Biography of Francisco Balagtas
Francisco Baltazar y dela Cruz, known much more widely through his nom-de-plume Francisco Balagtas, was a prominent Filipino poet, and is widely considered as the Tagalog equivalent of William Shakespeare for his impact on Filipino literature. The famous epic, Florante at Laura, is regarded as his defining work.
Francisco Baltazar was born on April 2, 1788 in Barrio Panginay, Bigaa, Bulacan as the youngest of the four children of Juan Baltazar, a blacksmith, and Juana de la Cruz. He studied in a parochial school in Bigaa and later in Manila. During his childhood years. Francisco later worked as houseboy in Tondo, Manila.
Awards and titles
The popular Filipino debate form Balagtasan is named after Balagtas. Balagtas also won an award during his schooldays and graduated valedictorian in Madrid. He was recognized by the Pahayagang Kastilyano (Spanish Declaration) and became the front cover for two weeks.
Life as a poet
Balagtas learned to write poetry from José de la Cruz (Huseng Sisiw), one of the most famous poets of Tondo. It was de la Cruz himself who personally challenged Balagtas to improve his writing. (source: Talambuhay ng mga Bayani, for Grade 6 textbook) In 1835, Balagtas moved to Pandacan, where he met María Asunción Rivera, who would effectively serve as the muse for his future works. She is referenced in Florante at Laura as 'Celia' and 'MAR'. Balagtas' affections for MAR were challenged by the influential Mariano Capule. Capule won the battle for MAR when he used his wealth to get Balagtas imprisoned under the accusation that he ordered a servant girl's head be shaved. It was here that he wrote Florante at Laur. In fact, the events of this poem were meant to parallel his own situation.He wrote his poems in Tagalog, during an age when Filipino writing was predominantly written in Spanish. Balagtas published Florante at Laura upon his release in 1838. He moved to Balanga, Bataan in 1840 where he served as the assistant to the Justice of peace and later, in 1856, as the Major Lieutenant. He was also appointed as the translator of the court. He married Juana Tiambeng on July 22, 1842 in a ceremony officiated by Fr. Cayetano Arellano, uncle of future Philippine Supreme Court Chief Justice Cayetano Arellano. They had eleven children but only four survived to adulthood. He died on February 20, 1862 at the age of 73. Upon his deathbed, he asked a favor that none of his children become poets like him, who had suffered under his gift as well as under others. He even went as far as to tell them it would be better to cut their hands off than let them be writers. Balagtas is so greatly revered in the Philippines that the term for Filipino debate in extemporaneous verse is named for him: balagtasan.
An elementary school was erected in honor of Balagtas, the Francisco Balagtas Elementary School (FBES), located along Alvarez Street in Santa Cruz, Manila. There is also a plaza and park (Plaza Balagtas) erected in Pandacan, Manila while most of the streets were named after various Florante at Laura characters in honor of Francisco Balagtas. His birthplace, Bigaa, Bulacan, was renamed to Balagtas, Bulacan in honor of him. His great-grandson and heir, Richard Balagtas, is currently a high school student in New York City. He possesses the same interest in poetry and learning as his great-grandfather and will hopefully be attending Johns Hopkins University on the fall of 2012.
Francisco Balagtas's Works:
Orosmán at Zafira – a comedy in four parts
Don Nuño at Selinda – a comedy in three parts
Auredato at Astrome – a comedy in three parts
Clara Belmore – a comedy in three parts
Abdol at Misereanan – a comedy, staged by Abucay in 1857
Bayaceto at Dorslica – a comedy in three parts, staged at Udyong on September 27, 1857
Alamansor at Rosalinda – a comedy staged at Udyong during the town's feast
La India elegante y el negrito amante – a short play in one part
Rodolfo at Rosemonda
Mahomet at Constanza
Claus (translated into Tagalog from Latin)
Florante at Laura, Balagtas' masterpiece
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Francisco Balagtas Poems
If I recall and read again those days in love’s long-faded script, would there be not a mark or trace but Celia’s, imprinted on my breast?
Vengeful Heaven, where is your wrath? now my land is overcome, prostrate, and in beloved Albania’s infinite skies, lately the flag of evil flies.
Punò Nang Salitâ
Sa Babasa Nito