Biography of Grace Paley
Grace Paley was an American-Jewish short story writer, poet, and political activist.
Grace Paley (née Goodside) was born in the Bronx to Isaac and Manya Ridnyik Goodside, who anglicized the family name from Gutseit on immigrating from Ukraine. Her father was a doctor. The family spoke Russian and Yiddish along with English. The youngest of the three Goodside children (sixteen and fourteen years younger than brother and sister Victor and Jeanne, respectively), Paley was a tomboy as a child.
In 1938 and 1939, Paley attended Hunter College, then, briefly New York University, but never received a degree. In the early 1940s, Paley studied with W. H. Auden at the New School for Social Research. Auden's social concern and his heavy use of irony is often cited as an important influence on her early work, particularly her poetry. On June 20, 1942, Grace Goodside married cinematographer Jess Paley, and had two children, Nora (1949-) and Danny (1951-). They later divorced. In 1972 Paley married fellow poet (and author of the Nghsi-Altai series) Robert Nichols.
She taught at Sarah Lawrence College. In 1980, she was elected to the National Academy of Arts and Letters and in 1989, Governor Mario Cuomo made her the first official New York State Writer. She was the Vermont State Poet Laureate from March 5, 2003 until July 25, 2007. She died at home in Thetford, Vermont at the age of 84 of breast cancer. In a May 2007 interview with Vermont Woman newspaper – one of her last – Paley said of her dreams for her grandchildren: "It would be a world without militarism and racism and greed – and where women don't have to fight for their place in the world."
Paley taught writing at Sarah Lawrence College from 1966 to 1989, and helped to found the Teachers & Writers Collaborative in New York in 1967. She also taught at Columbia University, Syracuse University and the City College of New York. Paley summarized her view of teaching during a symposium on "Educating the Imagination" sponsored by the Teachers & Writers Collaborative in 1996:
"Our idea," Paley said, "was that children—by writing, by putting down words, by reading, by beginning to love literature, by the inventiveness of listening to one another—could begin to understand the world better and to make a better world for themselves. That always seemed to me such a natural idea that I’ve never understood why it took so much aggressiveness and so much time to get it started!"
Paley was known for pacifism and for political activism. She wrote about the complexities of women's and men's lives and advocated for what she said was the betterment of life for everyone. In the 1950s, Paley joined friends in protesting nuclear proliferation and American militarization. She also worked with the American Friends Service Committee to establish neighborhood peace groups, through which she met her husband Robert Nichols.
With the escalation of the Vietnam War, Paley joined the War Resisters League. In 1968, she signed the “Writers and Editors War Tax Protest” pledge, vowing to refuse tax payments in protest against the Vietnam War, and in 1969 she came to national prominence as an activist when she accompanied a peace mission to Hanoi to negotiate the release of prisoners of war. She served as a delegate to the 1974 World Peace Conference in Moscow and, in 1978, was arrested as one of "The White House Eleven" for unfurling an anti-nuclear banner (that read "No Nuclear Weapons—No Nuclear Power—USA and USSR") on the White House lawn.
After a number of rejections, Paley published her first collection, The Little Disturbances of Man (1959) with Doubleday. The collection features eleven stories of New York life, several of which have since been widely anthologized, particularly "Goodbye and Good Luck" and "The Used-Boy Raisers." The collection introduces the semi-autobiographical character "Faith Darwin" (in "The Used-Boy Raisers" and "A Subject of Childhood"), who later appears in six stories of Enormous Changes at the Last Minute and ten of Later the Same Day. Though as a story collection by an unknown author, the book was not widely reviewed, those who did review it (including Philip Roth and The New Yorker book page) tended to rate the stories highly. Despite its initial lack of publicity, The Little Disturbances of Man went on to build a sufficient following for it to be reissued by Viking Press in 1968.
Goodbye and Good Luck was adapted as a musical by Mabel Thomas (book), Muriel Robinson (lyrics) and David Friedman (music) in 1989 and is currently being reworked.
