1
|
A Character
|
22
|
18%
|
0
|
0%
|
2
|
A Complaint
|
3
|
2%
|
0
|
0%
|
3
|
A Narrow Girdle Of Rough Stones And Crags
|
1
|
0%
|
0
|
0%
|
4
|
A Night Thought
|
17
|
14%
|
0
|
0%
|
5
|
A Night-Piece
|
7
|
6%
|
0
|
0%
|
6
|
A Parsonage In Oxfordshire
|
2
|
1%
|
0
|
0%
|
7
|
A Poet's Epitaph
|
1
|
0%
|
0
|
0%
|
8
|
A Sketch
|
4
|
3%
|
0
|
0%
|
9
|
A Slumber Did My Spirit Seal
|
3
|
2%
|
0
|
0%
|
10
|
A Wren's Nest
|
3
|
2%
|
0
|
0%
|
11
|
Admonition
|
1
|
0%
|
0
|
0%
|
12
|
An Evening Walk, Addressed To A Young Lady
|
2
|
1%
|
0
|
0%
|
13
|
Anecdote For Fathers
|
6
|
5%
|
0
|
0%
|
14
|
Anticipation, October 1803
|
2
|
1%
|
0
|
0%
|
15
|
Argument For Suicide
|
2
|
1%
|
0
|
0%
|
16
|
Avaunt All Specious Pliancy Of Mind
|
1
|
0%
|
0
|
0%
|
17
|
Beggars
|
2
|
1%
|
0
|
0%
|
18
|
Bothwell Castle
|
1
|
0%
|
0
|
0%
|
19
|
Call Not The Royal Swede Unfortunate
|
1
|
0%
|
0
|
0%
|
20
|
Calm Is All Nature As A Resting Wheel
|
6
|
5%
|
0
|
0%
|
21
|
Character Of The Happy Warrior
|
5
|
4%
|
0
|
0%
|
22
|
Characteristics Of A Child Three Years Old
|
1
|
0%
|
0
|
0%
|
23
|
Composed During A Storm
|
1
|
0%
|
0
|
0%
|
24
|
Composed On The Eve Of The Marriage Of A Friend In The Vale Of Grasmere
|
1
|
0%
|
0
|
0%
|
25
|
Epitaphs Translated From Chiabrera
|
1
|
0%
|
0
|
0%
|
26
|
Evening On Calais Beach
|
1
|
0%
|
0
|
0%
|
27
|
Expostulation And Reply
|
2
|
1%
|
0
|
0%
|
28
|
Fidelity
|
4
|
3%
|
0
|
0%
|
29
|
For The Spot Where The Hermitage Stood On St. Herbert's Island, Derwentwater.
|
1
|
0%
|
0
|
0%
|
30
|
From The Cuckoo And The Nightingale
|
3
|
2%
|
0
|
0%
|
31
|
From The Dark Chambers Of Dejection Freed
|
2
|
1%
|
0
|
0%
|
32
|
Goody Blake And Harry Gill
|
3
|
2%
|
0
|
0%
|
33
|
Guilt And Sorrow
|
3
|
2%
|
0
|
0%
|
34
|
Hail, Twilight, Sovereign Of One Peaceful Hour
|
1
|
0%
|
0
|
0%
|
35
|
Hail, Zaragoza! If With Unwet Eye
|
1
|
0%
|
0
|
0%
|
36
|
Hart-Leap Well
|
1
|
0%
|
0
|
0%
|
37
|
Here Pause: The Poet Claims At Least This Praise
|
1
|
0%
|
0
|
0%
|
38
|
I Travelled Among Unknown Men
|
2
|
1%
|
0
|
0%
|
39
|
I Wandered Lonely As A Cloud (Daffodils)
|
116
|
100%
|
0
|
0%
|
40
|
In Due Observance Of An Ancient Rite
|
18
|
15%
|
0
|
0%
|
41
|
In The Pass Of Killicranky
|
5
|
4%
|
0
|
0%
|
42
|
Incident Characteristic Of A Favorite Dog
|
6
|
5%
|
0
|
0%
|
43
|
Indignation Of A High-Minded Spaniard
