1
|
A Character
|
26
|
20%
|
0
|
0%
|
2
|
A Complaint
|
9
|
7%
|
0
|
0%
|
3
|
A Fact, And An Imagination, Or, Canute And Alfred, On The Seashore
|
7
|
5%
|
0
|
0%
|
4
|
A Farewell
|
3
|
2%
|
0
|
0%
|
5
|
A Flower Garden At Coleorton Hall, Leicestershire.
|
1
|
0%
|
0
|
0%
|
6
|
A Gravestone Upon The Floor In The Cloisters Of Worcester Cathedral
|
3
|
2%
|
0
|
0%
|
7
|
A Jewish Family In A Small Valley Opposite St. Goar, Upon The Rhine
|
3
|
2%
|
0
|
0%
|
8
|
A Morning Exercise
|
2
|
1%
|
0
|
0%
|
9
|
A Narrow Girdle Of Rough Stones And Crags
|
2
|
1%
|
0
|
0%
|
10
|
A Night Thought
|
22
|
17%
|
0
|
0%
|
11
|
A Night-Piece
|
18
|
14%
|
0
|
0%
|
12
|
A Parsonage In Oxfordshire
|
2
|
1%
|
0
|
0%
|
13
|
A Poet! He Hath Put His Heart To School
|
1
|
0%
|
0
|
0%
|
14
|
A Poet's Epitaph
|
2
|
1%
|
0
|
0%
|
15
|
A Prophecy. February 1807
|
1
|
0%
|
0
|
0%
|
16
|
A Sketch
|
1
|
0%
|
0
|
0%
|
17
|
A Slumber Did My Spirit Seal
|
2
|
1%
|
0
|
0%
|
18
|
A Wren's Nest
|
4
|
3%
|
0
|
0%
|
19
|
Address To Kilchurn Castle, Upon Loch Awe
|
1
|
0%
|
0
|
0%
|
20
|
Address To My Infant Daughter, Dora On Being Reminded That She Was A Month Old That Day, September 1
|
1
|
0%
|
0
|
0%
|
21
|
Admonition
|
1
|
0%
|
0
|
0%
|
22
|
An Evening Walk, Addressed To A Young Lady
|
3
|
2%
|
0
|
0%
|
23
|
And Is It Among Rude Untutored Dales
|
1
|
0%
|
0
|
0%
|
24
|
Anecdote For Fathers
|
2
|
1%
|
0
|
0%
|
25
|
Anticipation, October 1803
|
1
|
0%
|
0
|
0%
|
26
|
Argument For Suicide
|
1
|
0%
|
0
|
0%
|
27
|
Book Eighth: Retrospect--Love Of Nature Leading To Love Of Man
|
2
|
1%
|
0
|
0%
|
28
|
Book Eleventh: France [concluded]
|
1
|
0%
|
0
|
0%
|
29
|
Book First [introduction-Childhood And School Time]
|
2
|
1%
|
0
|
0%
|
30
|
Book Sixth [cambridge And The Alps]
|
1
|
0%
|
0
|
0%
|
31
|
Call Not The Royal Swede Unfortunate
|
1
|
0%
|
0
|
0%
|
32
|
Calm Is All Nature As A Resting Wheel
|
5
|
4%
|
0
|
0%
|
33
|
Character Of The Happy Warrior
|
2
|
1%
|
0
|
0%
|
34
|
Characteristics Of A Child Three Years Old
|
5
|
4%
|
0
|
0%
|
35
|
Composed By The Sea-Side, Near Calais, August 1802
|
1
|
0%
|
0
|
0%
|
36
|
Composed By The Side Of Grasmere Lake 1806
|
1
|
0%
|
0
|
0%
|
37
|
Composed During A Storm
|
4
|
3%
|
0
|
0%
|
38
|
