1
|
A Character
|
99
|
46%
|
0
|
0%
|
2
|
A Complaint
|
20
|
9%
|
0
|
0%
|
3
|
A Fact, And An Imagination, Or, Canute And Alfred, On The Seashore
|
14
|
6%
|
0
|
0%
|
4
|
A Farewell
|
8
|
3%
|
0
|
0%
|
5
|
A Flower Garden At Coleorton Hall, Leicestershire.
|
5
|
2%
|
0
|
0%
|
6
|
A Gravestone Upon The Floor In The Cloisters Of Worcester Cathedral
|
7
|
3%
|
0
|
0%
|
7
|
A Jewish Family In A Small Valley Opposite St. Goar, Upon The Rhine
|
7
|
3%
|
0
|
0%
|
8
|
A Morning Exercise
|
4
|
1%
|
0
|
0%
|
9
|
A Narrow Girdle Of Rough Stones And Crags
|
4
|
1%
|
0
|
0%
|
10
|
A Night Thought
|
60
|
27%
|
0
|
0%
|
11
|
A Night-Piece
|
13
|
6%
|
0
|
0%
|
12
|
A Parsonage In Oxfordshire
|
4
|
1%
|
0
|
0%
|
13
|
A Poet! He Hath Put His Heart To School
|
2
|
0%
|
0
|
0%
|
14
|
A Poet's Epitaph
|
4
|
1%
|
0
|
0%
|
15
|
A Prophecy. February 1807
|
3
|
1%
|
0
|
0%
|
16
|
A Sketch
|
2
|
0%
|
0
|
0%
|
17
|
A Slumber Did My Spirit Seal
|
3
|
1%
|
0
|
0%
|
18
|
A Whirl-Blast From Behind The Hill
|
3
|
1%
|
0
|
0%
|
19
|
A Wren's Nest
|
7
|
3%
|
0
|
0%
|
20
|
Address To Kilchurn Castle, Upon Loch Awe
|
7
|
3%
|
0
|
0%
|
21
|
Address To My Infant Daughter, Dora On Being Reminded That She Was A Month Old That Day, September 1
|
2
|
0%
|
0
|
0%
|
22
|
Address To The Scholars Of The Village School Of ----
|
1
|
0%
|
0
|
0%
|
23
|
Admonition
|
4
|
1%
|
0
|
0%
|
24
|
Advance – Come Forth From Thy Tyrolean Ground
|
1
|
0%
|
0
|
0%
|
25
|
After-Thought
|
4
|
1%
|
0
|
0%
|
26
|
Ah! Where Is Palafox? Nor Tongue Nor Pen
|
1
|
0%
|
0
|
0%
|
27
|
Alas! What Boots The Long Laborious Quest
|
1
|
0%
|
0
|
0%
|
28
|
Alice Fell, Or Poverty
|
1
|
0%
|
0
|
0%
|
29
|
Among All Lovely Things My Love Had Been
|
3
|
1%
|
0
|
0%
|
30
|
An Evening Walk, Addressed To A Young Lady
|
8
|
3%
|
0
|
0%
|
31
|
Anecdote For Fathers
|
4
|
1%
|
0
|
0%
|
32
|
Animal Tranquillity And Decay
|
1
|
0%
|
0
|
0%
|
33
|
Argument For Suicide
|
4
|
1%
|
0
|
0%
|
34
|
Beggars
|
2
|
0%
|
0
|
0%
|
35
|
Book Seventh [residence In London]
|
1
|
0%
|
0
|
0%
|
36
|
British Freedom
|
1
|
0%
|
0
|
0%
|
37
|
By Moscow Self-Devoted To A Blaze
|
1
|
0%
|
0
|
0%
|
38
|
By The Seaside
|
2
|
0%
|
0
|
0%
|
39
|
Calm Is All Nature As A Resting Wheel
|
4
|
1%
|
0
|
0%
|
40
|
Character Of The Happy Warrior
|
3
|
1%
|
0
|
0%
|
41
|
Characteristics Of A Child Three Years Old
|
1
|
0%
|
0
|
0%
|
42
|
Composed By The Side Of Grasmere Lake 1806
|
2
|
0%
|
0
|
0%
|
43
|
Composed During A Storm
|
1
|
0%
|
0
|
0%
|
44
|
Composed In The Valley Near Dover, On The Day Of Landing
|
1
|
0%
|
0
|
0%
|
45
|
Composed On The Eve Of The Marriage Of A Friend In The Vale Of Grasmere