|
4
|
3%
|
0
|
0%
|
44
|
Influence Of Natural Objects
|
4
|
3%
|
0
|
0%
|
45
|
Inscriptions For A Seat In The Groves Of Coleorton
|
4
|
3%
|
0
|
0%
|
46
|
Inscriptions In The Ground Of Coleorton, The Seat Of Sir George Beaumont, Bart., Leicestershire
|
2
|
1%
|
0
|
0%
|
47
|
Inscriptions Written With A Slate Pencil Upon A Stone
|
3
|
2%
|
0
|
0%
|
48
|
Inside Of King's College Chapel, Cambridge
|
3
|
2%
|
0
|
0%
|
49
|
Invocation To The Earth, February 1816
|
5
|
4%
|
0
|
0%
|
50
|
Is There A Power That Can Sustain And Cheer
|
3
|
2%
|
0
|
0%
|
51
|
It Is A Beauteous Evening
|
4
|
3%
|
0
|
0%
|
52
|
It Is No Spirit Who From Heaven Hath Flown
|
4
|
3%
|
0
|
0%
|
53
|
It Is Not To Be Thought Of
|
3
|
2%
|
0
|
0%
|
54
|
It Was An April Morning: Fresh And Clear
|
17
|
14%
|
0
|
0%
|
55
|
Lament Of Mary Queen Of Scots
|
3
|
2%
|
0
|
0%
|
56
|
Laodamia
|
5
|
4%
|
0
|
0%
|
57
|
Lines Composed A Few Miles Above Tintern Abbey
|
4
|
3%
|
0
|
0%
|
58
|
Lines Left Upon A Seat In A Yew-Tree
|
3
|
2%
|
0
|
0%
|
59
|
Lines On The Expected Invasion, 1803
|
3
|
2%
|
0
|
0%
|
60
|
Lines Written As A School Exercise At Hawkshead, Anno Aetatis
|
3
|
2%
|
0
|
0%
|
61
|
Lines Written In Early Spring
|
5
|
4%
|
0
|
0%
|
62
|
Lines Written On A Blank Leaf In A Copy Of The Author’s Poem
|
5
|
4%
|
0
|
0%
|
63
|
London, 1802
|
5
|
4%
|
0
|
0%
|
64
|
Look Now On That Adventurer Who Hath Paid
|
5
|
4%
|
0
|
0%
|
65
|
Louisa: After Accompanying Her On A Mountain Excursion
|
5
|
4%
|
0
|
0%
|
66
|
Lucy
|
5
|
4%
|
0
|
0%
|
67
|
Lucy Gray, Or Solitude
|
8
|
6%
|
0
|
0%
|
68
|
Lucy I
|
3
|
2%
|
0
|
0%
|
69
|
Lucy Ii
|
3
|
2%
|
0
|
0%
|
70
|
Lucy Iii
|
3
|
2%
|
0
|
0%
|
71
|
Lucy Iv
|
3
|
2%
|
0
|
0%
|
72
|
Lucy V
|
4
|
3%
|
0
|
0%
|
73
|
Mark The Concentrated Hazels That Enclose
|
4
|
3%
|
0
|
0%
|
74
|
Maternal Grief
|
5
|
4%
|
0
|
0%
|
75
|
Matthew
|
6
|
5%
|
0
|
0%
|
76
|
Memorials Of A Tour In Scotland 1814 I. Suggested By A Beautiful Ruin Upon One Of The Islands Of Loch Lomond,
|
1
|
0%
|
0
|
0%
|
77
|
Memorials Of A Tour In Scotland,
|
1
|
0%
|
0
|
0%
|
78
|
Memorials Of A Tour In Scotland, 1803
|
1
|
0%
|
0
|
0%
|
79
|
Memorials Of A Tour In Scotland, 1803 I. Departure From The Vale Of Grasmere, August 1803
|
6
|
5%
|
0
|
0%
|
80
|
Memorials Of A Tour In Scotland, 1803 X. Rob Roy’s Grave .
