Biography of Henry Lawson
Henry Lawson was an Australian writer and poet. Along with his contemporary Banjo Paterson, Lawson is among the best-known Australian poets and fiction writers of the colonial period and is often called Australia's "greatest writer". He was the son of the poet, publisher and feminist Louisa Lawson.
Henry Lawson was born in a town on the Grenfell goldfields of New South Wales. His father was Niels Herzberg Larsen, a Norwegian-born miner who went to sea at 21, arrived in Melbourne in 1855 to join the gold rush. Lawson's parents met at the goldfields of Pipeclay (now Eurunderee, New South Wales) Niels and Louisa married on 7 July 1866; he was 32 and she, 18. On Henry's birth, the family surname was anglicised and Niels became Peter Lawson. The newly-married couple were to have an unhappy marriage. Peter Larsen's grave (with headstone) is in the little private cemetery at Hartley Vale New South Wales a few minutes walk behind what was Collitt's Inn.
Henry Lawson attended school at Eurunderee from 2 October 1876 but suffered an ear infection at around this time. It left him with partial deafness and by the age of fourteen he had lost his hearing entirely. He later attended a Catholic school at Mudgee, New South Wales around 8 km away; the master there, Mr. Kevan, would teach Lawson about poetry. He was a keen reader of Dickens and Marryat and serialised novels such as Robbery under Arms and For the Term of his Natural Life; an aunt had also given him a volume by Bret Harte. Reading became a major source of his education because, due to his deafness, he had trouble learning in the classroom.
In 1883, after working on building jobs with his father and in the Blue Mountains, Lawson joined his mother in Sydney at her request. Louisa was then living with Henry's sister and brother. At this time, Lawson was working during the day and studying at night for his matriculation in the hopes of receiving a university education. However, he failed his exams.
In 1896, he married Bertha Bredt Jr., daughter of Bertha Bredt, the prominent socialist. They had two children, son Jim (Joseph) and daughter Bertha. However, the marriage ended unhappily.
Poetry and Prose Writing
Lawson's first published poem was 'A Song of the Republic' which appeared in The Bulletin, 1 October 1887; his mother's radical friends were an influence. This was followed by 'The Wreck of the Derry Castle' and then 'Golden Gully.'
In 1890-1891 Lawson worked in Albany. He then received an offer to write for the Brisbane Boomerang in 1891, but he lasted only around 7-8 months as the Boomerang was soon in trouble. He returned to Sydney and continued to write for the Bulletin which, in 1892, paid for an inland trip where he experienced the harsh realities of drought-affected New South Wales. This resulted in his contributions to the Bulletin Debate and became a source for many of his stories in subsequent years. Elder writes of the trek Lawson took between Hungerford and Bourke as "the most important trek in Australian literary history" and says that "it confirmed all his prejudices about the Australian bush. Lawson had no romantic illusions about a 'rural idyll'." As Elder continues, his grim view of the outback was far removed from "the romantic idyll of brave horsemen and beautiful scenery depicted in the poetry of 'The Banjo' [Paterson]".
His most successful prose collection is While the Billy Boils, published in 1896. In it he "continued his assault on Paterson and the romantics, and in the process, virtually reinvented Australian realism". Elder writes that "he used short, sharp sentences, with language as raw as Ernest Hemingway or Raymond Carver. With sparse adjectives and honed-to-the-bone description, Lawson created a style and defined Australians: dryly laconic, passionately egalitarian and deeply humane." Most of his work focuses on the Australian bush, such as the desolate "Past Carin'", and is considered by some to be among the first accurate descriptions of Australian life as it was at the time. "The Drover's Wife" with its "heart-breaking depiction of bleakness and loneliness" is regarded as one of his finest short stories. It is regularly studied in schools and has often been adapted for film and theatre.
Lawson was a firm believer in the merits of the sketch story, commonly known simply as 'the sketch,' claiming that "the sketch story is best of all. Lawson's Jack Mitchell story, On The Edge Of A Plain, is often cited as one of the most accomplished examples of the sketch.
Like the majority of Australians, Lawson lived in a city, but had had plenty of experience in outback life, in fact, many of his stories reflected his experiences in real life. In Sydney in 1898 he was a prominent member of the Dawn and Dusk Club, a bohemian club of writer friends who met for drinks and conversation.
During his later life, the alcohol-addicted writer was probably Australia's best-known celebrity. At the same time, he was also a frequent beggar on the streets of Sydney, notably at the Circular Quay ferry turnstiles.
In 1903 he sought a room at Mrs Isabella Byers' Coffee Palace in North Sydney. This marked the beginning of a 20 year friendship between Mrs Byers and Lawson. Despite his position as the most celebrated Australian writer of the time, Lawson was deeply depressed and perpetually poor. He lacked money due to unfortunate royalty deals with publishers. His ex-wife repeatedly reported him for non-payment of child maintenance, resulting in gaol terms. He was gaoled at Darlinghurst Gaol for drunkenness and non-payment of alimony, and recorded his experience in the haunting poem "One Hundred and Three" - his prison number - which was published in 1908. He refers to the prison as "Starvinghurst Gaol" because of the meagre rations given to the inmates.