|
1
|
0%
|
0
|
0%
|
46
|
Composed Upon Westminster Bridge, September 3, 1802
|
6
|
2%
|
0
|
0%
|
47
|
Composed While The Author Was Engaged In Writing A Tract Occasioned By The Convention Of Cintra
|
3
|
1%
|
0
|
0%
|
48
|
Descriptive Sketches Taken During A Pedestrian Tour Among The Alps
|
4
|
1%
|
0
|
0%
|
49
|
Desideria
|
5
|
2%
|
0
|
0%
|
50
|
Dion
|
1
|
0%
|
0
|
0%
|
51
|
Elegiac Stanzas
|
2
|
0%
|
0
|
0%
|
52
|
Elegiac Stanzas Suggested By A Picture Of Peele Castle
|
1
|
0%
|
0
|
0%
|
53
|
Ellen Irwin
|
2
|
0%
|
0
|
0%
|
54
|
Emperors And Kings, How Oft Have Temples Rung
|
1
|
0%
|
0
|
0%
|
55
|
England I
|
1
|
0%
|
0
|
0%
|
56
|
England Ii
|
1
|
0%
|
0
|
0%
|
57
|
England Iii
|
1
|
0%
|
0
|
0%
|
58
|
Even As A Dragon’s Eye That Feels The Stress
|
1
|
0%
|
0
|
0%
|
59
|
Evening On Calais Beach
|
1
|
0%
|
0
|
0%
|
60
|
Expostulation And Reply
|
2
|
0%
|
0
|
0%
|
61
|
Extempore Effusion Upon The Death Of James Hogg
|
1
|
0%
|
0
|
0%
|
62
|
Extract From The Conclusion Of A Poem Composed In Anticipation Of Leaving School
|
1
|
0%
|
0
|
0%
|
63
|
Feelings Of A Noble Biscayan At One Of Those Funerals
|
1
|
0%
|
0
|
0%
|
64
|
Fidelity
|
3
|
1%
|
0
|
0%
|
65
|
For The Spot Where The Hermitage Stood On St. Herbert's Island, Derwentwater.
|
1
|
0%
|
0
|
0%
|
66
|
Fountain, The: A Conversation
|
1
|
0%
|
0
|
0%
|
67
|
From The Italian Of Michael Angelo
|
1
|
0%
|
0
|
0%
|
68
|
Guilt And Sorrow
|
2
|
0%
|
0
|
0%
|
69
|
Hail, Twilight, Sovereign Of One Peaceful Hour
|
1
|
0%
|
0
|
0%
|
70
|
Hail, Zaragoza! If With Unwet Eye
|
1
|
0%
|
0
|
0%
|
71
|
Hart-Leap Well
|
2
|
0%
|
0
|
0%
|
72
|
I Grieved For Buonaparte
|
1
|
0%
|
0
|
0%
|
73
|
I Know An Old Man Constrained To Dwell
|
2
|
0%
|
0
|
0%
|
74
|
I Travelled Among Unknown Men
|
2
|
0%
|
0
|
0%
|
75
|
I Wandered Lonely As A Cloud (Daffodils)
|
215
|
100%
|
0
|
0%
|
76
|
In Due Observance Of An Ancient Rite
|
63
|
29%
|
0
|
0%
|
77
|
In The Pass Of Killicranky
|
14
|
6%
|
0
|
0%
|
78
|
Incident Characteristic Of A Favorite Dog
|
8
|
3%
|
0
|
0%
|
79
|
Indignation Of A High-Minded Spaniard
|
4
|
1%
|
0
|
0%
|
80
|
Influence Of Natural Objects
|
4
|
1%
|
0
|
0%
|
81
|
Inscriptions For A Seat In The Groves Of Coleorton
|
2
|
0%
|
0
|
0%
|
82
|
Inscriptions In The Ground Of Coleorton, The Seat Of Sir George Beaumont, Bart., Leicestershire
|
2
|
0%
|
0
|
0%
|
83
|
Inscriptions Written With A Slate Pencil Upon A Stone
|
3
|
1%
|
0
|
0%
|
84
|
Inside Of King's College Chapel, Cambridge
|
4
|
1%
|
0
|
0%
|
85
|
Invocation To The Earth, February 1816
|
2
|
0%
|
0
|
0%
|
86
|
