1
|
A Character
|
31
|
22%
|
0
|
0%
|
2
|
A Complaint
|
7
|
5%
|
0
|
0%
|
3
|
A Fact, And An Imagination, Or, Canute And Alfred, On The Seashore
|
3
|
2%
|
0
|
0%
|
4
|
A Farewell
|
9
|
6%
|
0
|
0%
|
5
|
A Gravestone Upon The Floor In The Cloisters Of Worcester Cathedral
|
1
|
0%
|
0
|
0%
|
6
|
A Narrow Girdle Of Rough Stones And Crags
|
1
|
0%
|
0
|
0%
|
7
|
A Night Thought
|
24
|
17%
|
0
|
0%
|
8
|
A Night-Piece
|
18
|
12%
|
0
|
0%
|
9
|
A Parsonage In Oxfordshire
|
2
|
1%
|
0
|
0%
|
10
|
A Poet! He Hath Put His Heart To School
|
2
|
1%
|
0
|
0%
|
11
|
A Sketch
|
2
|
1%
|
0
|
0%
|
12
|
A Wren's Nest
|
2
|
1%
|
0
|
0%
|
13
|
Address To My Infant Daughter, Dora On Being Reminded That She Was A Month Old That Day, September 1
|
1
|
0%
|
0
|
0%
|
14
|
Alice Fell, Or Poverty
|
2
|
1%
|
0
|
0%
|
15
|
Among All Lovely Things My Love Had Been
|
1
|
0%
|
0
|
0%
|
16
|
An Evening Walk, Addressed To A Young Lady
|
2
|
1%
|
0
|
0%
|
17
|
Andrew Jones
|
1
|
0%
|
0
|
0%
|
18
|
Anecdote For Fathers
|
7
|
5%
|
0
|
0%
|
19
|
Book Eighth: Retrospect--Love Of Nature Leading To Love Of Man
|
1
|
0%
|
0
|
0%
|
20
|
By The Seaside
|
3
|
2%
|
0
|
0%
|
21
|
Calm Is All Nature As A Resting Wheel
|
7
|
5%
|
0
|
0%
|
22
|
Character Of The Happy Warrior
|
4
|
2%
|
0
|
0%
|
23
|
Characteristics Of A Child Three Years Old
|
2
|
1%
|
0
|
0%
|
24
|
Composed After A Journey Across The Hambleton Hills, Yorkshire
|
1
|
0%
|
0
|
0%
|
25
|
Composed By The Side Of Grasmere Lake 1806
|
2
|
1%
|
0
|
0%
|
26
|
Composed During A Storm
|
1
|
0%
|
0
|
0%
|
27
|
Composed In The Valley Near Dover, On The Day Of Landing
|
1
|
0%
|
0
|
0%
|
28
|
Composed Near Calais, On The Road Leading To Ardres, August 7, 1802
|
1
|
0%
|
0
|
0%
|
29
|
Composed On The Eve Of The Marriage Of A Friend In The Vale Of Grasmere
|
5
|
3%
|
0
|
0%
|
30
|
Composed Upon Westminster Bridge, September 3, 1802
|
1
|
0%
|
0
|
0%
|
31
|
Descriptive Sketches Taken During A Pedestrian Tour Among The Alps
|
1
|
0%
|
0
|
0%
|
32
|
Elegiac Stanzas
|
2
|
1%
|
0
|
0%
|
33
|
Evening On Calais Beach
|
1
|
0%
|
0
|
0%
|
34
|
Expostulation And Reply
|
2
|
1%
|
0
|
0%
|
35
|
Fidelity
|
12
|
8%
|
0
|
0%
|
36
|
For The Spot Where The Hermitage Stood On St. Herbert's Island, Derwentwater.
