Carolyn Kizer

Carolyn Kizer Poems

Arms and the girl I sing - O rare
arms that are braceleted and white and bare

arms that were lovely Helen's, in whose name
...

1

The stout poet tiptoes
On the lawn. Surprisingly limber
...

My mother-- preferring the strange to the tame:
Dove-note, bone marrow, deer dung,
Frog's belly distended with finny young,
Leaf-mould wilderness, hare-bell, toadstool,
...

For more than thirty years we hadn't met.
I remembered the bright query of your face,
That single-minded look,intense and stern,
Yet most important -how could I forget?-
...

The whole green sky is dying.The last tree flares
With a great burst of supernatural rose
Under a canopy of poisonous airs.
...

for Maxine Kumin

Where did these enormous children come from,
More ladylike than we have ever been?
...

Midas watched the golden crust
That formed over his steaming sores,
Hugged his agues, loved his lust,
But damned to hell the out-of-doors
...

For Ann London

As you described your mastectomy in calm detail
and bared your chest so I might see
...

No-one explains me because
There is nothing to explain.
It's all right here
Very clear.
...

When from his cave, young Mao in his youthful mind
A work to renew old China first designed,
Then he alone interpreted the law,
and from tradtional fountains scorned to draw:
...

We who must act as handmaidens
To our own goddess, turn too fast,
Trip on our hems, to glimpse the muse
...

based on themes in the Tzu Yeh

The moonlight on my bed keeps me awake;
Living alone now, aware of the voices of evening,
A child weeping at nightmares, the faint love-cries of a woman,
Everything tinged by terror or nostalgia.

No heavy, impassive back to nudge with one foot
While coaxing, "Wake up and hold me,"
When the moon's creamy beauty is transformed
Into a map of impersonal desolation.
.
But, restless in this mock dawn of moonlight.
That so chills the spirit, I alter our history:
You were never able to lie quite peacefully at my side,
Not the night through. Always withholding something.

Awake before morning, restless and uneasy,
Trying not to disturb me, you would leave my bed
While I lay there rigidly, feigning sleep.
Still - the night was nearly over, the light not as cold
As a full cup of moonlight.

And there were the lovely times when, to the skies' cold No
You cried to me, Yes! Impaled me with affirmation.
Now, when I call out in fear, not in love, there is no answer.
Nothing speaks in the dark but the distant voices,
A child with the moon on his face, a dog's hollow cadence.
...

13.

The room is sparsely furnished:
A chair, a table, and a father.

He sits in the chair by the window.
There are books on the table.
The time is always just past lunch.

You tiptoe past as he eats his apple
And reads. He looks up, angry.
He has heard your asthmatic breathing.

He will read for years without looking up
Until your childhood is safely over:

Smells, untidiness, and boring questions;
Blood, from the first skinned knees
To the first stained thighs;
The foolish tears of adolescent love.

One day he looks up, pleased
At the finished product,
Now he is ready to love you!

So he coaxes you in the voice reserved
For reading Keats. You agree to everything.

Drilled in silence and duty,
You will give him no cause for reproach.
He will boast of you to strangers.

When the afternoon is older
Shadows in a smaller room
Fall on the bed, the books, the father.

You read aloud to him
"La Belle Dame sans Merci,"
You feed him his medicine.
You tell him you love him.

You wait for his eyes to close at last
So you may write this poem.
...

Did you ever see someone coldcock a blind nun?
Well, I did. Two helpful idiots
Steered her across the tarmac to her plane
And led her smack into the wing.
She deplaned with two black eyes & a crooked wimple,
Bruised proof that the distinction is not simple
Between ineptitude and evil.
Today, with the President's red button playing
Such a prominent role,
Though I can't vote for it, I wonder
If evil could be safer, on the whole.
...

M.A.K. September, 1880-September, 1955
As I wandered on the beach
I saw the heron standing
Sunk in the tattered wings
...

The poets are going home now,
After the years of exile,
After the northern climates
Where they worked, lectured, remembered,
...

I.

Sirs, in our youth you love the sight of us.
Older, you fall in love with what we've seen,
Would lose yourselves by living in our lives.
...

after Po Chü-i,
for Robert Creeley

We don't lack people here on the Northern coast,
But they are people one meets, not people one cares for.
So I bundle my daughters into the car
And with my brother poets, go to visit you, brother.