Is There A Power That Can Sustain And Cheer
|
3
|
1%
|
0
|
0%
|
87
|
It Is A Beauteous Evening
|
3
|
1%
|
0
|
0%
|
88
|
It Is No Spirit Who From Heaven Hath Flown
|
2
|
0%
|
0
|
0%
|
89
|
It Is Not To Be Thought Of
|
4
|
1%
|
0
|
0%
|
90
|
It Was An April Morning: Fresh And Clear
|
61
|
28%
|
0
|
0%
|
91
|
Lament Of Mary Queen Of Scots
|
6
|
2%
|
0
|
0%
|
92
|
Laodamia
|
2
|
0%
|
0
|
0%
|
93
|
Lines Composed A Few Miles Above Tintern Abbey
|
12
|
5%
|
0
|
0%
|
94
|
Lines Left Upon A Seat In A Yew-Tree
|
5
|
2%
|
0
|
0%
|
95
|
Lines On The Expected Invasion, 1803
|
3
|
1%
|
0
|
0%
|
96
|
Lines Written As A School Exercise At Hawkshead, Anno Aetatis
|
2
|
0%
|
0
|
0%
|
97
|
Lines Written In Early Spring
|
2
|
0%
|
0
|
0%
|
98
|
Lines Written On A Blank Leaf In A Copy Of The Author’s Poem
|
1
|
0%
|
0
|
0%
|
99
|
London, 1802
|
8
|
3%
|
0
|
0%
|
100
|
Look Now On That Adventurer Who Hath Paid
|
5
|
2%
|
0
|
0%
|
101
|
Louisa: After Accompanying Her On A Mountain Excursion
|
6
|
2%
|
0
|
0%
|
102
|
Lucy
|
4
|
1%
|
0
|
0%
|
103
|
Lucy Gray, Or Solitude
|
5
|
2%
|
0
|
0%
|
104
|
Lucy I
|
2
|
0%
|
0
|
0%
|
105
|
Lucy Ii
|
2
|
0%
|
0
|
0%
|
106
|
Lucy Iii
|
2
|
0%
|
0
|
0%
|
107
|
Lucy Iv
|
2
|
0%
|
0
|
0%
|
108
|
Lucy V
|
2
|
0%
|
0
|
0%
|
109
|
Mark The Concentrated Hazels That Enclose
|
2
|
0%
|
0
|
0%
|
110
|
Maternal Grief
|
3
|
1%
|
0
|
0%
|
111
|
Matthew
|
3
|
1%
|
0
|
0%
|
112
|
Memorials Of A Tour In Scotland 1814 I. Suggested By A Beautiful Ruin Upon One Of The Islands Of Loch Lomond,
|
2
|
0%
|
0
|
0%
|
113
|
Memorials Of A Tour In Scotland,
|
1
|
0%
|
0
|
0%
|
114
|
Memory
|
4
|
1%
|
0
|
0%
|
115
|
Methought I Saw The Footsteps Of A Throne
|
1
|
0%
|
0
|
0%
|
116
|
Michael Angelo In Reply To The Passage Upon His Staute Of Sleeping Night
|
1
|
0%
|
0
|
0%
|
117
|
Michael: A Pastoral Poem
|
4
|
1%
|
0
|
0%
|
118
|
Minstrels
|
22
|
10%
|
0
|
0%
|
119
|
Most Sweet It Is
|
6
|
2%
|
0
|
0%
|
120
|
Mutability
|
2
|
0%
|
0
|
0%
|
121
|
My Heart Leaps Up
|
16
|
7%
|
0
|
0%
|
122
|
November 1813
|
3
|
1%
|
0
|
0%
|
123
|
November, 1806
|
2
|
0%
|
0
|
0%
|
124
|
Nuns Fret Not At Their Convent's Narrow Room
|
1
|
0%
|
0
|
0%
|
125
|
Nutting
|
2
|
0%
|
0
|
0%
|
126
|
O Nightingale! Thou Surely Art
|
1
|
0%
|
0
|
0%
|
127
|
O’er The Wide Earth, On Mountain And On Plain
|
1
|
0%
|
0
|
0%
|
128
|
O’erweening Statesmen Have Full Long Relied
|
1
|
0%
|
0
|
0%
|
129
|
October, 1803
|
1
|
0%
|
0
|
0%
|
130
|
Ode
|
1
|
0%
|
0
|
0%
|
131
|
Ode On Intimations Of Immortality From Recollections Of Early Childhood
|
4
|
1%
|
0
|
0%
|
132
|
Ode To Duty
|
1
|
0%
|
0
|
0%
|
133
|
Perfect Woman
|
1