|
2
|
1%
|
0
|
0%
|
37
|
Fountain, The: A Conversation
|
3
|
2%
|
0
|
0%
|
38
|
From The Cuckoo And The Nightingale
|
1
|
0%
|
0
|
0%
|
39
|
From The Dark Chambers Of Dejection Freed
|
1
|
0%
|
0
|
0%
|
40
|
From The Italian Of Michael Angelo
|
1
|
0%
|
0
|
0%
|
41
|
Goody Blake And Harry Gill
|
3
|
2%
|
0
|
0%
|
42
|
Guilt And Sorrow
|
3
|
2%
|
0
|
0%
|
43
|
Hail, Twilight, Sovereign Of One Peaceful Hour
|
2
|
1%
|
0
|
0%
|
44
|
Hail, Zaragoza! If With Unwet Eye
|
1
|
0%
|
0
|
0%
|
45
|
Hart-Leap Well
|
1
|
0%
|
0
|
0%
|
46
|
I Grieved For Buonaparte
|
1
|
0%
|
0
|
0%
|
47
|
I Travelled Among Unknown Men
|
4
|
2%
|
0
|
0%
|
48
|
I Wandered Lonely As A Cloud (Daffodils)
|
140
|
100%
|
0
|
0%
|
49
|
In Due Observance Of An Ancient Rite
|
18
|
12%
|
0
|
0%
|
50
|
In The Pass Of Killicranky
|
4
|
2%
|
0
|
0%
|
51
|
Incident Characteristic Of A Favorite Dog
|
3
|
2%
|
0
|
0%
|
52
|
Indignation Of A High-Minded Spaniard
|
3
|
2%
|
0
|
0%
|
53
|
Influence Of Natural Objects
|
3
|
2%
|
0
|
0%
|
54
|
It Is A Beauteous Evening
|
1
|
0%
|
0
|
0%
|
55
|
It Is Not To Be Thought Of
|
1
|
0%
|
0
|
0%
|
56
|
It Was An April Morning: Fresh And Clear
|
24
|
17%
|
0
|
0%
|
57
|
Laodamia
|
1
|
0%
|
0
|
0%
|
58
|
Lines Composed A Few Miles Above Tintern Abbey
|
2
|
1%
|
0
|
0%
|
59
|
Lines Written As A School Exercise At Hawkshead, Anno Aetatis
|
1
|
0%
|
0
|
0%
|
60
|
Lines Written In Early Spring
|
1
|
0%
|
0
|
0%
|
61
|
London, 1802
|
1
|
0%
|
0
|
0%
|
62
|
Lucy
|
3
|
2%
|
0
|
0%
|
63
|
Lucy Gray, Or Solitude
|
6
|
4%
|
0
|
0%
|
64
|
Lucy V
|
1
|
0%
|
0
|
0%
|
65
|
Matthew
|
1
|
0%
|
0
|
0%
|
66
|
Memorials Of A Tour In Scotland,
|
2
|
1%
|
0
|
0%
|
67
|
Memorials Of A Tour In Scotland, 1803
|
1
|
0%
|
0
|
0%
|
68
|
Memory
|
2
|
1%
|
0
|
0%
|
69
|
Methought I Saw The Footsteps Of A Throne
|
1
|
0%
|
0
|
0%
|
70
|
Michael: A Pastoral Poem
|
2
|
1%
|
0
|
0%
|
71
|
Most Sweet It Is
|
1
|
0%
|
0
|
0%
|
72
|
Mutability
|
1
|
0%
|
0
|
0%
|
73
|
My Heart Leaps Up
|
8
|
5%
|
0
|
0%
|
74
|
November 1813
|
1
|
0%
|
0
|
0%
|
75
|
November, 1806
|
1
|
0%
|
0
|
0%
|
76
|
Nuns Fret Not At Their Convent's Narrow Room
|
3
|
2%
|
0
|
0%
|
77
|
Nutting
|
1
|
0%
|
0
|
0%
|
78
|
Occasioned By The Battle Of Waterloo February 1816
|
2
|
1%
|
0
|
0%
|
79
|
Ode Composed On A May Morning
|
1
|
0%
|
0
|
0%
|
80
|
Ode On Intimations Of Immortality From Recollections Of Early Childhood