|
2
|
1%
|
0
|
0%
|
81
|
Memorials Of A Tour In Scotland, 1803 Xii. Sonnet Composed At ---- Castle
|
1
|
0%
|
0
|
0%
|
82
|
Memorials Of A Tour In Scotland, 1803 Xii. Yarrow Unvisited
|
1
|
0%
|
0
|
0%
|
83
|
Memorials Of A Tour In Scotland, 1803 Xiv. Fly, Some Kind Haringer, To Grasmere-Dale
|
3
|
2%
|
0
|
0%
|
84
|
Memorials Of A Tour Of Scotland, 1803 Vi. Glen-Almain, Or, The Narrow Glen
|
1
|
0%
|
0
|
0%
|
85
|
Memory
|
3
|
2%
|
0
|
0%
|
86
|
Methought I Saw The Footsteps Of A Throne
|
2
|
1%
|
0
|
0%
|
87
|
Michael Angelo In Reply To The Passage Upon His Staute Of Sleeping Night
|
2
|
1%
|
0
|
0%
|
88
|
Michael: A Pastoral Poem
|
3
|
2%
|
0
|
0%
|
89
|
Minstrels
|
2
|
1%
|
0
|
0%
|
90
|
Most Sweet It Is
|
1
|
0%
|
0
|
0%
|
91
|
Mutability
|
1
|
0%
|
0
|
0%
|
92
|
My Heart Leaps Up
|
14
|
12%
|
0
|
0%
|
93
|
November 1813
|
3
|
2%
|
0
|
0%
|
94
|
November, 1806
|
1
|
0%
|
0
|
0%
|
95
|
Nuns Fret Not At Their Convent's Narrow Room
|
8
|
6%
|
0
|
0%
|
96
|
Nutting
|
1
|
0%
|
0
|
0%
|
97
|
O Nightingale! Thou Surely Art
|
1
|
0%
|
0
|
0%
|
98
|
O’er The Wide Earth, On Mountain And On Plain
|
1
|
0%
|
0
|
0%
|
99
|
O’erweening Statesmen Have Full Long Relied
|
1
|
0%
|
0
|
0%
|
100
|
Oak And The Broom, The: A Pastoral Poem
|
1
|
0%
|
0
|
0%
|
101
|
Occasioned By The Battle Of Waterloo February 1816
|
1
|
0%
|
0
|
0%
|
102
|
October, 1803
|
1
|
0%
|
0
|
0%
|
103
|
Ode
|
1
|
0%
|
0
|
0%
|
104
|
Ode Composed On A May Morning
|
1
|
0%
|
0
|
0%
|
105
|
Ode On Intimations Of Immortality From Recollections Of Early Childhood
|
3
|
2%
|
0
|
0%
|
106
|
Ode To Duty
|
1
|
0%
|
0
|
0%
|
107
|
Ode To Lycoris. May 1817
|
1
|
0%
|
0
|
0%
|
108
|
Ode, Composed On A May Morning
|
2
|
1%
|
0
|
0%
|
109
|
On A Celebrated Event In Ancient History
|
1
|
0%
|
0
|
0%
|
110
|
On The Departure Of Sir Walter Scott From Abbotsford
|
1
|
0%
|
0
|
0%
|
111
|
On The Extinction Of The Venetian Republic
|
1
|
0%
|
0
|
0%
|
112
|
On The Final Submission Of The Tyrolese
|
1
|
0%
|
0
|
0%
|
113
|
On The Same Occasion
|
4
|
3%
|
0
|
0%
|
114
|
Perfect Woman
|
8
|
6%
|
0
|
0%
|
115
|
Personal Talk
|
2
|
1%
|
0
|
0%
|
116
|
Peter Bell, A Tale
|
3
|
2%
|
0
|
0%
|
117
|
Pet-Lamb, The: A Pastoral Poem
|
1
|
0%
|
0
|
0%
|
118
|
Picture Of Daniel In The Lion's Den At Hamilton Palace
|
2
|
1%
|
0
|
0%
|
119
|
Power Of Music
|
2
|
1%
|
0
|
0%
|
120
|
Remembrance Of Collins
|
1
|
0%
|
0
