Nikolay Stepanovich Gumilyov
Biography of Nikolay Stepanovich Gumilyov
Nikolay Stepanovich Gumilyov (Russian: Никола́й Степа́нович Гумилёв; IPA: [nʲɪkɐˈlaj sʲtʲɪˈpanəvʲɪtɕ ɡʊmʲɪˈlʲɵf] ( listen); April 15 NS 1886 – August 25, 1921) was an influential Russian poet, literary critic, traveler, and military officer. He was the first husband of Anna Akhmatova and father of historian Lev Gumilev. Nikolay Gumilev was arrested and executed by the Cheka in 1921.
Nikolay was born in the town of Kronstadt on Kotlin Island, into the family of Stepan Yakovlevich Gumilyov (1836–1920), a naval physician, and Anna Ivanovna L'vova (1854–1942). His childhood nickname was "Montigomo," the Hawk's Claw. He studied at the gymnasium of Tsarskoe Selo, where the Symbolist poet Innokenty Annensky was his teacher. Later, Gumilyov admitted that it was Annensky's influence that turned his mind to writing poetry.
Nikolay Gumilyov, Anna Akhmatova and their son Lev Gumilev, 1913
His first publication were verses I ran from cities into the forest (Я в лес бежал из городов) on September 8, 1902. In 1905 he published his first book of lyrics entitled The Way of Conquistadors. It comprised poems on most exotic subjects imaginable, from Lake Chad giraffes to Caracalla's crocodiles. Although Gumilyov was proud of the book, most critics found his technique sloppy; later he would refer to that collection as apprentice's work.
From 1907 and on, Nikolai Gumilyov traveled extensively in Europe, notably in Italy and France. In 1908 his new collection Romantic Flowers appeared. While in Paris, he published the literary magazine Sirius, but only three issues were produced. On returning to Russia, he edited and contributed to the artistic periodical Apollon. At that period, he fell in love with a non-existent woman Cherubina de Gabriak. It turned out that Cherubina de Gabriak was the literary pseudonym for two people, a disabled schoolteacher and Maximilian Voloshin, and on November 22, 1909 he had a duel with Voloshin over the affair.
Gumilev married Anna Akhmatova in April 25, 1910. He dedicated some of his poems to her. On September 18, 1912, their child Lev was born. He would eventually become an influential and controversial historian.
In 1910, Gumilyov fell under the spell of the Symbolist poet and philosopher Vyacheslav Ivanov and absorbed his views on poetry at the evenings held by Ivanov in his celebrated "Turreted House". His wife Akhmatova accompanied him to Ivanov's parties as well.
Dissatisfied with the vague mysticism of Russian Symbolism, then prevalent in the Russian poetry, Gumilyov and Sergei Gorodetsky established the so-called Guild of Poets, which was modeled after medieval guilds of Western Europe. They advocated a view that poetry needs craftsmanship just like architecture needs it. Writing a good poem they compared to building a cathedral. To illustrate their ideals, Gumilev published two collections, The Pearls in 1910 and the Alien Sky in 1912. It was Osip Mandelstam, however, who produced the movement's most distinctive and durable monument, the collection of poems entitled Stone (1912).
According to the principles of acmeism (as the movement came to be dubbed by art historians), every person, irrespective of his talent, may learn to produce high-quality poems if only he follows the guild's masters, i.e., Gumilyov and Gorodetsky. Their own model was Théophile Gautier, and they borrowed much of their basic tenets from the French Parnasse. Such a program, combined with colourful and exotic subject matter of Gumilev's poems, attracted to the Guild a large number of adolescents. Several major poets, notably Georgy Ivanov and Vladimir Nabokov, passed the school of Gumilev, albeit informally.
Despite the hard experiences of real travels and battles, he remained, to the end of his life, a schoolboy entranced by the Iliad of Childhood - The Adventures of Huckleberry Finn and Tom Sawyer. He never outgrew the influence of Mayne Reid, Alexandre Dumas, père, Jules Verne, Gustave Aimard and others." In 1920 Gumilyov co-founded the All-Russia Union of Writers. Gumilev made no secret of his anti-communist views. He also crossed himself in public and didn't care to hide his contempt for half-literate Bolsheviks.