At this time, Lawson became withdrawn, alcoholic, and unable to carry on the usual routine of life.
Mrs Byers (nee Ward) was an excellent poet herself and although of modest education, had been writing vivid poetry since her teens in a similar style to Lawson's. Long separated from her husband and elderly, Mrs Bryers was, at the time she met Lawson, a woman of independent means looking forward to retirement. Bryers regarded Lawson as Australia's greatest living poet, and hoped to sustain him well enough to keep him writing. She negotiated on his behalf with publishers, helped to arrange contact with his children, contacted friends and supporters to help him financially, and assisted and nursed him through his mental and alcohol problems. She wrote countless letters on his behalf and knocked on any doors that could provide Henry with financial assistance or a publishing deal.
It was in Mrs Isabella Bryers' home that Henry Lawson died, of cerebral haemorrhage, in Abbotsford, Sydney in 1922. He was given a state funeral. His death registration on the NSW Births, Deaths & Marriages index is ref. 10451/1922 and was recorded at the Petersham Registration District. It shows his parents as Peter and Louisa. His funeral was attended by the Prime Minister W. M. Hughes and the Premier of New South Wales Jack Lang (who was the husband of Lawson's sister-in-law Hilda Bredt), as well as thousands of citizens. He is interred at Waverley Cemetery. Lawson was the first person to be granted a state funeral.
In 1949 Lawson was the subject of an Australian postage stamp.
Henry Lawson was featured on the first (paper) Australian ten dollar note issued in 1966 when decimal currency was first introduced into Australia. This note was replaced by a polymer note in 1993. Lawson was pictured against scenes from the town of Gulgong in NSW.
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Henry Lawson Poems
The brooding ghosts of Australian night have gone from the bush and town; My spirit revives in the morning breeze, though it died when the sun went down;
Andy's Gone With Cattle
Our Andy's gone to battle now 'Gainst Drought, the red marauder; Our Andy's gone with cattle now
Faces In The Street
They lie, the men who tell us in a loud decisive tone That want is here a stranger, and that misery's unknown; For where the nearest suburb and the city proper meet
I'm lyin' on the barren ground that's baked and cracked with drought, And dunno if my legs or back or heart is most wore out; I've got no spirits left to rise and smooth me achin' brow --
A Prouder Man Than You
If you fancy that your people came of better stock than mine, If you hint of higher breeding by a word or by a sign, If you're proud because of fortune or the clever things you do --
The old year went, and the new returned, in the withering weeks of drought, The cheque was spent that the shearer earned, and the sheds were all cut out;
I am back from up the country -- very sorry that I went -- Seeking for the Southern poets' land whereon to pitch my tent; I have lost a lot of idols, which were broken on the track -- Burnt a lot of fancy verses, and I'm glad that I am back.
It is stuffy in the steerage where the second-classers sleep, For there's near a hundred for'ard, and they're stowed away like sheep, -- They are trav'lers for the most part in a straight 'n' honest path;
As Far As Your Rifles Cover
Do you think, you slaves of a thousand years to poverty, wealth and pride, You can crush the spirit that has been free in a land that's new and wide? When you've scattered the last of the farmer bands, and the war for a while is over, You will hold the land – ay, you'll hold the land – the land that your rifles cover.
There are scenes in the distance where beauty is not, On the desolate flats where gaunt appletrees rot. Where the brooding old ridge rises up to the breeze From his dark lonely gullies of stringy-bark trees,
A Song Of The Republic
Sons of the South, awake! arise! Sons of the South, and do. Banish from under your bonny skies Those old-world errors and wrongs and lies.
A Song Of Brave Men
Man, is the Sea your master? Sea, and is man your slave? – This is the song of brave men who never know they are brave: Ceaselessly watching to save you, stranger from foreign lands, Soundly asleep in your state room, full sail for the Goodwin Sands!
At The Beating Of A Drum
Fear ye not the stormy future, for the Battle Hymn is strong, And the armies of Australia shall not march without a song; The glorious words and music of Australia's song shall come When her true hearts rush together at the beating of a drum.
We must suffer, husband and father, we must suffer, daughter and son, For the wrong we have taken part in and the wrong that we have seen done. Let the bride of frivolous fashion, and of ease, be ashamed and dumb, For I tell you the nations shall rule us who have let their children come!
It is stuffy in the steerage where the second-classers sleep,
For there's near a hundred for'ard, and they're stowed away like sheep, --
They are trav'lers for the most part in a straight 'n' honest path;
But their linen's rather scanty, an' there isn't any bath --
Stowed away like ewes and wethers that is shore 'n' marked 'n' draft.
But the shearers of the shearers always seem to travel aft;
In the cushioned cabins, aft,
With saloons 'n' smoke-rooms, aft --