|
0%
|
121
|
Repentance
|
1
|
0%
|
0
|
0%
|
122
|
Resolution And Independence
|
3
|
2%
|
0
|
0%
|
123
|
Rural Architecture
|
1
|
0%
|
0
|
0%
|
124
|
Ruth
|
3
|
2%
|
0
|
0%
|
125
|
Say, What Is Honour?--‘tis The Finest Sense
|
1
|
0%
|
0
|
0%
|
126
|
Scorn Not The Sonnet
|
1
|
0%
|
0
|
0%
|
127
|
September 1, 1802
|
2
|
1%
|
0
|
0%
|
128
|
September 1815
|
1
|
0%
|
0
|
0%
|
129
|
September, 1819
|
1
|
0%
|
0
|
0%
|
130
|
She Dwelt Among The Untrodden Ways
|
7
|
6%
|
0
|
0%
|
131
|
She Was A Phantom Of Delight
|
2
|
1%
|
0
|
0%
|
132
|
Siege Of Vienna Raised By John Sobieski
|
2
|
1%
|
0
|
0%
|
133
|
Simon Lee: The Old Huntsman
|
1
|
0%
|
0
|
0%
|
134
|
Song At The Feast Of Brougham Castle Upon The Restoration O
|
1
|
0%
|
0
|
0%
|
135
|
Song For The Wandering Jew
|
1
|
0%
|
0
|
0%
|
136
|
Song Of The Spinning Wheel
|
1
|
0%
|
0
|
0%
|
137
|
Sonnet:
|
1
|
0%
|
0
|
0%
|
138
|
Sonnet: On Seeing Miss Helen Maria Williams Weep At A Tale Of Distress
|
2
|
1%
|
0
|
0%
|
139
|
Spanish Guerillas
|
2
|
1%
|
0
|
0%
|
140
|
Speak!
|
1
|
0%
|
0
|
0%
|
141
|
Stanzas
|
1
|
0%
|
0
|
0%
|
142
|
Star-Gazers
|
2
|
1%
|
0
|
0%
|
143
|
Stepping Westward
|
1
|
0%
|
0
|
0%
|
144
|
Strange Fits Of Passion Have I Known
|
6
|
5%
|
0
|
0%
|
145
|
Stray Pleasures
|
1
|
0%
|
0
|
0%
|
146
|
Surprised By Joy
|
2
|
1%
|
0
|
0%
|
147
|
Sweet Was The Walk
|
6
|
5%
|
0
|
0%
|
148
|
The Birth Of Love
|
2
|
1%
|
0
|
0%
|
149
|
The Brothers
|
1
|
0%
|
0
|
0%
|
150
|
The Childless Father
|
1
|
0%
|
0
|
0%
|
151
|
The Complaint Of A Forsaken Indian Woman
|
1
|
0%
|
0
|
0%
|
152
|
The Cottager To Her Infant
|
1
|
0%
|
0
|
0%
|
153
|
The Danish Boy: A Fragment
|
2
|
1%
|
0
|
0%
|
154
|
The Eagle And The Dove
|
1
|
0%
|
0
|
0%
|
155
|
The Emigrant Mother
|
3
|
2%
|
0
|
0%
|
156
|
The Fairest, Brightest, Hues Of Ether Fade
|
1
|
0%
|
0
|
0%
|
157
|
The Farmer Of Tilsbury Vale
|
3
|
2%
|
0
|
0%
|
158
|
The Female Vagrant
|
3
|
2%
|
0
|
0%
|
159
|
The Force Of Prayer, Or, The Founding Of Bolton, A Tradition
|
1
|
0%
|
0
|
0%
|
160
|
The Forsaken
|
1
|
0%
|
0
|
0%
|
161
|
The Fountain
|
1
|
0%
|
0
|
0%
|
162
|
The French And The Spanish Guerillas
|
1
|
0%
|
0
|
0%
|
163
|
The French Army In Russia, 1812-13
|
1
|
0%
|
0
|
0%
|
164
|
The French Revolution As It Appeared To Enthusiasts
|
2
|
1%
|
0
|
0%
|
165
|
The Germans On The Heighs Of Hochheim
|
1
|
0%
|
0
|
0%
|
166
|
The Green Linnet
|
