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  • Charles Smith (9/7/2008 11:34:00 PM) Post reply

    At the risk of...

    I loved Mamma MIa. From the cinematography to the sexual ambiguity, it is everything a movie can be.

  • Mario Gonzalez (9/7/2008 11:03:00 AM) Post reply

    Best movies i have ever seen include

    The Dark Knight
    Pan's Labyrinth
    The Orphanage

    Fo' Sho': P

  • N N (9/5/2008 5:32:00 PM) Post reply

    I would say that the best movies i have seen this year are:
    sixth sense
    the happening
    and i really want to rent blair witch project!

  • Existential Despair (8/29/2008 9:07:00 PM) Post reply | Read 1 reply

    I know this must be old news and a cliche by now but 'batman: the dark knight' is the best movie i've seen this year. The Joker stands out as my best character(tears to heath ledger) leave me a message if you feel the same.thnx

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    • Viola Grey Rookie - 1st Stage (8/31/2008 9:22:00 PM) Post reply

      most definately....the joker steals the show and the crying shame is that whoever plays that character next will be under a huge shadow...great movie, well worth seeing

  • Heather Milks (8/21/2008 9:40:00 AM) Post reply | Read 1 reply

    I just rented a movie called 'Untraceable' with Collin Hanks and Diane Lane and Oh holy friggin cow! ! ! ! ! This movie was sooo disturbing! I almost threw up! It gave me chills over and over! RENT IT! ! !

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  • Rezeile Eigo (8/18/2008 8:59:00 PM) Post reply

    the HP series and the pirates trilogy

  • Bill Smith (8/4/2008 5:52:00 PM) Post reply

    The Lives of Others
    Thank you for Smoking
    Remember the Titans
    Jean De Florette
    October Sky
    Amelie
    Cinema Paridiso

  • S. Michael Downs (8/3/2008 5:25:00 PM) Post reply

    HERE GOES IN NO PARTICULAR ORDER

    BLADERUNNER: WOW...SYD MEADES VISION OF THE FUTURE IS SPOT ON.

    DOCTOR ZHIVAGO: A BIG YES! (DESPITE WHAT SOME SAY) THIS FILM IS LYRICAL, THE CINEAMATOGRAPHY IS ART ITSELF AND LARA SO VERY BEAUTIFUL.

    APOCOLYPSE NOW...THE ULTIMATE STATEMENT ON THE INSANITY OF WAR.

    ANY MARX BROTHERS BUT NIGHT AT THE OPERA IS A FAVE. BRILLIANT COMEDY DONE SO WELL IT SEEMS UNREHEARSED.

    BATMAN DARK KNIGHT: IT'S HARD TO WATCH LEDGER BRING THE JOKER'S TRAGIC CHARACTER TO LIFE WITHOUT THINKING OF HIS UNTIMELY PASSING BUT IT'S A MUST SEE FOR ANY COMIC FAN.

    SIN CITY: THE BRILLIANCE OF FRANK MILLERS DESIGN BROUGHT TO LIFE ALMOST PANEL FOR PANEL, AMAZING.

    PULP FICTION: MAYBE SOME OF THE BEST DIALOGUE EVER PUT ON FILM ALONG WITH NATURAL BORN KILLERS AND TRUE ROMANCE (DON'T MISS THIS ONE) TARANTINO HITS HIS PEAK IN THESE THREE FILMS.

    ANIMAL HOUSE: GREAT COMEDY WITH THE IMMORTAL AND TRAGIC BOLUSHI.

    ALIENS: THE WHOLE SERIES! WORTH IT FOR GEIGER'S DESIGNS ALONE BUT MADE EVEN MORE OUTSTANDING BY HAVING A FEMALE HEROINE.

    KING KONG: THE ORIGINAL IS STILL UNSURPASSED (IN MY OPINION) EVEN BY SEVERAL REMAKES. NEITHER OF THE REMAKES EVEN COMES CLOSE TO TOUCHING OUR HEARTS OR DAZZELING OUR IMAGINATIONS AS DOES THE ORIGINAL.

    SNATCH: BRAD PITT'S BEST ACTING JOB IN A TRULY FUNNY AND ACTION PACKED ADVENTURE BY MADDONA'S HUBBY.

    LORD OF THE RINGS TRILOGY: AN AMAZING DIRECTING FEAT...PERIOD!

    CASINO ROYALE: THIS ONE REINVENTS BOND AS A EGOTISTICAL, KILLER....LOVE IT!

    MORE LATER.