Composed Near Calais, On The Road Leading To Ardres, August 7, 1802
|
1
|
0%
|
0
|
0%
|
39
|
Composed Upon Westminster Bridge, September 3, 1802
|
1
|
0%
|
0
|
0%
|
40
|
Descriptive Sketches Taken During A Pedestrian Tour Among The Alps
|
2
|
1%
|
0
|
0%
|
41
|
Dion
|
1
|
0%
|
0
|
0%
|
42
|
Ellen Irwin
|
2
|
1%
|
0
|
0%
|
43
|
Even As A Dragon’s Eye That Feels The Stress
|
1
|
0%
|
0
|
0%
|
44
|
Expostulation And Reply
|
1
|
0%
|
0
|
0%
|
45
|
Fidelity
|
1
|
0%
|
0
|
0%
|
46
|
Foresight
|
3
|
2%
|
0
|
0%
|
47
|
From The Cuckoo And The Nightingale
|
1
|
0%
|
0
|
0%
|
48
|
George And Sarah Green
|
1
|
0%
|
0
|
0%
|
49
|
Gipsies
|
1
|
0%
|
0
|
0%
|
50
|
Guilt And Sorrow
|
1
|
0%
|
0
|
0%
|
51
|
Hart-Leap Well
|
5
|
4%
|
0
|
0%
|
52
|
I Travelled Among Unknown Men
|
2
|
1%
|
0
|
0%
|
53
|
I Wandered Lonely As A Cloud (Daffodils)
|
124
|
100%
|
0
|
0%
|
54
|
In Due Observance Of An Ancient Rite
|
20
|
16%
|
0
|
0%
|
55
|
In The Pass Of Killicranky
|
6
|
4%
|
0
|
0%
|
56
|
Incident Characteristic Of A Favorite Dog
|
2
|
1%
|
0
|
0%
|
57
|
Indignation Of A High-Minded Spaniard
|
1
|
0%
|
0
|
0%
|
58
|
Influence Of Natural Objects
|
5
|
4%
|
0
|
0%
|
59
|
Inscriptions For A Seat In The Groves Of Coleorton
|
1
|
0%
|
0
|
0%
|
60
|
Inscriptions In The Ground Of Coleorton, The Seat Of Sir George Beaumont, Bart., Leicestershire
|
1
|
0%
|
0
|
0%
|
61
|
Inscriptions Written With A Slate Pencil Upon A Stone
|
1
|
0%
|
0
|
0%
|
62
|
It Is A Beauteous Evening
|
2
|
1%
|
0
|
0%
|
63
|
It Is Not To Be Thought Of
|
1
|
0%
|
0
|
0%
|
64
|
It Was An April Morning: Fresh And Clear
|
18
|
14%
|
0
|
0%
|
65
|
Lament Of Mary Queen Of Scots
|
3
|
2%
|
0
|
0%
|
66
|
Lines Composed A Few Miles Above Tintern Abbey
|
6
|
4%
|
0
|
0%
|
67
|
Lines Left Upon A Seat In A Yew-Tree
|
1
|
0%
|
0
|
0%
|
68
|
Lines On The Expected Invasion, 1803
|
1
|
0%
|
0
|
0%
|
69
|
Lines Written As A School Exercise At Hawkshead, Anno Aetatis
|
1
|
0%
|
0
|
0%
|
70
|
Lines Written In Early Spring
|
1
|
0%
|
0
|
0%
|
71
|
London, 1802
|
2
|
1%
|
0
|
0%
|
72
|
Lucy
|
2
|
1%
|
0
|
0%
|
73
|
Lucy Gray, Or Solitude
|
2
|
1%
|
0
|
0%
|
74
|
Matthew
|
1
|
0%
|
0
|
0%
|
75
|
Memorials Of A Tour In Scotland,
|
1
|
0%
|
0
|
0%
|
76
|
Memorials Of A Tour In Scotland, 1803 X. Rob Roy’s Grave .
