1
|
"Between Us Now"
|
80
|
44%
|
0
|
0%
|
2
|
"How Great My Grief" (Triolet)
|
25
|
13%
|
0
|
0%
|
3
|
"I Have Lived With Shades"
|
48
|
26%
|
0
|
0%
|
4
|
"I Said To Love"
|
66
|
36%
|
0
|
0%
|
5
|
[greek Title]
|
8
|
4%
|
0
|
0%
|
6
|
A Broken Appointment
|
57
|
31%
|
0
|
0%
|
7
|
A Christmas Ghost Story.
|
29
|
16%
|
0
|
0%
|
8
|
A Circular
|
8
|
4%
|
0
|
0%
|
9
|
A Commonplace Day
|
15
|
8%
|
0
|
0%
|
10
|
A Confession To A Friend In Trouble
|
17
|
9%
|
0
|
0%
|
11
|
A Death-Day Recalled
|
18
|
9%
|
0
|
0%
|
12
|
A Dream Or No
|
22
|
12%
|
0
|
0%
|
13
|
A Jog-Trot Pair
|
8
|
4%
|
0
|
0%
|
14
|
A King's Soliloquy [on The Night Of His Funeral]
|
13
|
7%
|
0
|
0%
|
15
|
A Man (In Memory Of H. Of M.)
|
3
|
1%
|
0
|
0%
|
16
|
A Meeting With Despair
|
10
|
5%
|
0
|
0%
|
17
|
A Poet
|
13
|
7%
|
0
|
0%
|
18
|
A Sign-Seeker
|
8
|
4%
|
0
|
0%
|
19
|
A Spot
|
6
|
3%
|
0
|
0%
|
20
|
A Thunderstorm In Town
|
12
|
6%
|
0
|
0%
|
21
|
A Wasted Illness
|
1
|
0%
|
0
|
0%
|
22
|
A Week
|
5
|
2%
|
0
|
0%
|
23
|
A Wife In London (December, 1899)
|
11
|
6%
|
0
|
0%
|
24
|
A Woman's Fancy
|
4
|
2%
|
0
|
0%
|
25
|
According To The Mighty Working
|
1
|
0%
|
0
|
0%
|
26
|
Additions
|
2
|
1%
|
0
|
0%
|
27
|
After A Journey
|
10
|
5%
|
0
|
0%
|
28
|
After The Visit
|
3
|
1%
|
0
|
0%
|
29
|
Afterwards
|
20
|
11%
|
0
|
0%
|
30
|
Ah, Are You Digging On My Grave?
|
14
|
7%
|
0
|
0%
|
31
|
Amabel
|
4
|
2%
|
0
|
0%
|
32
|
An August Midnight
|
2
|
1%
|
0
|
0%
|
33
|
An Autumn Rain-Scene
|
1
|
0%
|
0
|
0%
|
34
|
Aquae Sulis
|
2
|
1%
|
0
|
0%
|
35
|
At Day-Close In November
|
5
|
2%
|
0
|
0%
|
36
|
At A Bridal
|
1
|
0%
|
0
|
0%
|
37
|
At A Hasty Wedding
|
1
|
0%
|
0
|
0%
|
38
|
At A House In Hampstead Sometime The Dwelling Of John Keats
|
1
|
0%
|
0
|
0%
|
39
|
At Castle Boterel
|
8
|
4%
|
0
|
0%
|
40
|
At Moonrise And Onwards
|
1
|
0%
|
0
|
0%
|
41
|
Beeny Cliff
|
13
|
7%
|
0
|
0%
|
42
|
Bereft, She Thinks She Dreams
|
1
|
0%
|
0
|
0%
|
43
|
Between Us Now
|
2
|
1%
|
0
|
0%
|
44
|
Birds At Winter Nightfall (Triolet)
|
2
|
1%
|
0
|
0%
|
45
|
By The Earth's Corpse
|
2
|
1%
|
0
|
0%
|
46
|
Channel Firing
|
2
|
1%
|
0
|
0%
|
47
|
Convergence Of The Twain
|
5
|
2%
|
0
|
0%
|
48
|
De Profundis
|
1
|
0%
|
0
|
0%
|
49
|
Departure.
