Susan Frances Harrison
Biography of Susan Frances Harrison
Susan Frances Harrison née Riley (a.k.a. Seranus) was a Canadian poet, novelist, music critic and music composer who lived and worked in Ottawa and Toronto.
Susie Frances Riley was born in Toronto of Irish-Canadian ancestry, the daughter of John Byron Riley. She studied music with Frederic Boscovitz, at a private school for girls in Toronto, and later in Montreal. She reportedly began publishing poetry, in the Canadian Illustrated News, at 16 under the pseudonym "Medusa." After completing her education, she worked as a pianist and singer. In 1880 she married organist John W. F. Harrison, of Bristol, England, who was the organist of St. George's Church in Montreal. The couple had a son and a daughter.The Harrisons lived in Ottawa in 1883, when Susie Harrison composed the song "Address of Welcome to Lord Lansdowne" to celebrate the first public appearance of the new Governor General, the Marquess of Lansdowne. In 1887 the Harrisons moved to Toronto, where John Harrison became organist and choirmaster of St. Simon the Apostle, and Susan Harrison began a literary career under the pseudonym "Seranus" (a misreading of her signature, "S. Frances"), soon publishing articles in "many of the leading journals and periodicals." She wrote a number of songs published in the United States and England under the name Seranus, and published other songs in England under the name, Gilbert King. She was the music critic of The Week from December 1886 to June 1887 under her pen-name of Seranus. She wrote the "Historical sketch on Canadian music" for the 1898 Canada: An Encyclopedia of the Country. Susan Harrison was considered an authority on folk music, and often lectured on the subject. She used traditional Irish melodies in her String Quartet on Ancient Irish Airs, and French-Canadian music in her 1887 Trois Esquisses canadiennes (Three Canadian Sketches), 'Dialogue,' 'Nocturne,' and 'Chant du voyageur'. She also incorporated French-Canadian melodies in her three-act opera, Pipandor (with libretto by F.A. Dixon of Ottawa). Her String Quartet on Ancient Irish Airs, is likely the first string quartet composed in Canada by a woman. In 1896 and 1897 she presented a series of well-received lectures in Toronto on "The Music of French Canada. For 20 years Harrison was the principal of the Rosedale branch of the Toronto Conservatory of Music. During the 1900s she contributed to and edited the Conservatory's publication Conservatory Monthly, and contributed to its successor Conservatory Quarterly Review. She wrote the article on "Canada" for the 1909 Imperial History and Encyclopedia of Music. In addition, she wrote at least six books of poetry, and three novels.
Harrison's musical training is reflected in her poetry: "she was adept in her handling of the rhythmic complexities of poetic forms such as the sonnet and the villanelle. Like other Canadian poets of the late nineteenth century, her prevailing themes include nature, love, and patriotism. Her landscape poetry, richly influenced by the works of Charles G.D. Roberts and Archibald Lampman, paints the Canadian wilderness as beguilingly beautiful yet at the same time mysterious and distant." Harrison was a master of the villanelle. The villanelle was a French verse form that had been introduced to English readers by Edmund Gosse in his 1877 essay, "A Plea for Certain Exotic Forms of Verse".
Her two novels "articulate a fascination with a heavily mythologized Quebec culture that Harrison shared with many English-speaking Canadians of her time ... characterized by a gothic emphasis on horror, madness, aristocratic seigneurial manor houses, and a decadent Catholicism." "Harrison writes elegiacally of a regime whose romantic qualities are largely the creation of an Upper Canadian quest for a distinctive historical identity."
Harrison experienced a decline in reputation in her lifetime. In 1916 anthologist John Garvin called her "one of our greater poets whose work has not yet had the recognition in Canada it merits.". "By 1926, Garvin describes her merely as 'one of our distinctive poets'." The Dictionary of Literary Biography wrote of Susan Frances Harrison, in 1990, that "Harrison's unpublished work has not been preserved, her published work is out of print and difficult to obtain, and her once-substantial position in the literary life of her country is now all but forgotten."
Susan Frances Harrison's Works:
Song of Welcome.
''Trois Esquisses canadiennes: 'Dialogue,' 'Nocturne,' 'Chant du voyageur'. 1887.
Quartet on Ancient Irish Airs.
Four Ballads and a Play. Toronto: Author, 1890.
Pine, Rose and Fleur De Lis. Toronto: Hart, 1891.
In Northern Skies and Other Poems. Toronto: Author, 1912.
Songs of Love and Labor. Toronto: Author, 1925.
Later Poems and New Villanelles. Toronto: Ryerson, 1928.
Penelope and Other Poems. Toronto: Author, 1934.
Bibliographical information on poems from Wanda Campbell, Hidden Rooms.
Crowded Out and Other Sketches. Ottawa: Evening Journal, 1886.
The Forest of Bourg-Marie. Toronto: G.N. Morang, 1898.
Ringfield. London: Hodder & Stoughton, 1914.
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Susan Frances Harrison Poems
THIS grey-haired spinster, Catharine Plouffe– Observe her, a contrast to convent chits, At her spinning wheel, in the room in the roof.
HALE, and though sixty, without a stoop, What does old Benedict want with a wife? Can he not make his own pea soup?
From Down The River
A HALF-BREED, slim, and sallow of face, Alphonse lies full length on his raft, The hardy son of a hybrid race.
HERE on the wide waste lands, Take– child–these trembling hands, Though my life be as blank and waste, My days as surely ungraced
St. Jean B'Ptiste
'TIS the day of the blessed St. Jean B'ptiste, And the streets are full of the folk awaiting The favourite French-Canadian feast.
Petite Ste. Rosalie
FATHER Couture loves a fricassee, Served with a sip of home-made wine, He is the Curé, so jolly and free,
FOR know, my girl, there is always the axe Ready at hand in this latitude, And how it stings and bites and hacks
WELL! Let him sleep! Time enough to awake When sunset ushers a kind release, When cooling shadows the raft overtake.
LIKE the swarthy son of some tropic shore He sleeps, with his olive bosom bared, He sleeps–in his earrings of brassy ore.
WELL! Let him sleep! Time enough to awake
When sunset ushers a kind release,
When cooling shadows the raft overtake.
For Madelon's heart will never break
For Alphonse, but for Verrier, fils,
So–let him sleep! Time enough to awake
When Verrier, dressed for Madelon's sake