|
1
|
0%
|
0
|
0%
|
77
|
Memory
|
2
|
1%
|
0
|
0%
|
78
|
Michael: A Pastoral Poem
|
4
|
3%
|
0
|
0%
|
79
|
Minstrels
|
4
|
3%
|
0
|
0%
|
80
|
My Heart Leaps Up
|
6
|
4%
|
0
|
0%
|
81
|
Nuns Fret Not At Their Convent's Narrow Room
|
2
|
1%
|
0
|
0%
|
82
|
O Nightingale! Thou Surely Art
|
1
|
0%
|
0
|
0%
|
83
|
Ode
|
1
|
0%
|
0
|
0%
|
84
|
Ode On Intimations Of Immortality From Recollections Of Early Childhood
|
2
|
1%
|
0
|
0%
|
85
|
Ode To Duty
|
3
|
2%
|
0
|
0%
|
86
|
Ode To Lycoris. May 1817
|
2
|
1%
|
0
|
0%
|
87
|
Ode, Composed On A May Morning
|
1
|
0%
|
0
|
0%
|
88
|
Perfect Woman
|
1
|
0%
|
0
|
0%
|
89
|
Peter Bell, A Tale
|
2
|
1%
|
0
|
0%
|
90
|
Picture Of Daniel In The Lion's Den At Hamilton Palace
|
1
|
0%
|
0
|
0%
|
91
|
Power Of Music
|
1
|
0%
|
0
|
0%
|
92
|
Rural Architecture
|
1
|
0%
|
0
|
0%
|
93
|
Ruth
|
1
|
0%
|
0
|
0%
|
94
|
Say, What Is Honour?--‘tis The Finest Sense
|
1
|
0%
|
0
|
0%
|
95
|
Scorn Not The Sonnet
|
1
|
0%
|
0
|
0%
|
96
|
September 1, 1802
|
3
|
2%
|
0
|
0%
|
97
|
September 1815
|
1
|
0%
|
0
|
0%
|
98
|
She Dwelt Among The Untrodden Ways
|
19
|
15%
|
0
|
0%
|
99
|
She Was A Phantom Of Delight
|
4
|
3%
|
0
|
0%
|
100
|
Siege Of Vienna Raised By John Sobieski
|
1
|
0%
|
0
|
0%
|
101
|
Simon Lee: The Old Huntsman
|
1
|
0%
|
0
|
0%
|
102
|
Song At The Feast Of Brougham Castle Upon The Restoration O
|
2
|
1%
|
0
|
0%
|
103
|
Song For The Wandering Jew
|
1
|
0%
|
0
|
0%
|
104
|
Song Of The Spinning Wheel
|
2
|
1%
|
0
|
0%
|
105
|
Sonnet:
|
1
|
0%
|
0
|
0%
|
106
|
Star-Gazers
|
1
|
0%
|
0
|
0%
|
107
|
Strange Fits Of Passion Have I Known
|
4
|
3%
|
0
|
0%
|
108
|
Stray Pleasures
|
2
|
1%
|
0
|
0%
|
109
|
Surprised By Joy
|
1
|
0%
|
0
|
0%
|
110
|
Sweet Was The Walk
|
2
|
1%
|
0
|
0%
|
111
|
The Birth Of Love
|
3
|
2%
|
0
|
0%
|
112
|
The Brothers
|
7
|
5%
|
0
|
0%
|
113
|
The Childless Father
|
6
|
4%
|
0
|
0%
|
114
|
The Cottager To Her Infant
|
1
|
0%
|
0
|
0%
|
115
|
The Eagle And The Dove
|
1
|
0%
|
0
|
0%
|
116
|
The Faëry Chasm
|
2
|
1%
|
0
|
0%
|
117
|
The Female Vagrant
|
7
|
5%
|
0
|
0%
|
118
|
The Forsaken
|
3
|
2%
|
0
|
0%
|
119
|
The Fountain
|
2
|
1%
|
0
|
0%
|
120
|
The Horn Of Egremont Castle
|
2
|
1%
|
0
|
0%
|
121
|
The Idiot Boy
|
2
|
1%
|
0
|
0%
|
122
|
The King Of Sweden
|
1
|
0%
|
0
|
0%
|
123
|
The Kitten And Falling Leaves
|
1
|
0%
|
0
|
0%
|
124
|
The Last Of The Flock