|
0%
|
0
|
0%
|
134
|
Personal Talk
|
1
|
0%
|
0
|
0%
|
135
|
Peter Bell, A Tale
|
2
|
0%
|
0
|
0%
|
136
|
Power Of Music
|
3
|
1%
|
0
|
0%
|
137
|
Repentance
|
1
|
0%
|
0
|
0%
|
138
|
Resolution And Independence
|
3
|
1%
|
0
|
0%
|
139
|
Rural Architecture
|
2
|
0%
|
0
|
0%
|
140
|
Ruth
|
1
|
0%
|
0
|
0%
|
141
|
Say, What Is Honour?--‘tis The Finest Sense
|
1
|
0%
|
0
|
0%
|
142
|
Scorn Not The Sonnet
|
1
|
0%
|
0
|
0%
|
143
|
September 1, 1802
|
7
|
3%
|
0
|
0%
|
144
|
September 1815
|
1
|
0%
|
0
|
0%
|
145
|
She Dwelt Among The Untrodden Ways
|
28
|
13%
|
0
|
0%
|
146
|
She Was A Phantom Of Delight
|
8
|
3%
|
0
|
0%
|
147
|
Siege Of Vienna Raised By John Sobieski
|
4
|
1%
|
0
|
0%
|
148
|
Simon Lee: The Old Huntsman
|
1
|
0%
|
0
|
0%
|
149
|
Song For The Wandering Jew
|
3
|
1%
|
0
|
0%
|
150
|
Song Of The Spinning Wheel
|
2
|
0%
|
0
|
0%
|
151
|
Speak!
|
1
|
0%
|
0
|
0%
|
152
|
Stanzas
|
1
|
0%
|
0
|
0%
|
153
|
Star-Gazers
|
2
|
0%
|
0
|
0%
|
154
|
Stepping Westward
|
3
|
1%
|
0
|
0%
|
155
|
Strange Fits Of Passion Have I Known
|
9
|
4%
|
0
|
0%
|
156
|
Stray Pleasures
|
1
|
0%
|
0
|
0%
|
157
|
Surprised By Joy
|
1
|
0%
|
0
|
0%
|
158
|
The Brothers
|
2
|
0%
|
0
|
0%
|
159
|
The Childless Father
|
3
|
1%
|
0
|
0%
|
160
|
The Complaint Of A Forsaken Indian Woman
|
14
|
6%
|
0
|
0%
|
161
|
The Cottager To Her Infant
|
1
|
0%
|
0
|
0%
|
162
|
The Eagle And The Dove
|
2
|
0%
|
0
|
0%
|
163
|
The Emigrant Mother
|
3
|
1%
|
0
|
0%
|
164
|
The Faëry Chasm
|
15
|
6%
|
0
|
0%
|
165
|
The Fairest, Brightest, Hues Of Ether Fade
|
1
|
0%
|
0
|
0%
|
166
|
The Female Vagrant
|
3
|
1%
|
0
|
0%
|
167
|
The Forsaken
|
2
|
0%
|
0
|
0%
|
168
|
The Fountain
|
2
|
0%
|
0
|
0%
|
169
|
The French Army In Russia, 1812-13
|
1
|
0%
|
0
|
0%
|
170
|
The French Revolution As It Appeared To Enthusiasts
|
2
|
0%
|
0
|
0%
|
171
|
The Germans On The Heighs Of Hochheim
|
1
|
0%
|
0
|
0%
|
172
|
The Green Linnet
|
2
|
0%
|
0
|
0%
|
173
|
The Highland Broach
|
1
|
0%
|
0
|
0%
|
174
|
The Horn Of Egremont Castle
|
1
|
0%
|
0
|
0%
|
175
|
The Idiot Boy
|
5
|
2%
|
0
|
0%
|
176
|
The Idle Shepherd Boys
|
1
|
0%
|
0
|
0%
|
177
|
The King Of Sweden
|
8
|
3%
|
0
|
0%
|
178
|
The Kitten And Falling Leaves
|
8
|
3%
|
0
|
0%
|
179
|
The Last Of The Flock
|
3
|
1%
|
0
|
0%
|
180
|
The Last Supper, by Leonardo da Vinci, in the Refectory of the Convent of Maria della Grazia—Milan
|
1
|
0%
|
0
|
0%
|
181
|
The Martial Courage Of A Day Is Vain
|
5
|
2%
|
0
|
0%
|
182
|
The Morning Of The Day Appointed For A General Thanksgiving. January 18, 1816
|
1
|
0%
|
0
|
0%
|
183
|
The Oak And The Broom
|
5
|
2%