|
1
|
0%
|
0
|
0%
|
50
|
Domicilium
|
3
|
1%
|
0
|
0%
|
51
|
Doom And She
|
4
|
2%
|
0
|
0%
|
52
|
Drummer Hodge
|
80
|
44%
|
0
|
0%
|
53
|
During Wind And Rain
|
6
|
3%
|
0
|
0%
|
54
|
Epitaph On A Pessimist
|
1
|
0%
|
0
|
0%
|
55
|
Exeunt Omnes
|
1
|
0%
|
0
|
0%
|
56
|
Faintheart In A Railway Train
|
1
|
0%
|
0
|
0%
|
57
|
Friends Beyond
|
3
|
1%
|
0
|
0%
|
58
|
From Victor Hugo
|
1
|
0%
|
0
|
0%
|
59
|
God's Funeral
|
5
|
2%
|
0
|
0%
|
60
|
Had You Wept
|
1
|
0%
|
0
|
0%
|
61
|
Hap
|
12
|
6%
|
0
|
0%
|
62
|
Her Death And After
|
2
|
1%
|
0
|
0%
|
63
|
Her Dilemma
|
2
|
1%
|
0
|
0%
|
64
|
Her Immortality
|
3
|
1%
|
0
|
0%
|
65
|
Her Initals
|
4
|
2%
|
0
|
0%
|
66
|
Her Initials
|
1
|
0%
|
0
|
0%
|
67
|
Her Secret
|
2
|
1%
|
0
|
0%
|
68
|
Her Song
|
3
|
1%
|
0
|
0%
|
69
|
Heredity
|
7
|
3%
|
0
|
0%
|
70
|
His Immortality
|
1
|
0%
|
0
|
0%
|
71
|
His Visitor
|
1
|
0%
|
0
|
0%
|
72
|
How She Went To Ireland
|
2
|
1%
|
0
|
0%
|
73
|
I Found Her Out There
|
1
|
0%
|
0
|
0%
|
74
|
I Look Into My Glass
|
15
|
8%
|
0
|
0%
|
75
|
I Need Not Go
|
3
|
1%
|
0
|
0%
|
76
|
In A Wood
|
4
|
2%
|
0
|
0%
|
77
|
In Tenebris
|
2
|
1%
|
0
|
0%
|
78
|
In The Moonlight
|
3
|
1%
|
0
|
0%
|
79
|
In The Old Theatre, Fiesole (April, 1887)
|
2
|
1%
|
0
|
0%
|
80
|
In Time Of
|
1
|
0%
|
0
|
0%
|
81
|
In Time Of 'The Breaking Of Nations'
|
16
|
8%
|
0
|
0%
|
82
|
Lament
|
2
|
1%
|
0
|
0%
|
83
|
Last Words To A Dumb Friend
|
3
|
1%
|
0
|
0%
|
84
|
Let Me Enjoy
|
1
|
0%
|
0
|
0%
|
85
|
Lines
|
1
|
0%
|
0
|
0%
|
86
|
Mad Judy
|
3
|
1%
|
0
|
0%
|
87
|
Men Who March Away
|
4
|
2%
|
0
|
0%
|
88
|
Midnight On The Great Western
|
4
|
2%
|
0
|
0%
|
89
|
Mismet
|
1
|
0%
|
0
|
0%
|
90
|
Moments Of Vision
|
3
|
1%
|
0
|
0%
|
91
|
My Cicely
|
3
|
1%
|
0
|
0%
|
92
|
My Spirit Will Not Haunt The Mound
|
2
|
1%
|
0
|
0%
|
93
|
Nature's Questioning
|
4
|
2%
|
0
|
0%
|
94
|
Neutral Tones
|
6
|
3%
|
0
|
0%
|
95
|
No Buyers
|
8
|
4%
|
0
|
0%
|
96
|
On A Fine Morning
|
2
|
1%
|
0
|
0%
|
97
|
Places
|
1
|
0%
|
0
|
0%
|
98
|
Rome At The Pyramid Of Cestius Near The Graves Of Shelley And Keats (1887)
|
2
|
1%
|
0
|
0%
|
99
|
Rome: At The Pyramid Of Cestius. (Near The Graves Of Shelley & Keats)
|
2
|
1%
|
0
|
0%
|
100
|
Rome: On The Palatine.
|
1
|
0%
|
0
|
0%
|
101
|
Seen By The Waits
|
3
|
1%
|
0
|
0%
|
102
|
Self- Unconscious
|
1
|
0%
|
0
|
0%
|
103
|
She Charged Me
|
2
|
1%
|
0
|
0%
|
104
|
She, To Him
|
4
|
2%
|
0
|
0%
|
105
|
She, To Him Iv
|
1
|
0%
|
0
|
0%
|
106
|
She, To Him, I
|
1
|
0%
|
0
|
0%
|
107
|
She, To Him, Ii
|
1
|
0%
|
0
|
0%
|
108
|
She, To Him, Iii
|
1
|
0%
|
0
|
0%
|
109
|
Shelley's Skylark (The Neighbourhood Of Leghorn: March, 1887)
|
1
|
0%
|
0
|
0%
|
110
|
Shelley's Skylark.
|
10
|
5%
|
0
|
0%
|
111
|
Song Of The Soldier's Wifes.
