1
|
A Broken Friendship
|
7
|
33%
|
0
|
0%
|
2
|
A Child's Evening Prayer
|
2
|
9%
|
0
|
0%
|
3
|
A Christmas Carol
|
1
|
4%
|
0
|
0%
|
4
|
A Couplet, Written In A Volume Of Poems Presented By Mr. Coleridge To Dr. A.
|
2
|
9%
|
0
|
0%
|
5
|
A Mathematical Problem
|
3
|
14%
|
0
|
0%
|
6
|
Blossing Of The Solitary Date-Tree, The
|
2
|
9%
|
0
|
0%
|
7
|
Cologne
|
1
|
4%
|
0
|
0%
|
8
|
Dejection: An Ode
|
3
|
14%
|
0
|
0%
|
9
|
Desire
|
1
|
4%
|
0
|
0%
|
10
|
Domestic Peace
|
1
|
4%
|
0
|
0%
|
11
|
Epitaph On An Infant
|
1
|
4%
|
0
|
0%
|
12
|
Fears In Solitude
|
1
|
4%
|
0
|
0%
|
13
|
Fragment
|
1
|
4%
|
0
|
0%
|
14
|
France: An Ode
|
1
|
4%
|
0
|
0%
|
15
|
Frost At Midnight
|
5
|
23%
|
0
|
0%
|
16
|
Imitated From Ossian
|
1
|
4%
|
0
|
0%
|
17
|
Imitated From The Welsh
|
1
|
4%
|
0
|
0%
|
18
|
Improvisatore, The
|
1
|
4%
|
0
|
0%
|
19
|
In The Manner Of Spenser
|
1
|
4%
|
0
|
0%
|
20
|
Inscription For A Fountain On A Heath
|
1
|
4%
|
0
|
0%
|
21
|
Kisses
|
4
|
19%
|
0
|
0%
|
22
|
Kubla Khan
|
21
|
100%
|
0
|
0%
|
23
|
Lewti, Or The Circassian Love-Chaunt
|
2
|
9%
|
0
|
0%
|
24
|
Life
|
3
|
14%
|
0
|
0%
|
25
|
Limbo
|
5
|
23%
|
0
|
0%
|
26
|
Lines
|
2
|
9%
|
0
|
0%
|
27
|
Lines Composed In A Concert-Room
|
1
|
4%
|
0
|
0%
|
28
|
Lines On A Friend, Who Died Of A Frenzy Fever, Induced By Calumnious Reports
|
1
|
4%
|
0
|
0%
|
29
|
Lines On Observing A Blossom On The First Of February, 1796
|
1
|
4%
|
0
|
0%
|
30
|
Lines Suggested By The Last Words Of Berengarius. Ob. Anno Dom. 1088
|
1
|
4%
|
0
|
0%
|
31
|
Lines To A Beautiful Spring In A Village
|
1
|
4%
|
0
|
0%
|
32
|
Lines To W. L. While He Sang A Song To Purcell's Music
|
2
|
9%
|
0
|
0%
|
33
|
Lines Written After A Walk Before Supper
|
1
|
4%
|
0
|
0%
|
34
|
Lines Written At The King's-Arms, Ross, Formerly The House Of The 'Man Of Ross'
|
1
|
4%
|
0
|
0%
|
35
|
Lines Written In The Album At Elbingerode, In The Hartz Forest
|
1
|
4%
|
0
|
0%
|
36
|
Love
|
1
|
4%
|
0
|
0%
|
37
|
Love's Apparition And Evanishment: An Allegoric Romance
|
1
|
4%
|
0
|
0%
|
38
|
Melancholy. A Fragment.
|
1
|
4%
|
0
|
0%
|
39
|
Metrical Feet
|
2
|
9%
|
0
|
0%
|
40
|
Monody On The Death Of Chatterton
|
1
|
4%
|
0
|
0%
|
41
|
Ode To Georgiana, Duchess Of Devonshire, On The Twenty-Fourth Stanza In Her 'Passage Over Mount Gothard.'
