1
|
"Between Us Now"
|
60
|
80%
|
0
|
0%
|
2
|
"How Great My Grief" (Triolet)
|
37
|
49%
|
0
|
0%
|
3
|
"I Have Lived With Shades"
|
27
|
36%
|
0
|
0%
|
4
|
"I Said To Love"
|
49
|
65%
|
0
|
0%
|
5
|
[greek Title]
|
10
|
13%
|
0
|
0%
|
6
|
A Broken Appointment
|
42
|
56%
|
0
|
0%
|
7
|
A Christmas Ghost Story.
|
11
|
14%
|
0
|
0%
|
8
|
A Circular
|
1
|
1%
|
0
|
0%
|
9
|
A Commonplace Day
|
3
|
4%
|
0
|
0%
|
10
|
A Confession To A Friend In Trouble
|
7
|
9%
|
0
|
0%
|
11
|
A Death-Day Recalled
|
10
|
13%
|
0
|
0%
|
12
|
A Dream Or No
|
5
|
6%
|
0
|
0%
|
13
|
A King's Soliloquy [on The Night Of His Funeral]
|
1
|
1%
|
0
|
0%
|
14
|
A Meeting With Despair
|
6
|
8%
|
0
|
0%
|
15
|
A Poet
|
1
|
1%
|
0
|
0%
|
16
|
A Sign-Seeker
|
1
|
1%
|
0
|
0%
|
17
|
A Spot
|
2
|
2%
|
0
|
0%
|
18
|
A Thunderstorm In Town
|
10
|
13%
|
0
|
0%
|
19
|
A Wasted Illness
|
6
|
8%
|
0
|
0%
|
20
|
A Week
|
2
|
2%
|
0
|
0%
|
21
|
A Wife In London (December, 1899)
|
6
|
8%
|
0
|
0%
|
22
|
A Woman's Fancy
|
4
|
5%
|
0
|
0%
|
23
|
Additions
|
3
|
4%
|
0
|
0%
|
24
|
After A Journey
|
3
|
4%
|
0
|
0%
|
25
|
After The Visit
|
1
|
1%
|
0
|
0%
|
26
|
Afterwards
|
17
|
22%
|
0
|
0%
|
27
|
Ah, Are You Digging On My Grave?
|
8
|
10%
|
0
|
0%
|
28
|
An Ancient To Ancients
|
1
|
1%
|
0
|
0%
|
29
|
An August Midnight
|
4
|
5%
|
0
|
0%
|
30
|
An Autumn Rain-Scene
|
8
|
10%
|
0
|
0%
|
31
|
Aquae Sulis
|
1
|
1%
|
0
|
0%
|
32
|
Architectural Masks
|
3
|
4%
|
0
|
0%
|
33
|
At Day-Close In November
|
4
|
5%
|
0
|
0%
|
34
|
At A Bridal
|
4
|
5%
|
0
|
0%
|
35
|
At A Hasty Wedding
|
3
|
4%
|
0
|
0%
|
36
|
At A House In Hampstead Sometime The Dwelling Of John Keats
|
1
|
1%
|
0
|
0%
|
37
|
At A Lunar Eclipse
|
2
|
2%
|
0
|
0%
|
38
|
At An Inn
|
2
|
2%
|
0
|
0%
|
39
|
At Castle Boterel
|
7
|
9%
|
0
|
0%
|
40
|
At Lulworth Cove A Century Back
|
1
|
1%
|
0
|
0%
|
41
|
At Moonrise And Onwards
|
1
|
1%
|
0
|
0%
|
42
|
At The Railway Station, Upways
|
1
|
1%
|
0
|
0%
|
43
|
At The War Office, London (Affixing The Lists Of Killed And Wounded: December, 1899)
|
5
|
6%
|
0
|
0%
|
44
|
At The War Office, London.
|
4
|
5%
|
0
|
0%
|
45
|
Barthelemon At Vauxhall
|
1
|
1%
|
0
|
0%
|
46
|
Beeny Cliff
|
2
|
2%
|
0
|
0%
|
47
|
Before And After Summer
|
2
|
2%
|
0
|
0%
|
48
|
Bereft, She Thinks She Dreams
|
5
|
6%
|
0
|
0%
|
49
|
Between Us Now
|
2
|
2%
|
0
|
0%
|
50
|
Birds At Winter Nightfall (Triolet)
|
2
|
2%
|
0
|
0%
|
51
|
By The Earth's Corpse
|
1
|
1%
|
0
|
0%
|
52
|
Cardinal Bembo's Epitaph On Raphael
|
1
|
1%
|
0
|
0%
|
53
|
Catullus: Xxxi
|
2
|
2%
|
0
|
0%
|
54
|
Channel Firing
|
6
|
8%
|
0
|
0%
|
55
|
Convergence Of The Twain
|
1
|
1%
|
0
|
0%
|
56
|
De Profundis
|
2
|
2%
|
0
|
0%
|
57
|
Departure (Southampton Docks: October, 1899)
|
1
|
1%
|
0
|
0%
|
58
|
Departure.
