|
3%
|
0
|
0%
|
124
|
Medallion
|
1
|
1%
|
0
|
0%
|
125
|
Meditatio
|
4
|
7%
|
0
|
0%
|
126
|
Mesmerism
|
1
|
1%
|
0
|
0%
|
127
|
Middle-Aged
|
5
|
8%
|
0
|
0%
|
128
|
Moeurs Contemporaines
|
6
|
10%
|
0
|
0%
|
129
|
Monumentum Aere, Etc.
|
1
|
1%
|
0
|
0%
|
130
|
Mr. Housman's Message
|
1
|
1%
|
0
|
0%
|
131
|
Mr. Nixon
|
1
|
1%
|
0
|
0%
|
132
|
N. Y.
|
2
|
3%
|
0
|
0%
|
133
|
Na Audiart
|
2
|
3%
|
0
|
0%
|
134
|
National Song (E.C.)
|
2
|
3%
|
0
|
0%
|
135
|
Near Perigord
|
3
|
5%
|
0
|
0%
|
136
|
Nicotine
|
1
|
1%
|
0
|
0%
|
137
|
Night Litany
|
4
|
7%
|
0
|
0%
|
138
|
Notes For Canto Cxx
|
2
|
3%
|
0
|
0%
|
139
|
Of Jacopo Del Sellaio
|
2
|
3%
|
0
|
0%
|
140
|
Old Idea Of Choan By Rosoriu
|
1
|
1%
|
0
|
0%
|
141
|
Ole Kate
|
3
|
5%
|
0
|
0%
|
142
|
On His Own Face In A Glass
|
1
|
1%
|
0
|
0%
|
143
|
Ortus
|
2
|
3%
|
0
|
0%
|
144
|
Our Contemporaries
|
2
|
3%
|
0
|
0%
|
145
|
Pagani’s, November 8
|
1
|
1%
|
0
|
0%
|
146
|
Pan Is Dead
|
4
|
7%
|
0
|
0%
|
147
|
Paracelsus In Excelsis
|
2
|
3%
|
0
|
0%
|
148
|
Phanopoeia
|
2
|
3%
|
0
|
0%
|
149
|
Phyllidula
|
2
|
3%
|
0
|
0%
|
150
|
Piccadilly
|
1
|
1%
|
0
|
0%
|
151
|
Piere Vidal Old
|
2
|
3%
|
0
|
0%
|
152
|
Planh For The Young English King
|
3
|
5%
|
0
|
0%
|
153
|
Poem
|
2
|
3%
|
0
|
0%
|
154
|
Poem By The Bridge At Ten-Shin
|
2
|
3%
|
0
|
0%
|
155
|
Poetic Eggs
|
2
|
3%
|
0
|
0%
|
156
|
Portrait D'Une Femme
|
2
|
3%
|
0
|
0%
|
157
|
Post Mortem Conspectu
|
2
|
3%
|
0
|
0%
|
158
|
Praise Of Ysolt
|
1
|
1%
|
0
|
0%
|
159
|
Prayer For His Lady’s Life
|
2
|
3%
|
0
|
0%
|
160
|
Provincia Deserta
|
1
|
1%
|
0
|
0%
|
161
|
Quies
|
1
|
1%
|
0
|
0%
|
162
|
Rome
|
1
|
1%
|
0
|
0%
|
163
|
Safe And Sound
|
1
|
1%
|
0
|
0%
|
164
|
Salutation
|
3
|
5%
|
0
|
0%
|
165
|
Salutation The Second
|
3
|
5%
|
0
|
0%
|
166
|
Salutation The Third
|
2
|
3%
|
0
|
0%
|
167
|
Salvationists
|
3
|
5%
|
0
|
0%
|
168
|
Satiemus
|
2
|
3%
|
0
|
0%
|
169
|
Sennin Poem By Kakuhaku
|
1
|
1%
|
0
|
0%
|
170
|
Separation On The River Kiang
|
1
|
1%
|
0
|
0%
|
171
|
Sestina: Altaforte
|
1
|
1%
|
0
|
0%
|
172
|
Shop Girl
|
1
|
1%
|
0
|
0%
|
173
|
Silet
|
1
|
1%
|
0
|
0%
|
174
|
Simulacra
|
3
|
5%
|
0
|
0%
|
175
|
Society
|
3
|
5%
|
0
|
0%
|
176
|
Song
|
3
|
5%
|
0
|
0%
|
177
|
Song In The Manner Of Housman
|
2
|
3%
|
0
|
0%
|
178
|
Song Of The Bowmen Of Shu
|
1
|
1%
|
0
|
0%
|
179
|
Song Of The Six Hundred M.P.'s
|
1
|
1%
|
0
|
0%
|
180
|
South-Folk In Cold Country
|
1
|
1%
|
0
|
0%
|
181
|
Speech For Psyche In The Golden Book Of Apuleius
|
2
|
3%
|
0
|
0%
|
182
|
ßìýñññù (Greek Title)
|
1
|
1%
|
0
|
0%
|
183
|
Statement Of Being
|
2
|
3%
|
0
|
0%
|
184
|
Sub Mare
|
2
|
3%
|
0
|
0%