  • Stephen West (7/18/2008 6:47:00 AM) Post reply

    Top Ten Films?
    Well, they are in here somewhere.
    This is all from memory, which is probably as it should be.But I had a stroke a few years ago and my memory isn't what it used to be and twelve years ago I gave away five shelves of film reference books when I emigrated. This is what remains.
    Anything by Buster Keaton is a privlege, but 'College' is special. WC Fields is a master of slapstick and verbals, Teamed up with May West in 'My Little Chackadee' he peaks. Great, as are The Marx Bros usually but 'Go West' and 'The Big Store' were dreadful.
    More recently 'The Wedding Crashers' and 'My Big Fat Greek Wedding' had me roaring.
    Welles lived his life backwards, started his career as a prodigious genius and ended mediocre. 'Citizen Kane' is on most serious lists and has to be on mine. This is panache cinema.
    'The Commitments' drama-documentary in suburban Dublin, I deliberately watch it in black and white and wonder why Parker didn't. He could have.
    'West Side Sory' and 'On The Town', location musicals with terrific set pieces.
    'Loving You', bright and breezy, a bit dated but a record of Elvis as a tenor, when he was good.
    Gay Communist Passolini produced 'The Gospel According To St. Matthew' and had his Jesus almost throwing away his best and most famous lines rather than announcing 'Love they neighbour' with tearfull eyes and violins.
    'Life of Brian' was a hoot, 'The Last Temptation of Christ', thoughtful and stunningly clever.
    'The Shadow Warrior', never a dull moment, never a static camera, sweeping, gliding, waving feast for the eyes.
    Dark and moody 'Usual Suspects' and 'Reservoir Dogs' and so bloody and frightening, 'Seven' with a payoff that freezes the spine. 'The Third Man' with its tilted cameras and post war evil.
    Errol Flynn's 'Robin Hood' is definative, nobody ever swashed a buckle better.
    'Clockwork Orange' the bright colourful presentation almost disguises the underlying malice of everybody involved.
    Arthur Kennedy would have been bigger if not a contemporary of Mr. Sad John Wayne. He is so watchable as John the Baptist in 'Cool Hand Luke'. (The Christ parody is underplayed) . Newman is outstanding in his portrayal of a no hoper going no where.
    'Moulin Rouge', the latest one, took my breath away with its sheer nerve and verve. 'The Village' was broody and so well told. Sadly I guessed the ending half way through - sorry!
    'Jungle Book' is still the best cartoon ever but 'Ice Age' and the Wallace and Grommit series are always welcome.
    Most serious lists include 'Battleship Potemkin' and mine is no exception. Nuff Sed, If you haven't seen it, get it!
    'Apocolypse Now'. Everything except Brando is super-watchable.
    The American pre-McArthy realism of 'Grapes of Wrath' and 'Of Mice and Men' is near perfect, 'High Noon' gets a 'perfect' too.
    One more western, 'Samba Tourare' from Birkina Fasso, and, in African mood, 'The Wind' from Senegal,
    Oldies but goodies, Jean Vigo's 'L'Atlante', watch it twice and you know the inside of that barge as well as your own home.
    'Pretty Woman' is a wonderful fairytale marred by one unneccesary scene where Roberts' gum-chewing, foul-mouthed work-mate visits. Go to the lav while this bit is on and the movie is better for it.
    'Lock, Stock and Smoking Barrel' and 'Fight Club' are both dark, subversive, mysterious and ultimately mid-blowing.
    'The Third Daughter' could have been messy, but fine acting lifts it. And I have to mention Cornel Wilde's 'Naked Prey', a symbolic fable which compensates for his previously dreadful Chopin!
    Nicholas Cage, 'Raising Arizona', is manic, anarchic, totally engrossing, and 'Lord of War', antithesis, strangely related to 'Arizona', but more terrifying.
    'Hotel Rwanda' and 'The Last King of Scotland', only slightly sanitised recent history of helplessness.
    And the film I have watched every Christmas for so many years, George C Scott in 'A Christmas Carol'. What a performance. And I have just acquired a digitally tinted version of Alistair Simms' earlier version. Almost as good, but a bit twee.
    Four films that I do watch over and over again.
    'Green Mile' rivetting voyeurism. There are still moments when I have to turn away and wipe a tear.
    'Paradise Alley', an early Stallone effort so full of life, hope and exuberance in the face of adversity.
    'Duck Soup', anarchy plus.
    'The Colour Purple', an obvious but failed stab at an Oscar, but all the better for that.
    And without dipping into Golden Turkeys, the worst films in my world.
    Dr. Zivago
    Rocky IV
    Olivier's 'Hamlet' ham is the word, and cucumber!
    Anything with Chuck Norris
    Disney's 'Pochahantis' never touched me.
    'Cleopatra' (Liz and Rick)
    'Pearl Harbour' One excellent scene but anachronisms galore, especially the hair styles.
    I have forgotten so many, can't recall.
    There was a De Niro piece. He played a stroke victim taking voice coaching lessons from a transvestite. If I had the title I'd buy the DVD.
    Well, if you got this far, Thank you.
    Or did you fall asleep like I did during 'Who's Afraid of Virginia Wolfe'?

  • Stephen West (7/16/2008 10:06:00 AM) Post reply | Read 1 reply

    There is some pretty ordinary stuff posted on these pages.
    My top te will come to me.
    But Zivago is definately in my Bottom Ten
    Turgid, weak, repetative, morbid and obvious......and that is just the cinematography.
    I walked out at half time and absolutely refuse ever to go back and watch another eighty minutes of that pathetic angst.
    If you really want to watch a looser on the road to nowhere.... try Cool Hand Luke, or Salvador, at least you might want them to succeed, if they ever could.

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