Kaye Aldenhoven

Rating: 4.33
Rating: 4.33

Kaye Aldenhoven Poems

I watch the full moon
slide down
a dome of dark glass.
...

The coming down of the Magela
after the first storms,
we chased that front of water all day.
It surged slowly,
...

To prepare for you
I scrub the soles of my feet
and cut my toenails.
I wash and brush my hair
...

hairy calyx splits
wine dark magnolia
unfolds to warmth
...

In shadowed gorges
erect pink bracts brim with rain
unseen, turmeric roots engorge.
...

ablaze against thunder clouds
flamboyant poincianas
flame red as lust
...

7.

Young man stretches
for hibiscus flowers
heart-red they grace my bed
...

Hey, your kids are learning to speak Wailpiri.
It's good, eh?
How do they learn so quickly?
Them boys more clever, you know, than their mother.
...

the scent will catch you first
look up! from leaf axils, long
creamy flower spikes extrude
...

10.

lorikeets gossip
busy brush tongues lap nectar
from eucalypt cups
...

stamens quiver
saffron lily pollen stains
indelibly
...

On the edge of the floodplains at dusk
beneath recursively barbed leaves
shards of vermilion enamel
dropp onto burnt black earth.
...

Kaye Aldenhoven Biography

Kaye Aldenhoven is an Australian poet and teacher. In 1971 Kaye Aldenhoven moved from South Australia to Umbakumba on Groote Eylandt, Northern Territory. She then lived and taught at Yuendumu, Amoonguna, Alice Springs, Darwin, Jabiru and was Principal of all three NT Area Schools (at Jabiru in Kakadu, Alyangula on Groote Eylandt and Batchelor). These moves were important for the direction of her work. Her first book, In My Husband's Country, was a clear and deft response to country in a way that is peculiarly Territorian, as is her involvement in cross-art performances of poetry, dance ritual, and textiles. In 1992 she won the Northern Territory Red Earth Literary Award. She has edited a number of anthologies and was included in artist's book/anthology Terra Australis edited by Chris Mansell with work by artist Tommaso Durante. Her chapbook, Skin (PressPress, 2004) extends Aldenhoven's engagement with (and explores the conundrum of) living in country. This is an important theme in non-metropolitan Australian poetry which is not much taken up in the urbanised fringes. Poetically, Aldenhoven eschews overtly decorative language and aims for a clear and clarifying diction to illuminate her themes. Kaye Aldenhoven likes visiting unusual places (and has travelled extensively in Indonesia, India, China, Turkey, West Papua, Nepal and Sarawak) but she likes reading and writing poetry more. In her poetry, the usual becomes strange and the worlds to which most of us are strange come closer.)

The Best Poem Of Kaye Aldenhoven

Full Moon Wakeful

I watch the full moon
slide down
a dome of dark glass.

His silvered body,
disturbs my peace of mind.

Sleep averted, I wait.
The moon sets.

At dawn the speargrass flowers
while we make love.

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