|
185
|
Surgit Fama
|
2
|
3%
|
0
|
0%
|
186
|
Taking Leave Of A Friend
|
2
|
3%
|
0
|
0%
|
187
|
Tame Cat
|
3
|
5%
|
0
|
0%
|
188
|
Tempora
|
2
|
3%
|
0
|
0%
|
189
|
Tenzone
|
2
|
3%
|
0
|
0%
|
190
|
The Alchemist
|
2
|
3%
|
0
|
0%
|
191
|
The Altar
|
1
|
1%
|
0
|
0%
|
192
|
The Baby
|
3
|
5%
|
0
|
0%
|
193
|
The Bath-Tub
|
2
|
3%
|
0
|
0%
|
194
|
The Beautiful Toilet
|
4
|
7%
|
0
|
0%
|
195
|
The Bellaires
|
2
|
3%
|
0
|
0%
|
196
|
The Charge Of The Bread Brigade
|
2
|
3%
|
0
|
0%
|
197
|
The City Of Choan
|
2
|
3%
|
0
|
0%
|
198
|
The Cloak
|
1
|
1%
|
0
|
0%
|
199
|
The Coming Of War: Actaeon
|
1
|
1%
|
0
|
0%
|
200
|
The Condolence
|
1
|
1%
|
0
|
0%
|
201
|
The Encounter
|
3
|
5%
|
0
|
0%
|
202
|
The Eyes
|
2
|
3%
|
0
|
0%
|
203
|
The Fault Of It
|
2
|
3%
|
0
|
0%
|
204
|
The Faun
|
1
|
1%
|
0
|
0%
|
205
|
The Flame
|
1
|
1%
|
0
|
0%
|
206
|
The Game Of Chess
|
4
|
7%
|
0
|
0%
|
207
|
The Garden
|
2
|
3%
|
0
|
0%
|
208
|
The Garrett
|
2
|
3%
|
0
|
0%
|
209
|
The Gypsy
|
1
|
1%
|
0
|
0%
|
210
|
The House Of Splendour
|
3
|
5%
|
0
|
0%
|
211
|
The Jewel Stairs' Grievance
|
1
|
1%
|
0
|
0%
|
212
|
The Lake Isle
|
2
|
3%
|
0
|
0%
|
213
|
The Logical Conclusion
|
2
|
3%
|
0
|
0%
|
214
|
The Needle
|
4
|
7%
|
0
|
0%
|
215
|
The New Cake Of Soap
|
2
|
3%
|
0
|
0%
|
216
|
The Patterns
|
1
|
1%
|
0
|
0%
|
217
|
The Picture
|
2
|
3%
|
0
|
0%
|
218
|
The Plunge
|
1
|
1%
|
0
|
0%
|
219
|
The Rest
|
1
|
1%
|
0
|
0%
|
220
|
The Return
|
2
|
3%
|
0
|
0%
|
221
|
The River Song
|
2
|
3%
|
0
|
0%
|
222
|
The River-Merchant's Wife: A Letter
|
2
|
3%
|
0
|
0%
|
223
|
The Seafarer
|
3
|
5%
|
0
|
0%
|
224
|
The Seeing Eye
|
2
|
3%
|
0
|
0%
|
225
|
The Social Order
|
1
|
1%
|
0
|
0%
|
226
|
The Spring
|
1
|
1%
|
0
|
0%
|
227
|
The Study In Aesthetics
|
1
|
1%
|
0
|
0%
|
228
|
The Summons
|
2
|
3%
|
0
|
0%
|
229
|
The Tea Shop
|
2
|
3%
|
0
|
0%
|
230
|
The Temperaments
|
3
|
5%
|
0
|
0%
|
231
|
The Three Poets
|
2
|
3%
|
0
|
0%
|
232
|
The Tomb At Akr Çaar
|
2
|
3%
|
0
|
0%
|
233
|
The Tree
|
3
|
5%
|
0
|
0%
|
234
|
The White Stag
|
3
|
5%
|
0
|
0%
|
235
|
These Fought In Any Case
|
5
|
8%
|
0
|
0%
|
236
|
Threnos
|
1
|
1%
|
0
|
0%
|
237
|
To Dives
|
1
|
1%
|
0
|
0%
|
238
|
To Êáëüí (Greek Title)
|
3
|
5%
|
0
|
0%
|
239
|
To Whistler, American
|
6
|
10%
|
0
|
0%
|
240
|
To-Em-Meps ‘the Unmoving Cloud'
|
1
|
1%
|
0
|
0%
|
241
|
Translations And Adaptations From Heine
|
3
|
5%
|
0
|
0%
|
242
|
Ts'Ai Chi'H
|
4
|
7%
|
0
|
0%
|
243
|
Villanelle: The Psychological Hour
|
1
|
1%
|
0
|
0%
|
244
|
Villonaud For This Yule
|
1
|
1%
|
0
|
0%
|
245
|
Women Before A Shop
|
2
|
3%
|
0
|
0%
|
246
|
Yeux Glauques
|
1
|
1%
|
0
|
0%
|