|
1
|
4%
|
0
|
0%
|
42
|
Ode To Sara, In Answer To A Letter From Bristol
|
3
|
14%
|
0
|
0%
|
43
|
Ode To The Departing Year
|
1
|
4%
|
0
|
0%
|
44
|
Ode To Tranquillity
|
2
|
9%
|
0
|
0%
|
45
|
On A Connubial Rupture In High Life
|
1
|
4%
|
0
|
0%
|
46
|
On A Ruined House In A Romantic Country
|
1
|
4%
|
0
|
0%
|
47
|
On An Infant Which Died Before Baptism
|
1
|
4%
|
0
|
0%
|
48
|
On Donne's Poetry
|
1
|
4%
|
0
|
0%
|
49
|
On Revisiting The Sea-Shore, After Long Absence, Under Strong Medical Recommendation Not To Bathe
|
1
|
4%
|
0
|
0%
|
50
|
On The Christening Of A Friend's Child
|
3
|
14%
|
0
|
0%
|
51
|
Pains Of Sleep, The
|
2
|
9%
|
0
|
0%
|
52
|
Phantom
|
2
|
9%
|
0
|
0%
|
53
|
Phantom Or Fact? A Dialogue In Verse
|
2
|
9%
|
0
|
0%
|
54
|
Presence Of Love, The
|
1
|
4%
|
0
|
0%
|
55
|
Psyche
|
2
|
9%
|
0
|
0%
|
56
|
Reason
|
1
|
4%
|
0
|
0%
|
57
|
Recollections Of Love
|
1
|
4%
|
0
|
0%
|
58
|
Reflections On Having Left A Place Of Retirement
|
2
|
9%
|
0
|
0%
|
59
|
Religious Musings : A Desultory Poem Written On The Christmas Eve Of 1794
|
2
|
9%
|
0
|
0%
|
60
|
Rime Of The Ancient Mariner
|
3
|
14%
|
0
|
0%
|
61
|
Sea-Ward, White Gleaming Thro' The Busy Scud (Fragment)
|
1
|
4%
|
0
|
0%
|
62
|
Something Childish, But Very Natural
|
1
|
4%
|
0
|
0%
|
63
|
Song
|
1
|
4%
|
0
|
0%
|
64
|
Songs Of The Pixies
|
1
|
4%
|
0
|
0%
|
65
|
Sonnet
|
1
|
4%
|
0
|
0%
|
66
|
Sonnet Ii. On A Discovery Made Too Late
|
2
|
9%
|
0
|
0%
|
67
|
Sonnet Iii.
|
1
|
4%
|
0
|
0%
|
68
|
Sonnet Ix. To Priestley
|
1
|
4%
|
0
|
0%
|
69
|
Sonnet V.
|
1
|
4%
|
0
|
0%
|
70
|
Sonnet Vi.
|
1
|
4%
|
0
|
0%
|
71
|
Sonnet Vii. To Burke
|
1
|
4%
|
0
|
0%
|
72
|
Sonnet Viii. To Mercy
|
1
|
4%
|
0
|
0%
|
73
|
Sonnet X. To Erskine
|
1
|
4%
|
0
|
0%
|
74
|
Sonnet Xi. To Sheridan
|
2
|
9%
|
0
|
0%
|
75
|
Sonnet Xii. To Mrs. Siddons
|
2
|
9%
|
0
|
0%
|
76
|
Sonnet Xiii. To La Fayette
|
1
|
4%
|
0
|
0%
|
77
|
Sonnet Xiv. Composed While Climbing The Left Ascent Of Brockley Coomb, In The County Of Somerset
|
1
|
4%
|
0
|
0%
|
78
|
Sonnet Xix. To A Friend, Who Asked How I Felt When The Nurse First Presented My Infant To Me
|
4
|
19%
|
0
|
0%
|
79
|
Sonnet Xv. To Schiller
|
1
|
4%
|
0
|
0%
|
80
|
Sonnet Xvi. To Earl Stanhope
|
1
|
4%
|
0
|
0%
|
81
|
Sonnet Xvii. Composed On A Journey Homeward; The Author Having Received Intelligence Of The Birth Of A Son
|
1
|
4%
|
0
|
0%
|
82
|
Sonnet Xviii. To The Autumnal Moon
|
1
|
4%
|
0
|
0%
|
83
|
Sonnet Xx.