Following the success of Little Disturbances of Man, Paley's publisher encouraged her to write a novel. After several years of tinkering with drafts, Paley went back to short fiction. With the aid of Donald Barthelme, she assembled a second collection of fiction in 1974, Enormous Changes at the Last Minute. This collection of seventeen stories features several recurring characters from Little Disturbances of Man (most notably the narrator "Faith," but also including Johnny Raferty and his mother), while continuing Paley's exploration of racial, gender, and class issues. The long story, "Faith in a Tree," positioned roughly at the center of the collection, brings a number of characters and themes from the stories together on a Saturday afternoon at the park. Faith, the narrator, climbs a tree to get a broader perspective on both her neighbors and the "man-wide world" and, after encountering several war protesters, declares a new social and political commitment. The collection's shifting narrative voice, metafictive qualities, and fragmented, incomplete plots have led most critics to classify it as a postmodernist work.
Paley continues the stories of Faith and her neighbors in the Later the Same Day (1985). All three volumes were gathered in her 1994 Collected Stories, which was a finalist for both the Pulitzer Prize and the National Book Award.
Awards and Recognition
Paley's honors include a 1961 Guggenheim Fellowship for Fiction, the Edith Wharton Award (1983), the Rea Award for the Short Story (1993), the Vermont Governor's Award for Excellence in the Arts (1993), and the Jewish Cultural Achievement Award for Literary Arts (1994). In 1988, American composer Christian Wolff set eight poems from Leaning Forward (1985) for soprano, bass-baritone, clarinet/bass-clarinet, and cello.
A documentary film entitled "Grace Paley: Collected Shorts" (2009),directed by Lily Rivlin, was presented at the Woodstock International Film Festival and other festivals in 2010. The film contains interviews with Paley and friends, footage of her political activities, and readings from her fiction and poetry.
Grace Paley's Works:
The Little Disturbances of Man (short stories, 1959)
A Subject of Childhood and a conversation with the author in New sounds in American fiction editor Gordon Lish (1969)
Enormous Changes at the Last Minute (short stories, 1974)
Later the Same Day (short stories, 1985)
Leaning Forward (poetry, 1985)
365 Reasons Not to Have Another War (with Vera Williams, nonfiction, War Resisters League 1989 Peace Calendar 1989)
Long Walks and Intimate Talks (stories and poems, 1991)
New and Collected Poems (1992)
The Collected Stories (1994)
Just As I Thought (semiautobiographical collection of articles, reports, and talks, 1998)
Begin Again: Collected Poems (2000)
Fidelity (2008), posthumous
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Grace Paley Poems
Here I am in the garden laughing an old woman with heavy breasts and a nicely mapped face
My friend tells me a man in my house jumped off the roof the roof is the eighth floor of this building the roof door was locked how did he manage?
The Poet's Occasional Alternative
I was going to write a poem I made a pie instead it took about the same amount of time of course the pie was a final
Walking In The Woods
That's when I saw the old maple a couple of its thick arms cracked one arm reclining half rotted into earth black with the delicious
One Day I Decided
One day I decided to not grow any older lots of luck I said to myself (my joking self) then I looked up at the sky which is wide its bluenessits whiteness
What is sometimes called a tongue of flame or an arm extended burning is only the long
When I Was Asked How I Could Leave Vermo...
I did not want to be dependent on autumn I wanted to miss it for once dropp into another latitude where it wasn't so well knownI wanted to show that beauty
People In My Family
In my family people who were eighty-two were very different from people who were ninety-two The eighty-two-year-old people grew up
Reading The Newspapers At The Village St...
this morning the hills rolled over in mist the hot watermaking sun
What has happened? language eludes me the nice specifying words of my life fail
The Boy His Mother
she said you were a wonderful boy this evening at a dinner among friends so attentive so grown up the boy's heart oh his ribs
Hand Me Downs
My love rests on the couch in the sweater and bones of old age I have stopped reading to look at him I take his hand I am shawled in my own somewhat
On Mother's Day
I went out walking in the old neighborhood Look! more trees on the block
Here I am in the garden laughing
an old woman with heavy breasts
and a nicely mapped face
how did this happen
well that's who I wanted to be
at last a woman
in the old style sitting