1
|
A Character
|
28
|
32%
|
0
|
0%
|
2
|
A Complaint
|
3
|
3%
|
0
|
0%
|
3
|
A Fact, And An Imagination, Or, Canute And Alfred, On The Seashore
|
4
|
4%
|
0
|
0%
|
4
|
A Farewell
|
2
|
2%
|
0
|
0%
|
5
|
A Flower Garden At Coleorton Hall, Leicestershire.
|
1
|
1%
|
0
|
0%
|
6
|
A Night Thought
|
26
|
30%
|
0
|
0%
|
7
|
A Night-Piece
|
11
|
12%
|
0
|
0%
|
8
|
A Poet's Epitaph
|
1
|
1%
|
0
|
0%
|
9
|
A Sketch
|
1
|
1%
|
0
|
0%
|
10
|
A Slumber Did My Spirit Seal
|
4
|
4%
|
0
|
0%
|
11
|
A Wren's Nest
|
2
|
2%
|
0
|
0%
|
12
|
Address To Kilchurn Castle, Upon Loch Awe
|
1
|
1%
|
0
|
0%
|
13
|
Address To My Infant Daughter, Dora On Being Reminded That She Was A Month Old That Day, September 1
|
1
|
1%
|
0
|
0%
|
14
|
After-Thought
|
1
|
1%
|
0
|
0%
|
15
|
An Evening Walk, Addressed To A Young Lady
|
6
|
6%
|
0
|
0%
|
16
|
Argument For Suicide
|
2
|
2%
|
0
|
0%
|
17
|
Book Eighth: Retrospect--Love Of Nature Leading To Love Of Man
|
1
|
1%
|
0
|
0%
|
18
|
Book Fifth-Books
|
1
|
1%
|
0
|
0%
|
19
|
Book First [introduction-Childhood And School Time]
|
1
|
1%
|
0
|
0%
|
20
|
Book Fourth [summer Vacation]
|
1
|
1%
|
0
|
0%
|
21
|
Calm Is All Nature As A Resting Wheel
|
9
|
10%
|
0
|
0%
|
22
|
Character Of The Happy Warrior
|
2
|
2%
|
0
|
0%
|
23
|
Characteristics Of A Child Three Years Old
|
1
|
1%
|
0
|
0%
|
24
|
Composed Upon Westminster Bridge, September 3, 1802
|
2
|
2%
|
0
|
0%
|
25
|
Descriptive Sketches Taken During A Pedestrian Tour Among The Alps
|
1
|
1%
|
0
|
0%
|
26
|
Expostulation And Reply
|
1
|
1%
|
0
|
0%
|
27
|
Feelings Of A Noble Biscayan At One Of Those Funerals
|
1
|
1%
|
0
|
0%
|
28
|
Feelings Of The Tyrolese
|
1
|
1%
|
0
|
0%
|
29
|
Fidelity
|
3
|
3%
|
0
|
0%
|
30
|
For The Spot Where The Hermitage Stood On St. Herbert's Island, Derwentwater.
|
2
|
2%
|
0
|
0%
|
31
|
Foresight
|
1
|
1%
|
0
|
0%
|
32
|
Fountain, The: A Conversation
|
1
|
1%
|
0
|
0%
|
33
|
From The Cuckoo And The Nightingale
|
1
|
1%
|
0
|
0%
|
34
|
From The Dark Chambers Of Dejection Freed
|
1
|
1%
|
0
|
0%
|
35
|
Goody Blake And Harry Gill
|
1
|
1%
|
0
|
0%
|
36
|
I Grieved For Buonaparte
|
1
|
1%
|
0
|
0%
|
37
|
I Travelled Among Unknown Men
|
1
|
1%
|
0
|
0%
|
38
|
I Wandered Lonely As A Cloud (Daffodils)
|
86
|
100%
|
0
|
0%
|
39
|
In Due Observance Of An Ancient Rite
|
11
|
12%
|
0
|
0%
|
40
|
In The Pass Of Killicranky
|
4
|
4%
|
0
|
0%
|
41
|
Incident Characteristic Of A Favorite Dog
|
3
|
3%
|
0
|
0%
|
42
|
Indignation Of A High-Minded Spaniard
|
1
|
1%
|
0
|
0%
|
43
|
Influence Of Natural Objects
|
2
|
2%
|
0
|
0%
|
44
|
Inscriptions For A Seat In The Groves Of Coleorton
|
1
|
1%
|
0
|
0%
|
45
|
Inscriptions In The Ground Of Coleorton, The Seat Of Sir George Beaumont, Bart., Leicestershire
|
1
|
1%
|
0
|
0%
|
46
|
Inscriptions Written With A Slate Pencil Upon A Stone
|
1
|
1%
|
0
|
0%
|
47
|
Inside Of King's College Chapel, Cambridge
|
1
|
1%
|
0
|
0%
|
48
|
Invocation To The Earth, February 1816
|
1
|
1%
|
0
|
0%
|
49
|