Here come your guests! A swarm of strangers and children;
But the strangers write verses, the children are daughters like yours.
We bed down on mattresses, cots, roll up on the floor:
Outside, burly old fruit trees in mist and rain;
In every room, bundles asleep like larvae.

We waken and count our daughters. Otherwise, nothing happens.
You feed them sweet rolls and melon, drive them all to the zoo;
Patiently, patiently, ever the father, you answer their questions.
Later, we eat again, drink, listen to poems.
Nothing occurs, though we are aware you have three daughters
Who last year had four. But even death becomes part of our ease:
Poems, parenthood, sorrow, all we have learned
From these of tenderness, holds us together
In the center of life, entertaining daughters
By firelight, with cake and songs.

You, my brother, are a good and violent drinker,
Good at reciting short-line or long-line poems.
In time we will lose all our daughters, you and I,
Be temperate, venerable, content to stay in one place,
Sending our messages over the mountains and waters.
...

19.

Part Four of "Pro Femina"

At Samoa, hardly unpacked, I commenced planting,
When I'd opened the chicken crates, built the Cochins a coop.
The Reverend Mr. Claxton called, found me covered with mud,
My clothes torn, my hair in a wad, my bare feet bleeding.
I had started the buffalo grass in the new-made clearing.
The next day the priest paid a visit. Civil but restless,
I was dying to plant the alfalfa seed—gave him a packet.

That evening I paced up and down, dropping melon seeds,
Tomatoes and bush lima beans here and there
Where I thought they would grow. We were short of food now,
So I cooked up a mess of fat little parrots, disturbed
At the way they suggested cages and swings and stands ...
An excellent meal. I have been told the dodo survived here,
And yearn for a pet on a string. And I built the pig-house.

I had brought sweet coconut seed from Savage Island.
I planted kidney potatoes in small earthen hills.
Sowed seeds of eggplant in numerous boxes of soil,
Tomato and artichoke too; half-a-dozen fine pineapple
Sent over by Mr. Carruthers, the island solicitor.
As fast as we eat them, we plant the tops.
The kitchen a shack near the house. I made bread in the rain.

October, 1890. I have been here nearly a month;
Put in corn, peas, onions, radishes, lettuce. Lima beans
Are already coming up. The ripening cantaloupe were stolen.
Carruthers gave me mint root and grenadilla
Like a bouquet; he delivered a load of trees,
Two mangoes among them. I set them out in a heavy rain,
Then rounded off the afternoon sowing Indian corn.

Louis has called me a peasant. How I brooded!
Confided it to you, diary, then crossed it out.
Peasant because I delve in the earth, the earth I own.
Confiding my seed and root—I too a creator?
My heart melts over a bed of young peas. A blossom
On the rose tree is like a poem by my son.
My hurt healed by its cause, I go on planting.

No one else works much. The natives take it easy;
The colonials keep their shops, and a shortage of customers.
The mail comes four times a month, and the gossip all day.
The bars are crowded with amateur politicians,
Office-seekers I named the earwig consul and king:
Big talkers, with small-time conspirators drinking them in.
Mr. Carruthers and I picked a site for the kitchen garden.

I was planting a new lot of corn and pumpkin
When a young chief arrived, laden with pineapple plants.
I set them out as I talked to him on the way home.
Rats and a wild hen ate the corn. Lettuce got too much sun.
So I dug a new patch up the road; in the fragrant evening
I confided to Louis, a puff of the sweetest scent
Blows back as I cast away a handful of so-called weeds!

It still hurts, his remark that I have the soul of a peasant.
My vanity, like a newly felled tree, lies prone and bleeding.
I clear the weeds near the house for planting maize.
Sweet corn and peas are showing. I send for more seeds.
I clean out the potatoes, which had rotted in their hills.
Of course, RLS is not idle; he is writing A Footnote to History:
How the great powers combine to carve up these islands.

I discovered the ylang-ylang tree: a base for perfume,
Though it suggested to me the odor of boots.
Another tree is scented like pepper and spice,
And one terrible tree, I am forced to say,
Smells like ordure ... It nearly made me ill.
Breadfruit is plentiful. I found a banana grove,
Began clearing it instantly, and worked till I was dizzy.

The garden looks like a graveyard: beds shaped like tombs.
I plant cabbage which I loathe, so the British won't tease me
For not growing it. But behold! in the hedge
Among citron and lime, many lemon trees, in full bearing.
Still, I will fall to brooding before the mirror,
Though Louis says he finds the peasant class "interesting."
He is forty today. I am ten years his senior.