|
0
|
0%
|
184
|
The Oak Of Guernica Supposed Address To The Same
|
2
|
0%
|
0
|
0%
|
185
|
The Old Cumberland Beggar
|
3
|
1%
|
0
|
0%
|
186
|
The Passing Of The Elder Bards
|
2
|
0%
|
0
|
0%
|
187
|
The Pet-Lamb
|
7
|
3%
|
0
|
0%
|
188
|
The Power Of Armies Is A Visible Thing
|
1
|
0%
|
0
|
0%
|
189
|
The Prelude, Book 1: Childhood And School-Time
|
3
|
1%
|
0
|
0%
|
190
|
The Prelude. (Book V )
|
1
|
0%
|
0
|
0%
|
191
|
The Primrose Of The Rock
|
1
|
0%
|
0
|
0%
|
192
|
The Prioress’s Tale [from Chaucer]
|
3
|
1%
|
0
|
0%
|
193
|
The Recluse - Book First
|
1
|
0%
|
0
|
0%
|
194
|
The Redbreast Chasing the Butterfly
|
3
|
1%
|
0
|
0%
|
195
|
The Sailor's Mother
|
2
|
0%
|
0
|
0%
|
196
|
The Simplon Pass
|
3
|
1%
|
0
|
0%
|
197
|
The Solitary Reaper
|
52
|
24%
|
0
|
0%
|
198
|
The Sonnet I
|
7
|
3%
|
0
|
0%
|
199
|
The Sparrow's Nest
|
2
|
0%
|
0
|
0%
|
200
|
The Stars Are Mansions Built By Nature's Hand
|
10
|
4%
|
0
|
0%
|
201
|
The Sun Has Long Been Set
|
6
|
2%
|
0
|
0%
|
202
|
The Table Turned
|
2
|
0%
|
0
|
0%
|
203
|
The Thorn
|
6
|
2%
|
0
|
0%
|
204
|
The Virgin
|
1
|
0%
|
0
|
0%
|
205
|
The Waggoner - Canto Third
|
1
|
0%
|
0
|
0%
|
206
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Third
|
1
|
0%
|
0
|
0%
|
207
|
The Wishing Gate
|
3
|
1%
|
0
|
0%
|
208
|
The World Is Too Much With Us; Late And Soon
|
77
|
35%
|
0
|
0%
|
209
|
There Is A Bondage Worse, Far Worse, To Bear
|
14
|
6%
|
0
|
0%
|
210
|
There Is An Eminence,--Of These Our Hills
|
7
|
3%
|
0
|
0%
|
211
|
There Was A Boy
|
4
|
1%
|
0
|
0%
|
212
|
Those Words Were Uttered As In Pensive Mood
|
4
|
1%
|
0
|
0%
|
213
|
Though Narrow Be That Old Man’s Cares .
|
4
|
1%
|
0
|
0%
|
214
|
Thought Of A Briton On The Subjugation Of Switzerland
|
4
|
1%
|
0
|
0%
|
215
|
Three Years She Grew In Sun And Shower,
|
5
|
2%
|
0
|
0%
|
216
|
'Tis Said, That Some Have Died For Love
|
2
|
0%
|
0
|
0%
|
217
|
'Tis Said, That Some Have Died For Love
|
2
|
0%
|
0
|
0%
|
218
|
To A Butterfly
|
5
|
2%
|
0
|
0%
|
219
|
To A Butterfly (2)
|
2
|
0%
|
0
|
0%
|
220
|
To A Distant Friend
|
5
|
2%
|
0
|
0%
|
221
|
To A Highland Girl (At Inversneyde, Upon Loch Lomond)
|
1
|
0%
|
0
|
0%
|
222
|
To A Sexton
|
1
|
0%
|
0
|
0%
|
223
|
To A Sky-Lark
|
4
|
1%
|
0
|
0%
|
224
|
To A Young Lady Who Had Been Reproached For Taking Long Walks In The Country
|
1
|
0%
|
0
|
0%
|
225
|
To B. R. Haydon
|
1
|
0%
|
0
|
0%
|
226
|
To Dora
|
2
|
0%
|
0
|
0%
|
227
|
To Joanna
|
1
|
0%
|
0
|
0%
|
228
|
To Lady Beaumont
|
2
|
0%
|
0
|
0%
|
229
|
To Lady Eleanor Butler And The Honourable Miss Ponsonby,
|
2
|
0%
|
0
|
0%
|
230
|
To M.H.