|
1
|
4%
|
0
|
0%
|
84
|
Sonnet Xxi.
|
1
|
4%
|
0
|
0%
|
85
|
Sonnet Xxii. To Simplicity
|
5
|
23%
|
0
|
0%
|
86
|
Sonnet: To The River Otter
|
3
|
14%
|
0
|
0%
|
87
|
Suicide's Argument, The
|
2
|
9%
|
0
|
0%
|
88
|
Tell's Birth-Place. Imitated From Stolberg
|
1
|
4%
|
0
|
0%
|
89
|
The Aeolian Harp
|
1
|
4%
|
0
|
0%
|
90
|
The Alienated Mistress; A Madrigal. (From An Unfinished Melodrama)
|
1
|
4%
|
0
|
0%
|
91
|
The Ballad Of The Dark Ladie. A Fragment.
|
2
|
9%
|
0
|
0%
|
92
|
The Blossing Of The Solitary Date-Tree
|
1
|
4%
|
0
|
0%
|
93
|
The Blossoming Of The Solitary Date-Tree. A Lament
|
1
|
4%
|
0
|
0%
|
94
|
The Complaint Of Ninathoma
|
1
|
4%
|
0
|
0%
|
95
|
The Destiny Of Nations. A Vision.
|
1
|
4%
|
0
|
0%
|
96
|
The Devil's Thoughts
|
1
|
4%
|
0
|
0%
|
97
|
The Dungeon
|
1
|
4%
|
0
|
0%
|
98
|
The Eolian Harp
|
2
|
9%
|
0
|
0%
|
99
|
The Exchange
|
1
|
4%
|
0
|
0%
|
100
|
The Faded Flower
|
1
|
4%
|
0
|
0%
|
101
|
The Foster Mother's Tale. A Dramatic Fragment
|
4
|
19%
|
0
|
0%
|
102
|
The Garden Of Boccaccio
|
1
|
4%
|
0
|
0%
|
103
|
The Good, Great Man
|
5
|
23%
|
0
|
0%
|
104
|
The Happy Husband
|
1
|
4%
|
0
|
0%
|
105
|
The Hour When We Shall Meet Again
|
2
|
9%
|
0
|
0%
|
106
|
The Improvisatore
|
1
|
4%
|
0
|
0%
|
107
|
The Keepsake
|
1
|
4%
|
0
|
0%
|
108
|
The Knight's Tomb
|
2
|
9%
|
0
|
0%
|
109
|
The Lime-Tree Bower My Prison [addressed To Charles Lamb, O
|
2
|
9%
|
0
|
0%
|
110
|
The Moon, How Definite Its Orb! (Fragment)
|
1
|
4%
|
0
|
0%
|
111
|
The Netherlands (Fragment)
|
1
|
4%
|
0
|
0%
|
112
|
The Nightingale
|
1
|
4%
|
0
|
0%
|
113
|
The Night-Scene : A Dramatic Fragment.