On the cleared land, the green mummy-apple,
Male and female, is springing up everywhere.
I discover wild ginger, turmeric, something like sugar.
Roots of orange, breadfruit and mango, seeds of cacao
Came with a shipment from Sydney; also eleven
Young navel orange trees. The strawberry plants are rotten.
I am given a handful of bees. I plant more pineapple.

All fall I am cursed with asthma, rheumatics, a painful ear.
Christmas. A hurricane. And the New Year begins.
Louis describes it divinely to Henry James.
Mr. Carruthers' gift pineapple starts to fruit.
I set out one precious rhubarb plant, pause to gloat
At the ripe tomatoes, the flourishing long-podded beans.
But the neighbors' horses break in and trample the corn.

Sometimes, when planting, a strange subterranean rumble
—Volcanic?—vexes the earth beneath this peasant haunch.
I rise up from my furrow, knuckle smooth my brow
As I sniff the air, suddenly chemical, a sulphurous fume.
Louis insisted on going to Sydney, fell ill again.
His mother comes back with him, finds me on my knees.
The old lady's heart leaps! Alas, I am planting, not praying.

We both rise at five-thirty, after dreaming of weeds.
Louis describes to me endless vivid deeps:
Dreams of nettle-stings, stabs from the citron's thorns,
The ants' fiery bites, the resistance of mud and slime,
The evasions of wormy roots, the dead weight of heat
In the sudden puffs of air ... Louis writes till nine,
Then if he's well enough, he helps with the weeding.

He writes Colvin, keeper of prints at the British Museum,
"I know pleasure still ... with a thousand faces,
None perfect, a thousand tongues, all broken,
A thousand hands, all with scratching nails ...
High among joys, I place this delight of weeding,
Out here alone by the garrulous water, under the silence
Of the high wind, broken by sounds of birds."

The shock of bird-calls, laughing and whistling!
They mimic his name till it seems, he says,
"The birds re-live the business of my day."
But the rain continues to fall on birds and weeds.
The new servants fooled around with the ice machine
As the house leaked and listed. Mildew spread its failure.
Mrs. S. gave me some nuts, and went back to Australia.

Green peppers, eggplant, tomatoes are flourishing,
Asparagus also. The celery does to season soup.
Avocados grow at a rate that is almost frightening.
Coconuts too. I read about Stanley and Livingstone.
I cured my five ulcers with calomel, wished I could tell
Stanley the remedy. Instead, I made perfume.
The servants feared devils, so I planted the orange grove alone.

For two months I misplaced this diary ...
War is in the air, talk of killing all whites.
I bought coffee trees, rose trees, and Indian beans,
Then went to Fiji to rest, and to get more seeds
From a former Kew gardener. An Indian in a shop
Told me how to raise Persian melon and cauliflower
And a radish that turns into a turnip when it grows up.

I came home to a burgeoning world: cacao, custard squash.
The new house was finished, and painted peacock blue.
The jealous old cat bit off the new cat's toes.
My mother-in-law returned with her Bible and lady's maid;
My daughter, her family, and my son Lloyd came too.
The relatives had a terrible row. Mrs. S. refused
To pray with the servants. I threw up my hands!

My diary entries grow farther and farther apart.
I wrote life was a strain. Later, someone crossed it out.
In pain again, from an aneurysm inside my head ...
I planted more and more cacao, and a form of cherry tree,
Tobacco and rubber, taught how by Mr. Sketchley.
I planted more cacao through an epidemic of 'flu.
Three hundred seeds in baskets broke through the ground.

I get almost no time to write. I have been planting ...
Four kinds of cabbage are doing very well.
Mr. Haggard, the land commissioner, come to dine,
Points out a weed which makes excellent eating
Cooked like asparagus. I shall try it very soon.
Now, when the Reverend Mr. Claxton comes to call,
I refuse to see him. I am tired of the Claxtons.

The political situation grows grim. I rage at Louis
Who toasts, "Her Blessed Majesty the Queen," then aggressively
Throbbing, turns to my American son
To say he may drink to the President afterward
If he likes. I am writing this down
Hoping Louis will see it later, and be ashamed
Of his childishness and bad taste. (This will be erased.)

Because war is near, the Germans stop growing cacao.
Captain Hufnagel offers me all the seeds I can use.
So now we are blazing with cacao fever,
The whole family infected. Six hundred plants set out!
The verandah tracked with mud, and the cacao litter.
Mrs. S. upset by the mess. Twelve hundred cacaos planted.
Joe, my son-in-law, planted his thousandth tree today.