|
1
|
0%
|
0
|
0%
|
81
|
Ode To Duty
|
3
|
2%
|
0
|
0%
|
82
|
On The Same Occasion
|
1
|
0%
|
0
|
0%
|
83
|
Peter Bell, A Tale
|
1
|
0%
|
0
|
0%
|
84
|
Power Of Music
|
1
|
0%
|
0
|
0%
|
85
|
Remembrance Of Collins
|
1
|
0%
|
0
|
0%
|
86
|
Ruth
|
1
|
0%
|
0
|
0%
|
87
|
She Dwelt Among The Untrodden Ways
|
30
|
21%
|
0
|
0%
|
88
|
She Was A Phantom Of Delight
|
7
|
5%
|
0
|
0%
|
89
|
Siege Of Vienna Raised By John Sobieski
|
2
|
1%
|
0
|
0%
|
90
|
Sonnet:
|
1
|
0%
|
0
|
0%
|
91
|
Star-Gazers
|
2
|
1%
|
0
|
0%
|
92
|
Stepping Westward
|
1
|
0%
|
0
|
0%
|
93
|
Strange Fits Of Passion Have I Known
|
6
|
4%
|
0
|
0%
|
94
|
Stray Pleasures
|
1
|
0%
|
0
|
0%
|
95
|
Sweet Was The Walk
|
2
|
1%
|
0
|
0%
|
96
|
The Brothers
|
1
|
0%
|
0
|
0%
|
97
|
The Childless Father
|
3
|
2%
|
0
|
0%
|
98
|
The Complaint Of A Forsaken Indian Woman
|
1
|
0%
|
0
|
0%
|
99
|
The Emigrant Mother
|
2
|
1%
|
0
|
0%
|
100
|
The Faëry Chasm
|
3
|
2%
|
0
|
0%
|
101
|
The Fairest, Brightest, Hues Of Ether Fade
|
1
|
0%
|
0
|
0%
|
102
|
The Farmer Of Tilsbury Vale
|
1
|
0%
|
0
|
0%
|
103
|
The Female Vagrant
|
5
|
3%
|
0
|
0%
|
104
|
The Force Of Prayer, Or, The Founding Of Bolton, A Tradition
|
1
|
0%
|
0
|
0%
|
105
|
The Idiot Boy
|
4
|
2%
|
0
|
0%
|
106
|
The Kitten And Falling Leaves
|
1
|
0%
|
0
|
0%
|
107
|
The Last Of The Flock
|
2
|
1%
|
0
|
0%
|
108
|
The Last Supper, by Leonardo da Vinci, in the Refectory of the Convent of Maria della Grazia—Milan
|
1
|
0%
|
0
|
0%
|
109
|
The Longest Day
|
1
|
0%
|
0
|
0%
|
110
|
The Martial Courage Of A Day Is Vain
|
1
|
0%
|
0
|
0%
|
111
|
The Morning Of The Day Appointed For A General Thanksgiving. January 18, 1816
|
2
|
1%
|
0
|
0%
|
112
|
The Oak And The Broom
|
1
|
0%
|
0
|
0%
|
113
|
The Old Cumberland Beggar
|
4
|
2%
|
0
|
0%
|
114
|
The Passing Of The Elder Bards
|
2
|
1%
|
0
|
0%
|
115
|
The Prelude, Book 1: Childhood And School-Time
|
2
|
1%
|
0
|
0%
|
116
|
The Prelude, Book 2: School-Time (Continued)
|
1
|
0%
|
0
|
0%
|
117
|
The Prelude. (Book V )
|
2
|
1%
|
0
|
0%
|
118
|
The Primrose Of The Rock
|
1
|
0%
|
0
|
0%
|
119
|
The Prioress’s Tale [from Chaucer]
|
1
|
0%
|
0
|
0%
|
120
|
The Recluse - Book First
|
1
|
0%
|
0
|
0%
|
121
|
The Redbreast Chasing the Butterfly
|
1
|
0%
|
0
|
0%
|
122
|
The Solitary Reaper
|
15
|
10%
|
0
|
0%
|
123
|
The Sonnet I