|
4
|
5%
|
0
|
0%
|
59
|
Ditty
|
1
|
1%
|
0
|
0%
|
60
|
Domicilium
|
1
|
1%
|
0
|
0%
|
61
|
Doom And She
|
4
|
5%
|
0
|
0%
|
62
|
Drummer Hodge
|
43
|
57%
|
0
|
0%
|
63
|
During Wind And Rain
|
1
|
1%
|
0
|
0%
|
64
|
Embarcation
|
1
|
1%
|
0
|
0%
|
65
|
Embarcation (Southampton Docks: October, 1899)
|
1
|
1%
|
0
|
0%
|
66
|
Epeisodia
|
2
|
2%
|
0
|
0%
|
67
|
Epitaph On A Pessimist
|
4
|
5%
|
0
|
0%
|
68
|
Exeunt Omnes
|
1
|
1%
|
0
|
0%
|
69
|
Faintheart In A Railway Train
|
1
|
1%
|
0
|
0%
|
70
|
Fragment
|
1
|
1%
|
0
|
0%
|
71
|
Friends Beyond
|
5
|
6%
|
0
|
0%
|
72
|
From Victor Hugo
|
1
|
1%
|
0
|
0%
|
73
|
From: Men Who March Away
|
1
|
1%
|
0
|
0%
|
74
|
Genoa And The Mediterranean (March, 1887)
|
1
|
1%
|
0
|
0%
|
75
|
Genoa And The Mediterranean.
|
1
|
1%
|
0
|
0%
|
76
|
George Meredith
|
1
|
1%
|
0
|
0%
|
77
|
God-Forgotten
|
1
|
1%
|
0
|
0%
|
78
|
God's Funeral
|
4
|
5%
|
0
|
0%
|
79
|
Going And Staying
|
1
|
1%
|
0
|
0%
|
80
|
Had You Wept
|
5
|
6%
|
0
|
0%
|
81
|
Hap
|
38
|
50%
|
0
|
0%
|
82
|
He Never Expected Much
|
1
|
1%
|
0
|
0%
|
83
|
Her Death And After
|
2
|
2%
|
0
|
0%
|
84
|
Her Dilemma
|
2
|
2%
|
0
|
0%
|
85
|
Her Immortality
|
1
|
1%
|
0
|
0%
|
86
|
Her Initals
|
3
|
4%
|
0
|
0%
|
87
|
Her Initials
|
2
|
2%
|
0
|
0%
|
88
|
Her Late Husband (King's-Hintock, 182-.)
|
1
|
1%
|
0
|
0%
|
89
|
Her Reproach
|
2
|
2%
|
0
|
0%
|
90
|
Her Secret
|
5
|
6%
|
0
|
0%
|
91
|
Her Song
|
5
|
6%
|
0
|
0%
|
92
|
Heredity
|
3
|
4%
|
0
|
0%
|
93
|
His Immortality
|
3
|
4%
|
0
|
0%
|
94
|
His Visitor
|
2
|
2%
|
0
|
0%
|
95
|
How She Went To Ireland
|
1
|
1%
|
0
|
0%
|
96
|
I Found Her Out There
|
2
|
2%
|
0
|
0%
|
97
|
I Have Lived With Shades
|
1
|
1%
|
0
|
0%
|
98
|
I Look Into My Glass
|
14
|
18%
|
0
|
0%
|
99
|
I Need Not Go
|
31
|
41%
|
0
|
0%
|
100
|
I Rose Up As My Custom Is
|
4
|
5%
|
0
|
0%
|
101
|
I Said To Love
|
1
|
1%
|
0
|
0%
|
102
|
I Said To Love.
