Florence Earle Coates (July 1, 1850 – April 6, 1927) was an American poet born in Philadelphia, Pennsylvania. She attended school in Lexington, Massachusetts sometime between 1864 and 1867 under the instruction of abolitionist and teacher Theodore Dwight Weld, who had "charge of Conversation, Composition, and English Literature," and would further her education abroad at the Convent of the Sacred Heart in Paris, and by studying music in Brussels under noted instructors of the day. Granddaughter of noted abolitionist and philanthropist Thomas Earle, and eldest daughter of Philadelphia lawyer George H. Earle, Sr. and Mrs. Frances ("Fanny") Van Leer Earle, Mrs. Coates gained notoriety both at home and abroad for her works of poetry—nearly three-hundred of which were published in literary magazines such as the Atlantic Monthly, Scribner's Magazine, The Literary Digest, Lippincott's, The Century Magazine, and Harper's. Literary and social critic Matthew Arnold both encouraged and inspired Mrs. Coates' writing, and was a guest on several occasions at the Coates' Germantown, Philadelphia, Pennsylvania home during his stays in Philadelphia. Arnold wrote letters to Mrs. Coates in 1887 and 1888 from his home at Pains Hill Cottage in Cobham, Surrey, England describing his remembrance of and fondness for her "tulip-trees and maples."
In the March 1913 issue of Lippincott's Monthly Magazine, noted anthologist and poet, William Stanley Braithwaite (1878-1962), gives a detailed 9-page review of Mrs. Coates' poetry, relating how "she draws from the Olympian world figures that typify some motive or desire in human conduct, and in the modern world the praise of men and women, heroic in attainment or sacrifice; or laments events that effect social and ethical progress, showing how beneficently she has brought her art, without modifying in the least its abstract function as a creator of beauty and pleasure, into the service of profound and vital problems." Much of Mrs. Coates' later published work was written during the years spanning World War One and showcased her concern for such "profound and vital problems" as her voice joined the chorus of 'singers' in support of American involvement in the war—evidenced in her privately published pamphlet of war poetry, Pro Patria (1917). Mrs. Coates also penned several other works of fugitive verse not included in the 1917 pamphlet—published in various periodicals of her day describing the selfless sacrifices made by soldiers and citizens alike for the cause of freedom and liberty.
Mine and Thine (1904)
Lyrics of Life (1909)
The Unconquered Air, and Other Poems (1912)
Poems (1916) in 2 vols.
Pro Patria (1917)
Was it worth while to paint so fair
Thy every leaf - to vein with faultless art
Each petal, taking the boon light and air
Of summer so to heart?
'The Smile,' they called her -- 'La Sourire'; and fair --
A sculptured angel on the northern door
Of the Cathedral's west façade -- she wore
Sorrow, quit me for a while!
Wintry days are over;
Hope again, with April smile,
Violets sows and clover.
Further and further we leave the scene
Of war - and of England's care;
I try to keep my mind serene -
But my heart stays there;