|
2
|
1%
|
0
|
0%
|
124
|
The Sonnet Ii
|
1
|
0%
|
0
|
0%
|
125
|
The Sparrow's Nest
|
1
|
0%
|
0
|
0%
|
126
|
The Stars Are Mansions Built By Nature's Hand
|
7
|
5%
|
0
|
0%
|
127
|
The Sun Has Long Been Set
|
4
|
2%
|
0
|
0%
|
128
|
The Table Turned
|
1
|
0%
|
0
|
0%
|
129
|
The Trosachs
|
1
|
0%
|
0
|
0%
|
130
|
The Two April Mornings
|
4
|
2%
|
0
|
0%
|
131
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Fifth
|
1
|
0%
|
0
|
0%
|
132
|
The Wishing Gate
|
2
|
1%
|
0
|
0%
|
133
|
The World Is Too Much With Us; Late And Soon
|
40
|
28%
|
0
|
0%
|
134
|
There Is A Bondage Worse, Far Worse, To Bear
|
10
|
7%
|
0
|
0%
|
135
|
There Is An Eminence,--Of These Our Hills
|
5
|
3%
|
0
|
0%
|
136
|
There Was A Boy
|
2
|
1%
|
0
|
0%
|
137
|
Though Narrow Be That Old Man’s Cares .
|
1
|
0%
|
0
|
0%
|
138
|
To A Butterfly
|
2
|
1%
|
0
|
0%
|
139
|
To A Butterfly (2)
|
4
|
2%
|
0
|
0%
|
140
|
To A Distant Friend
|
3
|
2%
|
0
|
0%
|
141
|
To A Young Lady Who Had Been Reproached For Taking Long Walks In The Country
|
1
|
0%
|
0
|
0%
|
142
|
To Lady Eleanor Butler And The Honourable Miss Ponsonby,
|
2
|
1%
|
0
|
0%
|
143
|
To M.H.
|
6
|
4%
|
0
|
0%
|
144
|
To---- On Her First Ascent To The Summit Of Helvellyn
|
1
|
0%
|
0
|
0%
|
145
|
To Sir George Howland Beaumont, Bart From The South-West Coast Or Cumberland 1811
|
1
|
0%
|
0
|
0%
|
146
|
To Sleep
|
6
|
4%
|
0
|
0%
|
147
|
To The Daisy (2)
|
1
|
0%
|
0
|
0%
|
148
|
To The Daisy (First Poem)
|
1
|
0%
|
0
|
0%
|
149
|
To The Men Of Kent
|
2
|
1%
|
0
|
0%
|
150
|
To The Same (John Dyer)
|
1
|
0%
|
0
|
0%
|
151
|
To The Same Flower (Second Poem)
|
1
|
0%
|
0
|
0%
|
152
|
To The Small Celandine
|
1
|
0%
|
0
|
0%
|
153
|
Tribute To The Memory Of The Same Dog
|
1
|
0%
|
0
|
0%
|
154
|
Upon The Sight Of A Beautiful Picture Painted By Sir G. H. Beaumont, Bart
|
1
|
0%
|
0
|
0%
|
155
|
Upon Westminster Bridge
|
3
|
2%
|
0
|
0%
|
156
|
Valedictory Sonnet To The River Duddon
|
1
|
0%
|
0
|
0%
|
157
|
View From The Top Of Black Comb
|
1
|
0%
|
0
|
0%
|
158
|
With Ships The Sea Was Sprinkled Far And Nigh
|
1
|
0%
|
0
|
0%
|
159
|
Written In Early Spring
|
1
|
0%
|
0
|
0%
|
160
|
Written In March
|
5
|
3%
|
0
|
0%
|
161
|
Yarrow Revisited
|
1
|
0%
|
0
|
0%
|
162
|
Yes, It Was The Mountain Echo
|
2
|
1%
|
0
|
0%
|
163
|
Young England--What Is Then Become Of Old
|
1
|
0%
|
0
|
0%
|