'The existence of concrete guarantees concrete, just as substance (proven or consistent or represented sensation) is inevitably what is most empirical. In this sense, what is real is either between representation and interpretation, or falls to a deeper source which assumes interpretation already took place, whether or not the object is material.'
The Dada object reflected an ironic posture before the consecrated forms of art. The surrealist object differs significantly in this respect. It stands for a mysterious relationship with the outer world established by man's sensibility in a way that involves concrete forms in projecting the artist's inner model.
Religion is dead without concrete expressions of love and compassion. Religion is dead when language of religion is limited to dogmas and creeds without the living language of God's living actions in one's own life.