|
2
|
1%
|
0
|
0%
|
125
|
The Last Supper, by Leonardo da Vinci, in the Refectory of the Convent of Maria della Grazia—Milan
|
2
|
1%
|
0
|
0%
|
126
|
The Longest Day
|
1
|
0%
|
0
|
0%
|
127
|
The Morning Of The Day Appointed For A General Thanksgiving. January 18, 1816
|
2
|
1%
|
0
|
0%
|
128
|
The Mother's Return
|
4
|
3%
|
0
|
0%
|
129
|
The Oak And The Broom
|
5
|
4%
|
0
|
0%
|
130
|
The Oak Of Guernica Supposed Address To The Same
|
1
|
0%
|
0
|
0%
|
131
|
The Old Cumberland Beggar
|
1
|
0%
|
0
|
0%
|
132
|
The Passing Of The Elder Bards
|
2
|
1%
|
0
|
0%
|
133
|
The Pet-Lamb
|
2
|
1%
|
0
|
0%
|
134
|
The Power Of Armies Is A Visible Thing
|
1
|
0%
|
0
|
0%
|
135
|
The Prelude, Book 1: Childhood And School-Time
|
2
|
1%
|
0
|
0%
|
136
|
The Prelude, Book 2: School-Time (Continued)
|
1
|
0%
|
0
|
0%
|
137
|
The Prelude. (Book V )
|
2
|
1%
|
0
|
0%
|
138
|
The Primrose Of The Rock
|
2
|
1%
|
0
|
0%
|
139
|
The Prioress’s Tale [from Chaucer]
|
2
|
1%
|
0
|
0%
|
140
|
The Reaper
|
1
|
0%
|
0
|
0%
|
141
|
The Recluse - Book First
|
2
|
1%
|
0
|
0%
|
142
|
The Redbreast Chasing the Butterfly
|
6
|
4%
|
0
|
0%
|
143
|
The Russian Fugitive
|
1
|
0%
|
0
|
0%
|
144
|
The Sailor's Mother
|
2
|
1%
|
0
|
0%
|
145
|
The Seven Sisters
|
2
|
1%
|
0
|
0%
|
146
|
The Shepherd, Looking Eastward, Softly Said
|
2
|
1%
|
0
|
0%
|
147
|
The Simplon Pass
|
1
|
0%
|
0
|
0%
|
148
|
The Solitary Reaper
|
13
|
10%
|
0
|
0%
|
149
|
The Sonnet I
|
1
|
0%
|
0
|
0%
|
150
|
The Sonnet Ii
|
1
|
0%
|
0
|
0%
|
151
|
The Sparrow's Nest
|
2
|
1%
|
0
|
0%
|
152
|
The Sun Has Long Been Set
|
3
|
2%
|
0
|
0%
|
153
|
The Table Turned
|
1
|
0%
|
0
|
0%
|
154
|
The Thorn
|
1
|
0%
|
0
|
0%
|
155
|
The Two April Mornings
|
2
|
1%
|
0
|
0%
|
156
|
The Waggoner - Canto Second
|
1
|
0%
|
0
|
0%
|
157
|
The Waterfall And The Eglantine
|
1
|
0%
|
0
|
0%
|
158
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Dedication
|
1
|
0%
|
0
|
0%
|
159
|
The Wishing Gate
|
2
|
1%
|
0
|
0%
|
160
|
The World Is Too Much With Us; Late And Soon
|
32
|
25%
|
0
|
0%
|
161
|
There Is A Bondage Worse, Far Worse, To Bear
|
8
|
6%
|
0
|
0%
|
162
|
There Is An Eminence,--Of These Our Hills
|
3
|
2%
|
0
|
0%
|
163
|
There Was A Boy
|
2
|
1%
|
0
|
0%
|
164
|
Those Words Were Uttered As In Pensive Mood
|
2
|
1%
|
0
|
0%
|
165
|
Though Narrow Be That Old Man’s Cares .
