Ishmael Reed

(1938 / Chattanooga, Tennessee)

Ishmael Reed Quotes

  • ''The Afrocentric exploration of the black past only scratches the surface. A full examination of the ancestry of those who are referred to in the newspapers as blacks and African Americans must include Europe and Native America.''
    Ishmael Reed (b. 1938), U.S. novelist, poet, essayist. Airing Dirty Laundry, "Distant Cousins," Addison-Wesley (1993).
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  • ''Writing poetry is the hard manual labor of the imagination.''
    Ishmael Reed (b. 1938), U.S. novelist, poet, essayist. Airing Dirty Laundry, "Gwendolyn Brooks: Poet," Addison-Wesley (1993).
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  • ''The descendants of Holy Roman Empire monarchies became feeble-minded in the twentieth century, and after World War I had been done in by the democracies; some were kept on to entertain the tourists, like the one they have in England.''
    Ishmael Reed (b. 1938), U.S. novelist, poet, essayist. repr. In Airing Dirty Laundry, Addison-Wesley (1993). "American Poetry: Is There a Center?" Black American Literature Forum (January 1978).
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  • ''Ethnic life in the United States has become a sort of contest like baseball in which the blacks are always the Chicago Cubs.''
    Ishmael Reed (b. 1938), U.S. novelist, poet, essayist. repr. In Writin' Is Fightin,' Atheneum (1988). "America's Color Bind: The Modeling of Minorities," San Francisco Examiner (November 1987).
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  • ''Free enterprise is not a bad idea and has produced art.''
    Ishmael Reed (b. 1938), U.S. novelist, poet, essayist. repr. In Shrovetide in Old New Orleans, "Image and Money" Doubleday (1978). "Blacks Must Put 'Filthy' Money to Work," Los Angeles Times, Dec. 26, 1974.
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  • ''At this time in American history, we are like ghosts talking gibberish through different dimensions, and stupid men do not make good make good mediums.''
    Ishmael Reed (b. 1938), U.S. novelist, poet, essayist. God Made Alaska for the Indians, Afterword, Garland Publishing (1982).
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  • ''American cultural institutions seem so bent on preserving the values of "Western civilization," the mythical "Whitetown," that we learn about one another's cultures the same way we learn about sex: in the streets.''
    Ishmael Reed (b. 1938), U.S. novelist, poet, essayist. repr. In Writin'Is Fightin,'Atheneum (1988). "Hymietown Revisited," California Magazine (October 1984).
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  • ''Currently, U.S. society has been encouraged by its political and subsidized mass-media intelligentsia to view U.S. life as a continual "morning in America" paradise, where the only social problems occur in the inner cities. Psychologists call this denial.''
    Ishmael Reed (b. 1938), U.S. novelist, poet, essayist. repr. In Airing Dirty Laundry, Addison-Wesley (1993). "Jess Mowry," Nation (September 21, 1992).
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  • ''The treatment of African and African American culture in our education was no different from their treatment in Tarzan movies.''
    Ishmael Reed (b. 1938), U.S. novelist, poet, essayist. repr. In Airing Dirty Laundry, Addison-Wesley (1993). "Reading, Writing, and Racism," Image (19 August 1990).
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  • ''I used to be a discipline problem, which caused me embarrassment until I realized that being a discipline problem in a racist society is sometimes an honor.''
    Ishmael Reed (b. 1938), U.S. novelist, poet, essayist. Shrovetide in Old New Orleans, Introduction, Doubleday (1978).
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Best Poem of Ishmael Reed

What You Mean I Can't Irony?

A high-yellow lawyer woman
told me I ought to go to
Europe to "broaden your per
spective." This happened at
a black black cocktail party
an oil portrait, Andrew Carnegie,
smiling down

Read the full of What You Mean I Can't Irony?

Sather Tower Mystery

Seems there was this Professor
a member of what should be called
The Good German Department

Must have signed his name to
5,000 petitions in front of
the Co-Op on Cedar
and bought two tons of benefit
cookies

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