Is There A Power That Can Sustain And Cheer
|
2
|
2%
|
0
|
0%
|
50
|
It Is A Beauteous Evening
|
3
|
3%
|
0
|
0%
|
51
|
It Is No Spirit Who From Heaven Hath Flown
|
1
|
1%
|
0
|
0%
|
52
|
It Is Not To Be Thought Of
|
1
|
1%
|
0
|
0%
|
53
|
It Was An April Morning: Fresh And Clear
|
16
|
18%
|
0
|
0%
|
54
|
Lament Of Mary Queen Of Scots
|
1
|
1%
|
0
|
0%
|
55
|
Laodamia
|
2
|
2%
|
0
|
0%
|
56
|
Lines Composed A Few Miles Above Tintern Abbey
|
2
|
2%
|
0
|
0%
|
57
|
Lines Left Upon A Seat In A Yew-Tree
|
1
|
1%
|
0
|
0%
|
58
|
Lines On The Expected Invasion, 1803
|
1
|
1%
|
0
|
0%
|
59
|
Lines Written As A School Exercise At Hawkshead, Anno Aetatis
|
1
|
1%
|
0
|
0%
|
60
|
Lines Written In Early Spring
|
1
|
1%
|
0
|
0%
|
61
|
Lines Written On A Blank Leaf In A Copy Of The Author’s Poem
|
1
|
1%
|
0
|
0%
|
62
|
London, 1802
|
1
|
1%
|
0
|
0%
|
63
|
Look Now On That Adventurer Who Hath Paid
|
1
|
1%
|
0
|
0%
|
64
|
Louisa: After Accompanying Her On A Mountain Excursion
|
1
|
1%
|
0
|
0%
|
65
|
Lucy
|
1
|
1%
|
0
|
0%
|
66
|
Lucy Gray, Or Solitude
|
7
|
8%
|
0
|
0%
|
67
|
Lucy I
|
1
|
1%
|
0
|
0%
|
68
|
Mark The Concentrated Hazels That Enclose
|
1
|
1%
|
0
|
0%
|
69
|
Memorials Of A Tour In Scotland,
|
1
|
1%
|
0
|
0%
|
70
|
Michael: A Pastoral Poem
|
1
|
1%
|
0
|
0%
|
71
|
Minstrels
|
7
|
8%
|
0
|
0%
|
72
|
My Heart Leaps Up
|
4
|
4%
|
0
|
0%
|
73
|
Nuns Fret Not At Their Convent's Narrow Room
|
2
|
2%
|
0
|
0%
|
74
|
Nutting
|
3
|
3%
|
0
|
0%
|
75
|
O Nightingale! Thou Surely Art
|
2
|
2%
|
0
|
0%
|
76
|
October, 1803
|
1
|
1%
|
0
|
0%
|
77
|
Ode On Intimations Of Immortality From Recollections Of Early Childhood
|
7
|
8%
|
0
|
0%
|
78
|
Ode To Duty
|
2
|
2%
|
0
|
0%
|
79
|
Ode To Lycoris. May 1817
|
1
|
1%
|
0
|
0%
|
80
|
Ode, Composed On A May Morning
|
1
|
1%
|
0
|
0%
|
81
|
Perfect Woman
|
1
|
1%
|
0
|
0%
|
82
|
Repentance
|
1
|
1%
|
0
|
0%
|
83
|
Rural Architecture
|
1
|
1%
|
0
|
0%
|
84
|
Ruth
|
4
|
4%
|
0
|
0%
|
85
|
September 1, 1802
|
2
|
2%
|
0
|
0%
|
86
|
She Dwelt Among The Untrodden Ways
|
20
|
23%
|
0
|
0%
|
87
|
She Was A Phantom Of Delight
|
5
|
5%
|
0
|
0%
|
88
|
Siege Of Vienna Raised By John Sobieski
|
2
|
2%
|
0
|
0%
|
89
|
Simon Lee: The Old Huntsman
|
2
|
2%
|
0
|
0%
|
90
|
Song Of The Spinning Wheel
|
1
|
1%
|
0
|
0%
|
91
|
Star-Gazers
|
1
|
1%
|
0
|
0%
|
92
|
Stepping Westward
|
1
|
1%
|
0
|
0%
|
93
|
Strange Fits Of Passion Have I Known
|
6
|
6%
|
0
|
0%
|
94
|
The Birth Of Love
|
1
|
1%
|
0
|
0%
|
95
|
The Childless Father
|
2
|
2%
|
0
|
0%
|
96
|
The Eagle And The Dove
|
1
|
1%
|
0
|
0%
|
97
|
The Emigrant Mother
|
1
|
1%
|
0
|
0%
|
98
|
The Female Vagrant
|
5
|
5%
|
0
|
0%
|
99
|
The Force Of Prayer, Or, The Founding Of Bolton, A Tradition
|
1
|
1%
|
0
|
0%
|
100
|
The Fountain
|
1
|
1%
|
0
|
0%
|
101
|
The King Of Sweden
|
2
|
2%
|
0
|
0%
|
102
|
The Kitten And Falling Leaves
|
2
|
2%
|
0
|
0%
|
103
|
The Last Of The Flock
|
1
|
1%
|
0
|
0%
|
104
|
The Martial Courage Of A Day Is Vain
|
1
|
1%
|
0
|
0%
|
105
|
The Mother's Return