1
|
0%
|
0
|
0%
|
167
|
The Highland Broach
|
2
|
1%
|
0
|
0%
|
168
|
The Horn Of Egremont Castle
|
1
|
0%
|
0
|
0%
|
169
|
The Idiot Boy
|
8
|
6%
|
0
|
0%
|
170
|
The Idle Shepherd Boys
|
2
|
1%
|
0
|
0%
|
171
|
The Kitten And Falling Leaves
|
3
|
2%
|
0
|
0%
|
172
|
The Last Of The Flock
|
1
|
0%
|
0
|
0%
|
173
|
The Last Supper, by Leonardo da Vinci, in the Refectory of the Convent of Maria della Grazia—Milan
|
2
|
1%
|
0
|
0%
|
174
|
The Morning Of The Day Appointed For A General Thanksgiving. January 18, 1816
|
2
|
1%
|
0
|
0%
|
175
|
The Old Cumberland Beggar
|
7
|
6%
|
0
|
0%
|
176
|
The Passing Of The Elder Bards
|
2
|
1%
|
0
|
0%
|
177
|
The Pet-Lamb
|
1
|
0%
|
0
|
0%
|
178
|
The Prelude, Book 1: Childhood And School-Time
|
2
|
1%
|
0
|
0%
|
179
|
The Reaper
|
1
|
0%
|
0
|
0%
|
180
|
The Recluse - Book First
|
1
|
0%
|
0
|
0%
|
181
|
The Redbreast Chasing the Butterfly
|
3
|
2%
|
0
|
0%
|
182
|
The Reverie Of Poor Susan
|
3
|
2%
|
0
|
0%
|
183
|
The Russian Fugitive
|
1
|
0%
|
0
|
0%
|
184
|
The Sailor's Mother
|
2
|
1%
|
0
|
0%
|
185
|
The Seven Sisters
|
1
|
0%
|
0
|
0%
|
186
|
The Shepherd, Looking Eastward, Softly Said
|
2
|
1%
|
0
|
0%
|
187
|
The Solitary Reaper
|
13
|
11%
|
0
|
0%
|
188
|
The Sonnet I
|
1
|
0%
|
0
|
0%
|
189
|
The Sonnet Ii
|
1
|
0%
|
0
|
0%
|
190
|
The Sparrow's Nest
|
2
|
1%
|
0
|
0%
|
191
|
The Stars Are Mansions Built By Nature's Hand
|
8
|
6%
|
0
|
0%
|
192
|
The Sun Has Long Been Set
|
3
|
2%
|
0
|
0%
|
193
|
The Waggoner - Canto First
|
2
|
1%
|
0
|
0%
|
194
|
The Waggoner - Canto Fourth
|
1
|
0%
|
0
|
0%
|
195
|
The Waterfall And The Eglantine
|
1
|
0%
|
0
|
0%
|
196
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Fifth
|
3
|
2%
|
0
|
0%
|
197
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Second
|
1
|
0%
|
0
|
0%
|
198
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Seventh
|
1
|
0%
|
0
|
0%
|
199
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Dedication
|
1
|
0%
|
0
|
0%
|
200
|
The Wishing Gate
|
1
|
0%
|
0
|
0%
|
201
|
The World Is Too Much With Us; Late And Soon
|
20
|
17%
|
0
|
0%
|
202
|
There Is A Bondage Worse, Far Worse, To Bear
|
5
|
4%
|
0
|
0%
|
203
|
There Is An Eminence,--Of These Our Hills
|
4
|
3%
|
0
|
0%
|
204
|
There Was A Boy
|
3
|
2%
|
0
|
0%
|
205
|
Those Words Were Uttered As In Pensive Mood
|
2
|
1%
|
0
|
0%
|
206
|
Though Narrow Be That Old Man’s Cares .