|
2
|
1%
|
0
|
0%
|
166
|
Thought Of A Briton On The Subjugation Of Switzerland
|
2
|
1%
|
0
|
0%
|
167
|
Three Years She Grew In Sun And Shower,
|
2
|
1%
|
0
|
0%
|
168
|
'Tis Said, That Some Have Died For Love
|
1
|
0%
|
0
|
0%
|
169
|
'Tis Said, That Some Have Died For Love
|
1
|
0%
|
0
|
0%
|
170
|
To A Butterfly
|
1
|
0%
|
0
|
0%
|
171
|
To A Sky-Lark
|
3
|
2%
|
0
|
0%
|
172
|
To A Young Lady Who Had Been Reproached For Taking Long Walks In The Country
|
1
|
0%
|
0
|
0%
|
173
|
To Dora
|
1
|
0%
|
0
|
0%
|
174
|
To Joanna
|
2
|
1%
|
0
|
0%
|
175
|
To Lady Beaumont
|
1
|
0%
|
0
|
0%
|
176
|
To Lady Eleanor Butler And The Honourable Miss Ponsonby,
|
6
|
4%
|
0
|
0%
|
177
|
To M.H.
|
1
|
0%
|
0
|
0%
|
178
|
To May
|
1
|
0%
|
0
|
0%
|
179
|
To My Sister
|
1
|
0%
|
0
|
0%
|
180
|
To---- On Her First Ascent To The Summit Of Helvellyn
|
3
|
2%
|
0
|
0%
|
181
|
To Sir George Howland Beaumont, Bart From The South-West Coast Or Cumberland 1811
|
3
|
2%
|
0
|
0%
|
182
|
To Sleep
|
1
|
0%
|
0
|
0%
|
183
|
To The Daisy
|
1
|
0%
|
0
|
0%
|
184
|
To The Memory Of Raisley Calvert
|
1
|
0%
|
0
|
0%
|
185
|
To The Men Of Kent
|
1
|
0%
|
0
|
0%
|
186
|
To The Poet, John Dyer
|
1
|
0%
|
0
|
0%
|
187
|
To The Same Flower (Second Poem)
|
1
|
0%
|
0
|
0%
|
188
|
To The Small Celandine
|
2
|
1%
|
0
|
0%
|
189
|
To The Supreme Being From The Italian Of Michael Angelo
|
3
|
2%
|
0
|
0%
|
190
|
To Thomas Clarkson
|
1
|
0%
|
0
|
0%
|
191
|
Tribute To The Memory Of The Same Dog
|
3
|
2%
|
0
|
0%
|
192
|
Upon The Same Event
|
1
|
0%
|
0
|
0%
|
193
|
Upon Westminster Bridge
|
1
|
0%
|
0
|
0%
|
194
|
Vaudracour And Julia
|
1
|
0%
|
0
|
0%
|
195
|
Vernal Ode
|
1
|
0%
|
0
|
0%
|
196
|
We Are Seven
|
2
|
1%
|
0
|
0%
|
197
|
When To The Attractions Of The Busy World
|
1
|
0%
|
0
|
0%
|
198
|
Where Lies The Land To Which Yon Ship Must Go?
|
1
|
0%
|
0
|
0%
|
199
|
Written In A Blank Leaf Of Macpherson's Ossian
|
1
|
0%
|
0
|
0%
|
200
|
Written In March
|
6
|
4%
|
0
|
0%
|
201
|
Written In Very Early Youth
|
1
|
0%
|
0
|
0%
|
202
|
Yes, It Was The Mountain Echo
|
1
|
0%
|
0
|
0%
|
203
|
Yew-Trees
|
1
|
0%
|
0
|
0%
|
204
|
Young England--What Is Then Become Of Old
|
1
|
0%
|
0
|
0%
|