|
1
|
1%
|
0
|
0%
|
106
|
The Oak And The Broom
|
2
|
2%
|
0
|
0%
|
107
|
The Old Cumberland Beggar
|
4
|
4%
|
0
|
0%
|
108
|
The Pet-Lamb
|
2
|
2%
|
0
|
0%
|
109
|
The Prelude, Book 1: Childhood And School-Time
|
2
|
2%
|
0
|
0%
|
110
|
The Reaper
|
1
|
1%
|
0
|
0%
|
111
|
The Recluse - Book First
|
2
|
2%
|
0
|
0%
|
112
|
The Redbreast Chasing the Butterfly
|
1
|
1%
|
0
|
0%
|
113
|
The Sailor's Mother
|
1
|
1%
|
0
|
0%
|
114
|
The Solitary Reaper
|
23
|
26%
|
0
|
0%
|
115
|
The Sonnet I
|
1
|
1%
|
0
|
0%
|
116
|
The Stars Are Mansions Built By Nature's Hand
|
5
|
5%
|
0
|
0%
|
117
|
The Sun Has Long Been Set
|
2
|
2%
|
0
|
0%
|
118
|
The Table Turned
|
1
|
1%
|
0
|
0%
|
119
|
The Virgin
|
4
|
4%
|
0
|
0%
|
120
|
The Waggoner - Canto First
|
2
|
2%
|
0
|
0%
|
121
|
The Waggoner - Canto Third
|
1
|
1%
|
0
|
0%
|
122
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto First
|
1
|
1%
|
0
|
0%
|
123
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Dedication
|
1
|
1%
|
0
|
0%
|
124
|
The Wishing Gate
|
2
|
2%
|
0
|
0%
|
125
|
The World Is Too Much With Us; Late And Soon
|
21
|
24%
|
0
|
0%
|
126
|
There Is A Bondage Worse, Far Worse, To Bear
|
3
|
3%
|
0
|
0%
|
127
|
There Is An Eminence,--Of These Our Hills
|
3
|
3%
|
0
|
0%
|
128
|
There Was A Boy
|
2
|
2%
|
0
|
0%
|
129
|
'Tis Said, That Some Have Died For Love
|
1
|
1%
|
0
|
0%
|
130
|
To A Butterfly
|
2
|
2%
|
0
|
0%
|
131
|
To A Butterfly (2)
|
3
|
3%
|
0
|
0%
|
132
|
To A Distant Friend
|
1
|
1%
|
0
|
0%
|
133
|
To A Young Lady Who Had Been Reproached For Taking Long Walks In The Country
|
2
|
2%
|
0
|
0%
|
134
|
To Mary
|
2
|
2%
|
0
|
0%
|
135
|
To May
|
4
|
4%
|
0
|
0%
|
136
|
To My Sister
|
2
|
2%
|
0
|
0%
|
137
|
To Sleep
|
2
|
2%
|
0
|
0%
|
138
|
To The Cuckoo
|
3
|
3%
|
0
|
0%
|
139
|
To The Memory Of Raisley Calvert
|
2
|
2%
|
0
|
0%
|
140
|
To The Men Of Kent
|
1
|
1%
|
0
|
0%
|
141
|
To The Poet, John Dyer
|
1
|
1%
|
0
|
0%
|
142
|
To The Same Flower (Second Poem)
|
1
|
1%
|
0
|
0%
|
143
|
To The Small Celandine
|
2
|
2%
|
0
|
0%
|
144
|
To The Spade Of A Friend (An Agriculturist)
|
1
|
1%
|
0
|
0%
|
145
|
Tribute To The Memory Of The Same Dog
|
2
|
2%
|
0
|
0%
|
146
|
Upon The Sight Of A Beautiful Picture Painted By Sir G. H. Beaumont, Bart
|
1
|
1%
|
0
|
0%
|
147
|
Upon Westminster Bridge
|
1
|
1%
|
0
|
0%
|
148
|
Valedictory Sonnet To The River Duddon
|
1
|
1%
|
0
|
0%
|
149
|
We Are Seven
|
1
|
1%
|
0
|
0%
|
150
|
When I Have Borne In Memory
|
1
|
1%
|
0
|
0%
|
151
|
When To The Attractions Of The Busy World
|
1
|
1%
|
0
|
0%
|
152
|
With How Sad Steps, O Moon, Thou Climb'st The Sky
|
1
|
1%
|
0
|
0%
|
153
|
With Ships The Sea Was Sprinkled
|
1
|
1%
|
0
|
0%
|
154
|
Written In March
|
3
|
3%
|
0
|
0%
|
155
|
Written In Very Early Youth
|
1
|
1%
|
0
|
0%
|
156
|
Written Upon A Blank Leaf In
|
1
|
1%
|
0
|
0%
|
157
|
Yarrow Unvisited
|
1
|
1%
|
0
|
0%
|
158
|
Yarrow Visited
|
2
|
2%
|
0
|
0%
|
159
|
Yes, It Was The Mountain Echo
|
1
|
1%
|
0
|
0%
|