|
1
|
1%
|
0
|
0%
|
103
|
I Sometimes Think
|
2
|
2%
|
0
|
0%
|
104
|
In A Museum
|
3
|
4%
|
0
|
0%
|
105
|
In A Wood
|
2
|
2%
|
0
|
0%
|
106
|
In A Wook
|
1
|
1%
|
0
|
0%
|
107
|
In Front Of The Landscape
|
2
|
2%
|
0
|
0%
|
108
|
In Tenebris
|
2
|
2%
|
0
|
0%
|
109
|
In The British Museum
|
1
|
1%
|
0
|
0%
|
110
|
In The Days Of Crinoline
|
1
|
1%
|
0
|
0%
|
111
|
In The Moonlight
|
3
|
4%
|
0
|
0%
|
112
|
In The Old Theatre, Fiesole (April, 1887)
|
2
|
2%
|
0
|
0%
|
113
|
In The Old Theatre, Fiesole.
|
1
|
1%
|
0
|
0%
|
114
|
In The Servants' Quarters
|
1
|
1%
|
0
|
0%
|
115
|
In Time Of
|
1
|
1%
|
0
|
0%
|
116
|
In Time Of 'The Breaking Of Nations'
|
17
|
22%
|
0
|
0%
|
117
|
In Vision I Roamed
|
1
|
1%
|
0
|
0%
|
118
|
Lines On The Loss Of The "Titanic"
|
8
|
10%
|
0
|
0%
|
119
|
Mad Judy
|
3
|
4%
|
0
|
0%
|
120
|
Men Who March Away
|
7
|
9%
|
0
|
0%
|
121
|
Moments Of Vision
|
2
|
2%
|
0
|
0%
|
122
|
Mute Opinion
|
1
|
1%
|
0
|
0%
|
123
|
My Cicely
|
2
|
2%
|
0
|
0%
|
124
|
Nature's Questioning
|
8
|
10%
|
0
|
0%
|
125
|
Neutral Tones
|
5
|
6%
|
0
|
0%
|
126
|
Seen By The Waits
|
1
|
1%
|
0
|
0%
|
127
|
Self- Unconscious
|
2
|
2%
|
0
|
0%
|
128
|
She At His Funeral
|
1
|
1%
|
0
|
0%
|
129
|
She Charged Me
|
1
|
1%
|
0
|
0%
|
130
|
She Hears The Storm
|
1
|
1%
|
0
|
0%
|
131
|
She, At His Funeral
|
1
|
1%
|
0
|
0%
|
132
|
She, To Him
|
2
|
2%
|
0
|
0%
|
133
|
She, To Him, Iv
|
1
|
1%
|
0
|
0%
|
134
|
Shelley's Skylark (The Neighbourhood Of Leghorn: March, 1887)
|
1
|
1%
|
0
|
0%
|
135
|
Shelley's Skylark.
|
19
|
25%
|
0
|
0%
|
136
|
Song From Heine
|
1
|
1%
|
0
|
0%
|
137
|
Song Of Hope
|
5
|
6%
|
0
|
0%
|
138
|
Song Of The Soldiers
|
2
|
2%
|
0
|
0%
|
139
|
Song Of The Soldier's Wifes.
|
2
|
2%
|
0
|
0%
|
140
|
Tess's Lament
|
2
|
2%
|
0
|
0%
|
141
|
The Alarm
|
1
|
1%
|
0
|
0%
|
142
|
The Bullfinches
|
1
|
1%
|
0
|
0%
|
143
|
The Caged Thrush Freed And Home Again (Villanelle)
|
2
|
2%
|
0
|
0%
|
144
|
The Casterbridge Captains
|
1
|
1%
|
0
|
0%
|
145
|
The Cave Of The Unborn
|
1
|
1%
|
0
|
0%
|
146
|
The Convergence Of The Twain
|
3
|
4%
|
0
|
0%
|
147
|
The Dance At The Phoenix
|
1
|
1%
|
0
|
0%
|
148
|
The Darkling Thrush
|
9
|
12%
|
0
|
0%
|
149
|
The Dead Drummer
|
1
|
1%
|
0
|
0%
|
150
|
The Dead Man Walking
|
4
|
5%
|
0
|
0%
|
151
|
The Death Of Regret
|
2
|
2%
|
0
|
0%
|
152
|
The Difference
|
1
|
1%
|
0
|
0%
|
153
|
The Dream-Follower
|
2
|
2%
|
0
|
0%
|
154
|
The Farm Woman's Winter
|
1
|
1%
|
0
|
0%
|
155
|
The Fire At Tranter Sweatley's
|
2
|
2%
|
0
|
0%
|
156
|
The Garden Seat
|
1
|
1%
|
0
|
0%
|
157
|
The Ghost Of The Past
|
2
|
2%
|
0
|
0%
|
158
|
The Going
|
3
|
4%
|
0
|
0%
|
159
|
The Haunter
|
1
|
1%
|
0
|
0%
|
160
|
The Impercipient
|
1
|
1%
|
0
|
0%
|
161
|
The Ivy-Wife
|
2
|
2%
|
0
|
0%
|
162
|
The King's Experiment
|
1
|
1%
|
0
|
0%
|
163
|
The Last Chrysanthemum
|
6
|
8%
|
0
|
0%
|
164
|
The Levelled Churchyard
|
1
|
1%
|
0
|
0%
|
165
|
The Man He Killed
|
75
|
100%
|
0
|
0%
|
166
|
The Milkmaid
|
3
|
4%
|
0
|
0%
|
167
|
The Moth-Signal (On Egdon Heath)
|
6
|
8%
|
0
|
0%
|
168
|
The Newcomer's Wife
|
1
|
1%
|
0
|
0%
|
169
|
The Night Of Trafalgar
|
1
|
1%
|
0
|
0%
|
170
|
The Oxen
|
5
|
6%
|
0
|
0%
|
171
|
The Phantom Horsewoman.