On August 3, 1921 he was arrested by the Cheka on allegation of participation in monarchist conspiracy known as "Petrograd military organization" or Tagantsev conspiracy. On August 24, the Petrograd Cheka decreed execution of all 61 participants of the case, including Nikolai Gumilev. They were shot on August 25 in the Kovalevsky Forest. The case was officially declared as "completely fabricated" and all victims rehabilitated by Russian authorities only in 1992.
Maxim Gorky, his friend and fellow writer, hurried to Moscow, obtained an order to release Gumilyov from Lenin personally, but upon his return to Petrograd he found out that Gumilyov had already been shot.
Hayward, in an introduction to a book of Akhmatova's poetry, writes that the execution placed a stigma on Anna and her son with Nikolai, Lev. Lev's arrest in the purges and terrors of the 1930s were based on his being his father's son.
Although "banned in the Soviet times, Gumilev was loved for his adolescent longing for travel and giraffes and hippos, for his dreams of a fifteen-year-old captain" and was "a favorite poet among geologists, archaeologists and paleontologists." His "The Tram That Lost Its Way" is considered one of the greatest poems of the 20th century.
The Russian progressive rock band Little Tragedies used the poetry of Gumilyov in many of their songs, and had four albums which were entirely based on Gumilev's poetry (The Sun of the Spirit, Porcelain Pavilion, Return, Cross).
In 1997, the "Washington Museum of Russian Poetry and Music" was founded in the United States by Dr. Uli Zislin, the songwriter and singer. The museum includes the work of five famous Russian poets of the Silver Age (1920s), which includes poets such as Boris Pasternak, Marina Tsvetaeva, Anna Akhmatova, Nikolay Gumilev, and Osip Mandelstam.
In 2014, two new Posters were created by Natalia G. Toreeva for the "Washington Museum of Russian Poetry and Music", where these five Russian poets of the Silver Age were included.
Nikolay Stepanovich Gumilyov Poems
Why did you come, my thoughts, in instant, Like thieves to rob my quiet habitation,
'Like Undistinguishable Horses'
Like undistinguishable horses, Gleam by my ever-painful days, As if fade all the living roses,
It Was Not Once
It was not only once, it will go this way, In our fight, which is deaf and destroying: As it happened before, you rebuffed me today -
The Gates of Paradise
The eternal entrance into Eden Is not locked with seven precious seals; It has no charms nor light of heaven,
The Savor said: he's blessed, who has the maimed legs And envy is a fate of him, who's blind or begs; They will be living over stars of earthy nights,
I'm in the days' embracing limits, Where even skies are ever gray, Look through the ages, live in minutes,
By the hut, left by people and heaven, Where the fence's black remnants are steeping, The ragged beggar and black old raven,
My own dream is lofty, simple thing: To seize the oar, put feet into the stirrups, And to deceive the time, that slow tries to stir us,
The Descendents Of Cain
He did not lie - the ghost, so sad and thoughtful, That from a star took his name by a chance, When he had said, "Don't fear the Lord", to us,
Conquistador, set in the iron armor, I gaily follow the outgoing star, I go over precipices, harbors
The Clever Demon
My old good friend, my faithful Demon, Had sung the little song to me: All night of hell the sailor sailed on,
In far waters of Arctic and South On the curves of the malachite ripples, Among reefs of bright pearls and gray basalt,
At the Feast
There's Prince Diego, falling in a love, He dozed and he laid his head midst table's stuff, He lost his goblet, cast from silver's milk,
A queer and fearful question is tight, Oppresses my soul and tosses: CanA queer and fearful question is tight, Oppresses my soul and tosses: Can one be alive if Atreus has died - one be alive if Atreus has died -
A queer and fearful question is tight,
Oppresses my soul and tosses:
Can one be alive if Atreus has died -
Has died on a bed of roses.
All that we dreamed of and everywhere praised,
All our longing and fear -
Were fully reflected in those calm eyes,
As were in a glass of a tear.