|
1
|
4%
|
0
|
0%
|
114
|
The Pains Of Sleep
|
1
|
4%
|
0
|
0%
|
115
|
The Pang More Sharp Than All. An Allegory
|
2
|
9%
|
0
|
0%
|
116
|
The Presence Of Love
|
3
|
14%
|
0
|
0%
|
117
|
The Rime Of The Ancient Mariner
|
8
|
38%
|
0
|
0%
|
118
|
The Rose
|
2
|
9%
|
0
|
0%
|
119
|
The Sigh
|
1
|
4%
|
0
|
0%
|
120
|
The Suicide's Argument
|
4
|
19%
|
0
|
0%
|
121
|
The Three Graves. A Fragment Of A Sexton's Tale
|
1
|
4%
|
0
|
0%
|
122
|
The Three Sorts Of Friends (Fragment)
|
1
|
4%
|
0
|
0%
|
123
|
The Two Founts. Stanzas Addressed To A Lady On Her Recovery, With Unblemished Looks, From A Severe Attack Of Pain
|
1
|
4%
|
0
|
0%
|
124
|
The Virgin's Cradle-Hymn. Copied From A Print Of The Virgin, In A Roman Catholic Village In Germany
|
1
|
4%
|
0
|
0%
|
125
|
The Visionary Hope
|
1
|
4%
|
0
|
0%
|
126
|
The Visit Of The Gods. Imitated From Schiller
|
1
|
4%
|
0
|
0%
|
127
|
Thicker Than Rain-Drops On November Thorn (Fragment)
|
1
|
4%
|
0
|
0%
|
128
|
This Lime-Tree Bower My Prison
|
1
|
4%
|
0
|
0%
|
129
|
Time, Real And Imaginary
|
3
|
14%
|
0
|
0%
|
130
|
To A Friend Who Had Declared His Intention Of Writing No More Poetry
|
1
|
4%
|
0
|
0%
|
131
|
To A Friend, In Answer To A Melancholy Letter
|
1
|
4%
|
0
|
0%
|
132
|
To A Friend, With An Unfinished Poem
|
1
|
4%
|
0
|
0%
|
133
|
To A Lady, Offended By A Sportive Observation That Women Have No Souls
|
2
|
9%
|
0
|
0%
|
134
|
To A Lady, With Falconer's 'shipwreck'
|
3
|
14%
|
0
|
0%
|
135
|
To A Primrose
|
1
|
4%
|
0
|
0%
|
136
|
To A Young Ass, Its Mother Being Tethered Near It
|
2
|
9%
|
0
|
0%
|
137
|
To A Young Lady, With A Poem On The French Revolution
|
2
|
9%
|
0
|
0%
|
138
|
To A Young Lady. On Her Recovery From A Fever
|
1
|
4%
|
0
|
0%
|
139
|
To An Infant
|
1
|
4%
|
0
|
0%
|
140
|
To An Unfortunate Woman At The Theatre
|
1
|
4%
|
0
|
0%
|
141
|
To An Unfortunate Woman, Whom The Author Had Known In The Days Of Her Innocence
|
1
|
4%
|
0
|
0%
|
142
|
To Asra
|
1
|
4%
|
0
|
0%
|
143
|
To C. Lloyd, On His Proposing To Domesticate With The Author
|
1
|
4%
|
0
|
0%
|
144
|
To Nature
|
3
|
14%
|
0
|
0%
|
145
|
To Sara
|
4
|
19%
|
0
|
0%
|
146
|
To The Nightingale
|
2
|
9%
|
0
|
0%
|
147
|
To The Rev. George Coleridge
|
1
|
4%
|
0
|
0%
|
148
|
To The Reverend George Coleridge, Of Ottery St. Mary, Devon
|
1
|
4%
|
0
|
0%
|
149
|
To The River Otter
|
1
|
4%
|
0
|
0%
|
150
|
To William Wordsworth
|
1
|
4%
|
0
|
0%
|
151
|
Water Ballad
|
1
|
4%
|
0
|
0%
|
152
|
What If You Slept ...
|
4
|
19%
|
0
|
0%
|
153
|
What Is An Epigram?
|
1
|
4%
|
0
|
0%
|
154
|
What Is Life?
|
6
|
28%
|
0
|
0%
|
155
|
When Hope But Made Tranquillity Be Felt (Fragment)
|
1
|
4%
|
0
|
0%
|
156
|
Whom Should I Choose For My Judge? (Fragment)
|
1
|
4%
|
0
|
0%
|
157
|
Work Without Hope
|
1
|
4%
|
0
|
0%
|
158
|
Written In Early Youth. The Time,--An Autumnal Evening
|
1
|
4%
|
0
|
0%
|
159
|
Youth And Age
|
2
|
9%
|
0
|
0%
|
160
|
Zapolya
|
2
|
9%
|
0
|
0%
|