|
2
|
2%
|
0
|
0%
|
172
|
The Pity Of It
|
1
|
1%
|
0
|
0%
|
173
|
The Problem
|
1
|
1%
|
0
|
0%
|
174
|
The Ruined Maid
|
6
|
8%
|
0
|
0%
|
175
|
The Satin Shoes
|
3
|
4%
|
0
|
0%
|
176
|
The Seasons Of Her Year
|
1
|
1%
|
0
|
0%
|
177
|
The Selfsame Song
|
1
|
1%
|
0
|
0%
|
178
|
The Self-Unseeing
|
10
|
13%
|
0
|
0%
|
179
|
The Sergeant's Song
|
1
|
1%
|
0
|
0%
|
180
|
The Sick God
|
3
|
4%
|
0
|
0%
|
181
|
The Souls Of The Slain
|
1
|
1%
|
0
|
0%
|
182
|
The Spell Of The Rose
|
1
|
1%
|
0
|
0%
|
183
|
The Sun On The Bookcase
|
1
|
1%
|
0
|
0%
|
184
|
The Sweet Hussy
|
1
|
1%
|
0
|
0%
|
185
|
The Temporary The All
|
2
|
2%
|
0
|
0%
|
186
|
The To-Be-Forgotten
|
1
|
1%
|
0
|
0%
|
187
|
The Two Soldiers
|
1
|
1%
|
0
|
0%
|
188
|
The Voice
|
1
|
1%
|
0
|
0%
|
189
|
The Voice
|
1
|
1%
|
0
|
0%
|
190
|
The Walk
|
5
|
6%
|
0
|
0%
|
191
|
The Well-Beloved
|
2
|
2%
|
0
|
0%
|
192
|
The West-Of-Wessex Girl
|
1
|
1%
|
0
|
0%
|
193
|
The Widow
|
1
|
1%
|
0
|
0%
|
194
|
The Wistful Lady
|
3
|
4%
|
0
|
0%
|
195
|
The Woman In The Rye
|
1
|
1%
|
0
|
0%
|
196
|
The Workbox
|
1
|
1%
|
0
|
0%
|
197
|
To A Lady
|
1
|
1%
|
0
|
0%
|
198
|
To An Orphan Child
|
1
|
1%
|
0
|
0%
|
199
|
To An Orphan Child
|
2
|
2%
|
0
|
0%
|
200
|
To An Unborn Pauper Child
|
3
|
4%
|
0
|
0%
|
201
|
To Flowers From Italy In Winter
|
1
|
1%
|
0
|
0%
|
202
|
Under The Waterfall
|
5
|
6%
|
0
|
0%
|
203
|
Unknowing
|
1
|
1%
|
0
|
0%
|
204
|
We Are Getting To The End
|
3
|
4%
|
0
|
0%
|
205
|
Weathers
|
12
|
16%
|
0
|
0%
|
206
|
Welcome Home
|
2
|
2%
|
0
|
0%
|
207
|
When I Set Out For Lyonnesse
|
2
|
2%
|
0
|
0%
|
208
|
Without Ceremony
|
1
|
1%
|
0
|
0%
|
209
|
Wives In The Sere
|
1
|
1%
|
0
|
0%
|
210
|
Your Last Drive
|
2
|
2%
|
0
|
0%
|
211
|
Zermatt To The Matterhorn.
|
1
|
1%
|
0
|
0%
|