I marvel how Nature could ever find space
For so many strange contrasts in one human face:
There's thought and no thought, and there's paleness and bloom
And bustle and sluggishness, pleasure and gloom.
There's weakness, and strength both redundant and vain;
Such strength as, if ever affliction and pain
Could pierce through a temper that's soft to disease,
Would be rational peace--a philosopher's ease.
I wandered through each chartered street,
Near where the chartered Thames does flow,
A mark in every face I meet,
Marks of weakness, marks of woe.
In every cry of every man,
In every infant's cry of fear,
In every voice, in every ban,
The mind-forged manacles I hear:
It is in the small things we see it.
The child's first step,
as awesome as an earthquake.
The first time you rode a bike,
wallowing up the sidewalk.
The first spanking when your heart
went on a journey all alone.
When they called you crybaby
or poor or fatty or crazy
and made you into an alien,
I weep for Adonais -he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: "With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!"
When thou didst entice to thee my heart,
I thought the service brave:
So many joys I writ down for my part,
Besides what I might have
Out of my stock of natural delights,
Augmented with thy gracious benefits.
I looked on thy furniture so fine,
And made it fine to me:
Thy glorious household-stuff did me entwine,
If you are lucky in this life,
you will get to help your enemy
the way I got to help my mother
when she was weakened past the point of saying no.
Into the big enamel tub
half-filled with water
which I had made just right,
I lowered the childish skeleton
she had become.
A Thousand Desires
Thousands of desires, each worth dying for...
Many of them I have realized...yet I yearn for more...
Why should my killer (lover) be afraid? No one will hold her responsible
For the blood which will continuously flow through my eyes all my life
We have heard about the dismissal of Adam from Heaven,
With a more humiliation, I am leaving the street on which you live...
Oh tyrant, your true personality will be known to all
Kind solace in a dying hour!
Such, father, is not (now) my theme-
I will not madly deem that power
Of Earth may shrive me of the sin
Unearthly pride hath revell'd in-
I have no time to dote or dream:
You call it hope- that fire of fire!
It is but agony of desire:
If I can hope- Oh God! I can-
Its fount is holier- more divine-
At First Sight
Perceived love at first sight,
Provide vigour and might,
Against every odds, path right,
Never out of goal keeping in sight,
Always memorable in life,
Dreaming to make her partner or wife,
Ready to sacrifice anything and show,
Always attracted towards beauty and glow,
Bishop Blougram's Apology
NO more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Endymion: Book I
A Poetic Romance.
"THE STRETCHED METRE OF AN AN ANTIQUE SONG."
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.
Essay On Man
The First Epistle
Awake, my ST. JOHN!(1) leave all meaner things
To low ambition, and the pride of Kings.
Let us (since Life can little more supply
Than just to look about us and to die)
Expatiate(2) free o'er all this scene of Man;
A mighty maze! but not without a plan;
A Wild, where weeds and flow'rs promiscuous shoot,
Or Garden, tempting with forbidden fruit.
Back To Stone Age
I am happy to return to Stone Age
Old intolerance ghost is out of cage
Hatred and violence continue to creates rage
Nothing can be written on simple page
We have not matured and grown with age
Hell bent on rampage and committing carnage
Under the disguise and show cleverly managed
All looked so orderly and meticulously arranged
Goethe in Weimar sleeps, and Greece,
Long since, saw Byron's struggle cease.
But one such death remain'd to come;
The last poetic voice is dumb--
We stand to-day by Wordsworth's tomb.
When Byron's eyes were shut in death,
We bow'd our head and held our breath.
He taught us little; but our soul
Had felt him like the thunder's roll.
An Anatomy Of The World...
When that rich soul which to her heaven is gone,
Whom all do celebrate, who know they have one
(For who is sure he hath a soul, unless
It see, and judge, and follow worthiness,
And by deeds praise it? He who doth not this,
May lodge an inmate soul, but 'tis not his)
When that queen ended here her progress time,
And, as t'her standing house, to heaven did climb,
Where loath to make the saints attend her long,
She's now a part both of the choir, and song;
Dedication For A Plot Of Ground
This plot of ground
facing the waters of this inlet
is dedicated to the living presence of
Emily Dickinson Wellcome
who was born in England; married;
lost her husband and with
her five year old son
sailed for New York in a two-master;
was driven to the Azores;
ran adrift on Fire Island shoal,
Hugh Selwyn Mauberly (Part I)
"Vocat aestus in umbram"
Nemesianus Es. IV.
E. P. Ode pour l'élection de son sépulchre
For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense. Wrong from the start --
Bread, Hashish And Moon
When the moon is born in the east,
And the white rooftops drift asleep
Under the heaped-up light,
People leave their shops and march forth in groups
To meet the moon
Carrying bread, and a radio, to the mountaintops,
And their narcotics.
There they buy and sell fantasies
And die - as the moon comes to life.
The Bridge Of Sighs
One more Unfortunate,
Weary of breath,
Gone to her death!
Take her up tenderly,
Lift her with care;
Fashion'd so slenderly
Young, and so fair!
Epistle Ii: To A Lady (Of The Characters Of Women )
NOTHING so true as what you once let fall,
"Most Women have no Characters at all."
Matter too soft a lasting mark to bear,
And best distinguish'd by black, brown, or fair.
How many pictures of one Nymph we view,
All how unlike each other, all how true!
Arcadia's Countess, here, in ermin'd pride,
Is, there, Pastora by a fountain side.
Here Fannia, leering on her own good man,