The tree onions make large bulbs but don't want to seed.
Most vigorous: sunflower, watermelon—weeds!
The jelly from berries out of the bush is delicious;
Lovely perfume from massoi, citron, vanilla, and gum.
The peanuts are weeded while Joe plays on his flute.
I plant cabbage by moonlight, set out more cacao.
The heart of a death's-head moth beats a tattoo in my hand.

Planted coffee all day, and breadfruit, five beauties ...
Planted coffee the better part of the day, eight plants.
In the nursery, three times that many. Planted coffee ...
Painted the storm shutters. Planted coffee all morning.
I found a heap of old bones in a bush near the sty;
Two heads and a body: a warrior died with his prize.
Louis gave the bones a funeral and a burial.

A series of hurricanes: Louis writes to The Times
Of "the foul colonial politics." I send to New York for seeds:
Southern Cross cabbage, eggplant, sweet potato
And two thousand custard apples. Louis' own seed,
David Balfour, is growing. I wrote nothing
From June till the end of this year; too busy planting.
The Samoan princes are getting nearer to war.

It pains me to write this: my son-in-law has gone native
In a spectacular way. Belle is divorcing him.
Austin, my grandson, is in school in Monterey.
I have not, I believe, mentioned Mrs. Stevenson recently.
She has gone back to Scotland. The first breadfruit bore.
Belle and I go on sketching expeditions
To the hostile Samoan camps, stop in town for ginger beer.

Mr. Haggard begged us to stay in town
Because he bitterly wanted women to protect.
I suggested to him that I and my daughter
Could hide under his table and hand him cartridges
At the window, to complete the romantic effect.
It is clear that Mr. Haggard is Ryder's brother!
He said, "You'd sell your life for a bunch of banana trees."

I've given permission to most of the "boys"
To go to the races. Lloyd has put up the lawn tennis things.
Mr. Gurr, the neighbor, rushes in to say war has begun.
We all race to the mission. Eleven heads have been taken.
Later: Mr. Dine's cousin received a head smeared with black
(The custom is to return them to the bereaved).
He washed it off and discovered it was his brother.

He sat there, holding his brother's head in his hands,
Kissing it, bathing it with his tears. A scandal arose
Because the heads of three girls have been taken as well
(Unheard of before in Samoa), returned wrapped in silk to their kin.
At Malie, the warriors danced a head-hunter's pantomime;
The men who had taken heads carried great lumps of raw pork
Between their teeth, cut in the semblance of heads.

I stopped writing this. Too hysterical with migraine.
Also, people find where I hide it, and strike things out.
Our favorite chief is exiled for life. The war winds down.
Louis works on his masterpiece, The Weir of Hermiston.
Well, I've kept him alive for eight more years,
While his dear friends would have condemned him to fog and rain
So they might enjoy his glorious talk in London,

Though it be the end of him. Fine friends! except for James.
Later: At six, Louis helped with the mayonnaise,
When he put both hands to his head, said, "Oh, what a pain!
Do I look strange?" I said no, not wanting to frighten him.
He was never conscious again. In two hours he died.
Tonight, the chiefs with their axes are digging a path
To the top of the mountain. They will dig his grave.

I will leave here as soon as I can, and never return,
Except to be buried beside him. I will live like a gipsy
In my wild, ragged clothes, until I am old, old.
I will have pretty gardens wherever I am,
But never breadfruit, custard apples, grenadilla, cacao,
Pineapple, ylang-ylang, citron, mango, cacao,
Never again succumb to the fever of planting.
...

Eating is touch carried to the bitter end.
Samuel Butler II 

I'm going to murder you with love;
I'm going to suffocate you with embraces;
I'm going to hug you, bone by bone,
Till you're dead all over.
Then I will dine on your delectable marrow.

You will become my personal Sahara;
I'll sun myself in you, then with one swallow
Drain your remaining brackish well.
With my female blade I'll carve my name
In your most aspiring palm
Before I chop it down.
Then I'll inhale your last oasis whole.

But in the total desert you become
You'll see me stretch, horizon to horizon,
Opulent mirage!
Wisteria balconies dripping cyclamen.
Vistas ablaze with crystal, laced in gold.