|
1
|
0%
|
0
|
0%
|
231
|
To Mary
|
7
|
3%
|
0
|
0%
|
232
|
To My Sister
|
1
|
0%
|
0
|
0%
|
233
|
To---- On Her First Ascent To The Summit Of Helvellyn
|
1
|
0%
|
0
|
0%
|
234
|
To Sir George Howland Beaumont, Bart From The South-West Coast Or Cumberland 1811
|
2
|
0%
|
0
|
0%
|
235
|
To Sleep
|
4
|
1%
|
0
|
0%
|
236
|
To The Cuckoo
|
1
|
0%
|
0
|
0%
|
237
|
To The Daisy (2)
|
1
|
0%
|
0
|
0%
|
238
|
To The Daisy (First Poem)
|
1
|
0%
|
0
|
0%
|
239
|
To The Daisy (Fourth Poem)
|
2
|
0%
|
0
|
0%
|
240
|
To The Daisy (Third Poem)
|
1
|
0%
|
0
|
0%
|
241
|
To The Memory Of Raisley Calvert
|
2
|
0%
|
0
|
0%
|
242
|
To The Men Of Kent
|
2
|
0%
|
0
|
0%
|
243
|
To The Poet, John Dyer
|
4
|
1%
|
0
|
0%
|
244
|
To The Same (John Dyer)
|
3
|
1%
|
0
|
0%
|
245
|
To The Same Flower (Second Poem)
|
2
|
0%
|
0
|
0%
|
246
|
To The Small Celandine
|
2
|
0%
|
0
|
0%
|
247
|
To The Spade Of A Friend (An Agriculturist)
|
11
|
5%
|
0
|
0%
|
248
|
To The Supreme Being From The Italian Of Michael Angelo
|
2
|
0%
|
0
|
0%
|
249
|
To Thomas Clarkson
|
5
|
2%
|
0
|
0%
|
250
|
Translation Of Part Of The First Book Of The Aeneid
|
2
|
0%
|
0
|
0%
|
251
|
Tribute To The Memory Of The Same Dog
|
2
|
0%
|
0
|
0%
|
252
|
Troilus And Cresida
|
1
|
0%
|
0
|
0%
|
253
|
Upon Perusing The Forgoing Epistle Thirty Years After Its Composition
|
1
|
0%
|
0
|
0%
|
254
|
Upon The Punishment Of Death
|
2
|
0%
|
0
|
0%
|
255
|
Upon The Same Event
|
1
|
0%
|
0
|
0%
|
256
|
Upon The Sight Of A Beautiful Picture Painted By Sir G. H. Beaumont, Bart
|
4
|
1%
|
0
|
0%
|
257
|
Upon Westminster Bridge
|
3
|
1%
|
0
|
0%
|
258
|
View From The Top Of Black Comb
|
2
|
0%
|
0
|
0%
|
259
|
We Are Seven
|
2
|
0%
|
0
|
0%
|
260
|
Weak Is The Will Of Man, His Judgement Blind
|
2
|
0%
|
0
|
0%
|
261
|
When I Have Borne In Memory
|
2
|
0%
|
0
|
0%
|
262
|
When To The Attractions Of The Busy World
|
2
|
0%
|
0
|
0%
|
263
|
Where Lies The Land To Which Yon Ship Must Go?
|
1
|
0%
|
0
|
0%
|
264
|
With Ships The Sea Was Sprinkled
|
1
|
0%
|
0
|
0%
|
265
|
With Ships The Sea Was Sprinkled Far And Nigh
|
4
|
1%
|
0
|
0%
|
266
|
Written In Early Spring
|
2
|
0%
|
0
|
0%
|
267
|
Written In Germany, On One Of The Coldest Days Of The Century
|
3
|
1%
|
0
|
0%
|
268
|
Written In March
|
12
|
5%
|
0
|
0%
|
269
|
Written In Very Early Youth
|
1
|
0%
|
0
|
0%
|
270
|
Yarrow Unvisited
|
3
|
1%
|
0
|
0%
|
271
|
Yarrow Visited
|
1
|
0%
|
0
|
0%
|
272
|
Yes, It Was The Mountain Echo
|
1
|
0%
|
0
|
0%
|
273
|
Yew-Trees
|
1
|
0%
|
0
|
0%
|
274
|
Young England--What Is Then Become Of Old
|
1
|
0%
|
0
|
0%
|