|
5
|
2%
|
0
|
0%
|
112
|
Tess's Lament
|
4
|
2%
|
0
|
0%
|
113
|
The Colonel's Soliloquy (Southampton Docks: October, 1899)
|
1
|
0%
|
0
|
0%
|
114
|
The Convergence Of The Twain
|
2
|
1%
|
0
|
0%
|
115
|
The Darkling Thrush
|
13
|
7%
|
0
|
0%
|
116
|
The Dead Man Walking
|
1
|
0%
|
0
|
0%
|
117
|
The Elopement
|
2
|
1%
|
0
|
0%
|
118
|
The Garden Seat
|
8
|
4%
|
0
|
0%
|
119
|
The Going
|
4
|
2%
|
0
|
0%
|
120
|
The Going Of The Battery [wive's Lament November 2nd 1899]
|
3
|
1%
|
0
|
0%
|
121
|
The Going Of The Battery Wives. (Lament)
|
2
|
1%
|
0
|
0%
|
122
|
The Haunter
|
1
|
0%
|
0
|
0%
|
123
|
The Impercipient
|
1
|
0%
|
0
|
0%
|
124
|
The Ivy-Wife
|
1
|
0%
|
0
|
0%
|
125
|
The Last Chrysanthemum
|
1
|
0%
|
0
|
0%
|
126
|
The Man He Killed
|
181
|
100%
|
0
|
0%
|
127
|
The Masked Face
|
1
|
0%
|
0
|
0%
|
128
|
The Milkmaid
|
1
|
0%
|
0
|
0%
|
129
|
The Moth-Signal (On Egdon Heath)
|
4
|
2%
|
0
|
0%
|
130
|
The Newcomer's Wife
|
1
|
0%
|
0
|
0%
|
131
|
The Night Of Trafalgar
|
2
|
1%
|
0
|
0%
|
132
|
The Oxen
|
74
|
40%
|
0
|
0%
|
133
|
The Sacrilege: (A Ballad-Tragedy)
|
1
|
0%
|
0
|
0%
|
134
|
The Seasons Of Her Year
|
1
|
0%
|
0
|
0%
|
135
|
The Self-Unseeing
|
4
|
2%
|
0
|
0%
|
136
|
The Sergeant's Song
|
1
|
0%
|
0
|
0%
|
137
|
The Sick God
|
1
|
0%
|
0
|
0%
|
138
|
The Souls Of The Slain
|
1
|
0%
|
0
|
0%
|
139
|
The Subalterns
|
3
|
1%
|
0
|
0%
|
140
|
The Sun On The Bookcase
|
2
|
1%
|
0
|
0%
|
141
|
The Sweet Hussy
|
1
|
0%
|
0
|
0%
|
142
|
The To-Be-Forgotten
|
1
|
0%
|
0
|
0%
|
143
|
The Tree: An Old Man's Story
|
1
|
0%
|
0
|
0%
|
144
|
The Voice
|
4
|
2%
|
0
|
0%
|
145
|
The Voice
|
5
|
2%
|
0
|
0%
|
146
|
The Walk
|
6
|
3%
|
0
|
0%
|
147
|
The Well-Beloved
|
1
|
0%
|
0
|
0%
|
148
|
The West-Of-Wessex Girl
|
1
|
0%
|
0
|
0%
|
149
|
The Widow
|
2
|
1%
|
0
|
0%
|
150
|
The Wistful Lady
|
2
|
1%
|
0
|
0%
|
151
|
The Woman In The Rye
|
1
|
0%
|
0
|
0%
|
152
|
The Workbox
|
2
|
1%
|
0
|
0%
|
153
|
The Year's Awakening
|
2
|
1%
|
0
|
0%
|
154
|
Then And Now
|
4
|
2%
|
0
|
0%
|
155
|
Thought Of Ph---A At News Of Her Death
|
1
|
0%
|
0
|
0%
|
156
|
Thoughts Of Phena
|
3
|
1%
|
0
|
0%
|
157
|
To A Lady
|
3
|
1%
|
0
|
0%
|
158
|
To An Orphan Child
|
1
|
0%
|
0
|
0%
|
159
|
To An Orphan Child
|
3
|
1%
|
0
|
0%
|
160
|
To An Unborn Pauper Child
|
29
|
16%
|
0
|
0%
|
161
|
To Flowers From Italy In Winter
|
2
|
1%
|
0
|
0%
|
162
|
To Life
|
2
|
1%
|
0
|
0%
|
163
|
To Lizbie Browne
|
1
|
0%
|
0
|
0%
|
164
|
To Meet, Or Otherwise
|
1
|
0%
|
0
|
0%
|
165
|
To Outer Nature
|
2
|
1%
|
0
|
0%
|
166
|
Tolerance
|
2
|
1%
|
0
|
0%
|
167
|
Transformations
|
6
|
3%
|
0
|
0%
|
168
|
Under The Waterfall
|
4
|
2%
|
0
|
0%
|
169
|
Unknowing
|
1
|
0%
|
0
|
0%
|
170
|
V.R. 1819-1901 (A Reverie.)
|
1
|
0%
|
0
|
0%
|
171
|
V.R. 1819-1901, A Reverie
|
1
|
0%
|
0
|
0%
|
172
|
Valenciennes
|
1
|
0%
|
0
|
0%
|
173
|
We Are Getting To The End
|
6
|
3%
|
0
|
0%
|
174
|
Weathers
|
8
|
4%
|
0
|
0%
|
175
|
Welcome Home
|
2
|
1%
|
0
|
0%
|
176
|
When I Set Out For Lyonnesse
|
11
|
6%
|
0
|
0%
|
177
|
Winter In Durnover Field
|
1
|
0%
|
0
|
0%
|
178
|
Your Last Drive
|
1
|
0%
|
0
|
0%
|