So you will summon each dry grain of sand
And move toward me in undulating dunes
Till you arrive at sudden ultramarine:
A Mediterranean to stroke your dusty shores;
Obstinate verdure, creeping inland, fast renudes
Your barrens; succulents spring up everywhere,
Surprising life! And I will be that green.

When you are fed and watered, flourishing
With shoots entwining trellis, dome, and spire,
Till you are resurrected field in bloom,
I will devour you, my natural food,
My host, my final supper on the earth,
And you'll begin to die again.
...

Carolyn Kizer Biography

Carolyn Ashley Kizer is a Pulitzer Prize-winning American poet of the Pacific Northwest whose works reflect her feminism. "Kizer reaches into mythology in poems like “Semele Recycled”; into politics, into feminism, especially in her series of poems called “Pro Femina”; into science, the natural world, music, and translations and commentaries on Japanese and Chinese literatures," according to an article on Kizer at the Center for the Study of the Pacific Northwest Web site. Kizer was born in Spokane, Washington, the daughter of a socially prominent Spokane couple, Her father, Benjamin Hamilton Kizer, was 45 when she was born. Her mother, Mabel Ashley Kizer, was a professor of biology who had received her doctorate from Stanford University. Kizer was once asked if she agreed with a description of her father as someone who "came across as supremely structured, intelligent, polite but always somewhat remote". Her reply: "Add 'authoritarian and severe', and you get a pretty good approximation of how he appeared to that stranger, his child". At times, she related, her father gave her the same "viscera-shriveling" voice she heard him use later on "members of the House Un-American Activities Committee and other villains of the 50’s, to even more devastating effect", and, she added, "I almost forgave him." After graduating from Lewis and Clark High School in Spokane, she went on to get her bachelor's degree from Sarah Lawrence College (where she studied comparative mythologies with Joseph Campbell) in 1945 and study as a graduate at both Columbia University (1945–46) and the University of Washington (1946–47). She then moved back to Washington state, married Stimson Bullitt, from a wealthy and influential Seattle family, had three children and divorced. In 1954 she enrolled in a creative writing workshop run by poet Theodore Roethke. "Kizer had three small kids, a big house on North Capitol Hill, enough money to get by and more than enough talent and determination. And although one of her poems had been published in The New Yorker when she was 17, she remembers that she needed a nudge from Roethke to get serious." In 1959, she helped found Poetry Northwest and served as its editor until 1965. She then became a "Specialist in Literature" for the U.S. State Department in Pakistan from 1965–1966, during which time she taught for several months in that country. In 1966 she became the first director of Literary Programs for the newly created National Endowment for the Arts. She resigned that post in 1970, when the N.E.A. chairman, Roger L. Stevens, was fired by President Richard Nixon. She was a consultant to the N.E.A. for the following year. In the 1970s and 1980s, she held appointments as poet-in-residence or lecturer at universities across the country, including Columbia, Stanford, Princeton, San Jose State University and the University of North Carolina at Chapel Hill, has been a visiting writer at literary conferences and events across the country, as well as in Dublin, Ireland, and Paris. Kizer was also a member of the faculty of the Iowa Writer's Workshop. She was appointed to the post of Chancellor of the Academy of American Poets in 1995, but resigned three years later to protest the absence of women and minorities on the governing board. Kizer is married to the architect-historian, John Marshall Woodbridge. When she is not teaching and lecturing, she divides her time between their home in Sonoma, California and their apartment in Paris.)

The Best Poem Of Carolyn Kizer

Fearful Women

Arms and the girl I sing - O rare
arms that are braceleted and white and bare

arms that were lovely Helen's, in whose name
Greek slaughtered Trojan. Helen was to blame.

Scape-nanny call her; wars for turf
and profit don't sound glamorous enough.

Mythologize your women! None escape.
Europe was named from an act of bestial rape:

Eponymous girl on bull-back, he intent
on scattering sperm across a continent.

Old Zeus refused to take the rap.
It's not his name in big print on the map.

But let's go back to the beginning
when sinners didn't know that they were sinning.

He, one rib short: she lived to rue it
when Adam said to God, "She made me do it."

Eve learned that learning was a dangerous thing
for her: no end of trouble would it bring.

An educated woman is a danger.
Lock up your mate! Keep a submissive stranger

like Darby's Joan, content with church and Kinder,
not like that sainted Joan, burnt to a cinder.

Whether we wield a scepter or a mop
It's clear you fear that we may get on top.

And if we do -I say it without animus-
It's not from you we learned to be magnaminous.

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