|
4
|
3%
|
0
|
0%
|
207
|
Thought Of A Briton On The Subjugation Of Switzerland
|
2
|
1%
|
0
|
0%
|
208
|
Three Years She Grew In Sun And Shower,
|
2
|
1%
|
0
|
0%
|
209
|
'Tis Said, That Some Have Died For Love
|
1
|
0%
|
0
|
0%
|
210
|
'Tis Said, That Some Have Died For Love
|
1
|
0%
|
0
|
0%
|
211
|
To A Butterfly
|
4
|
3%
|
0
|
0%
|
212
|
To A Butterfly (2)
|
4
|
3%
|
0
|
0%
|
213
|
To A Distant Friend
|
3
|
2%
|
0
|
0%
|
214
|
To A Highland Girl (At Inversneyde, Upon Loch Lomond)
|
1
|
0%
|
0
|
0%
|
215
|
To A Sexton
|
1
|
0%
|
0
|
0%
|
216
|
To A Sky-Lark
|
2
|
1%
|
0
|
0%
|
217
|
To A Young Lady Who Had Been Reproached For Taking Long Walks In The Country
|
1
|
0%
|
0
|
0%
|
218
|
To Mary
|
1
|
0%
|
0
|
0%
|
219
|
To May
|
2
|
1%
|
0
|
0%
|
220
|
To The Daisy (First Poem)
|
1
|
0%
|
0
|
0%
|
221
|
To The Memory Of Raisley Calvert
|
1
|
0%
|
0
|
0%
|
222
|
To The Men Of Kent
|
1
|
0%
|
0
|
0%
|
223
|
To The Spade Of A Friend (An Agriculturist)
|
1
|
0%
|
0
|
0%
|
224
|
To The Supreme Being From The Italian Of Michael Angelo
|
1
|
0%
|
0
|
0%
|
225
|
Tribute To The Memory Of The Same Dog
|
1
|
0%
|
0
|
0%
|
226
|
Upon The Punishment Of Death
|
1
|
0%
|
0
|
0%
|
227
|
Upon The Sight Of A Beautiful Picture Painted By Sir G. H. Beaumont, Bart
|
2
|
1%
|
0
|
0%
|
228
|
Upon Westminster Bridge
|
1
|
0%
|
0
|
0%
|
229
|
We Are Seven
|
3
|
2%
|
0
|
0%
|
230
|
Weak Is The Will Of Man, His Judgement Blind
|
1
|
0%
|
0
|
0%
|
231
|
Where Lies The Land To Which Yon Ship Must Go?
|
1
|
0%
|
0
|
0%
|
232
|
Who Fancied What A Pretty Sight
|
2
|
1%
|
0
|
0%
|
233
|
Written In A Blank Leaf Of Macpherson's Ossian
|
1
|
0%
|
0
|
0%
|
234
|
Written In March
|
6
|
5%
|
0
|
0%
|
235
|
Written In Very Early Youth
|
5
|
4%
|
0
|
0%
|
236
|
Written With A Pencil Upon A Stone In The Wall Of The House, On The Island At Grasmere
|
1
|
0%
|
0
|
0%
|
237
|
Yew-Trees
|
2
|
1%
|
0
|
0%
|