Barry Pain

Barry Pain Poems

Barry Pain Biography

Barry Eric Odell Pain (September 28, 1864 – May 5, 1928) was an English journalist, poet and writer. Born in Cambridge, he was educated at Sedbergh School and Corpus Christi College, Cambridge. He became a prominent contributor to The Granta. He was known as a writer of parody and lightly humorous stories. In 1889, Cornhill Magazine's editor, James Payn, published his story "The Hundred Gates", and shortly afterwards Pain became a contributor to Punch and The Speaker, and joined the staffs of the Daily Chronicle and Black and White. Pain's works include In a Canadian Canoe (1891), papers reprinted from The Granta; Playthings and Parodies (1892); The Kindness of the Celestial (1894); The Octave of Claudius (1897); Eliza (1900); Another English Woman's Love Letters (1901); The Shadow of the Unseen (1907); An Exchange of Souls (1911); and others. Stories in the Dark (1901) and Stories In Grey (1911) contain several of Pain's horror stories, including the famous "The Moon-Slave". Going Home (1921) is a sentimental fantasy story about a winged man. Eliza was serialised by BBC Radio 4 in 2006. Prior to this, in 1992, twelve of the stories were adapted for BBC2 as ten minute shorts, featuring Sue Roderick as Eliza and John Sessions as her husband. An Exchange of Souls is credited with being inspirational to H. P. Lovecraft, specifically in his short story "The Thing on the Doorstep". In 2006, Hippocampus Press re-published An exchange of Souls together with Henri Béraud's Lazarus.)

The Best Poem Of Barry Pain

The Poets At Tea (Parodies)

I. (Macauley, who made it):

Pour, varlet, pour the water,
The water steaming hot!
A spoonful for each man of us,
Another for the pot!
We shall not drink from amber,
No Capuan slave shall mix
For us the snows of Athus
With port at thirtysix;
Whiter than snow the crystals
Grown sweet 'neath tropic fires,
More rich the herb of China's fields,
The pasture-lands more fragrance yield;
Forever let Brittania wield
The teapot of her sires!

II. (Tennyson, who took it hot):

I think that I am drawing to an end:
For on a sudden came a gasp for breath,
And stretching of the hands, and blinded eyes,
And a great darkness falling on my soul.
O Hallelujah! ... Kindly pass the milk.

III. (Swinburne, who let it get cold):

As the sin that was sweet in the sinning
Is foul in the ending thereof,
As the heat of the summer's beginning
Is past in the winter of love:
O purity, painful and pleading!
O coldness, ineffably gray!
O hear us, our handmaid unheeding,
And take it away!

IV. (Cowper, who thoroughly enjoyed it):

The cosy fire is bright and gay,
The merry kettle boils away
And hums a cheerful song.
I sing the saucer and the cup;
Pray, Mary, fill the teacup up,
And do not make it strong.

V. (Browning, who treated it allegorically):

Tut! Bah! We take as another case--
Pass the pills on the window-sill; notice the capsule
(A sick man's fancy, no doubt, but I place
Reliance on trademarks, Sir)--so perhaps you'll
Excuse the digression--this cup which I hold
Light-poised--Bah, it's spilt in the bed!--well, let's on go--
Hold Bohea and sugar, Sir; if you were told
The sugar was salt, would the Bohea be Congo?

VI. (Wordsworth, who gave it away):

'Come, little cottage girl, you seem
To want my cup of tea;
And will you take a little cream?
Now tell the truth to me.'

She had a rustic, woodland grin,
Her cheek was soft as silk,
And she replied, 'Sir, please put in
A little drop of milk.'

'Why, what put milk into your head?
'Tis cream my cows supply;'
And five times to the child I said,
'Why pig-head, tell me, why?'

'You call me pig-head,' she replied;
'My proper name is Ruth.
I called that milk'--she blushed with pride--
'You bade me speak the truth.'

VII. (Poe, who got excited over it):

Here's a mellow cup of tea--golden tea!
What a world of rapturous thought its fragrance brings to me!
Oh, from out the silver cells
How it wells!
How it smells!
Keeping tune, tune, tune,
To the tintinnabulation of the spoon.
And the kettle on the fire
Boils its spout off with desire,
With a desperate desire
And a crystalline endeavor
Now, now to sit, or never,
On the top of the paled-faced moon,
But he always came home to tea, tea, tea, tea, tea,
Tea to the n-th.

VIII. (Rossetti, who took six cups of it):

The lilies lie in my lady's bower,
(O weary mother, drive the cows to roost),
They faintly droop for a little hour;
My lady's head droops like a flower.

She took the porcelain in her hand
(O weary mother, drive the cows to roost);
She poured; I drank at her command;
Drank deep, and now--you understand!
(O weary mother, drive the cows to roost).

IX. (Burns, who liked it adulturated):

Weel, gin ye speir, I'm no inclined,
Whusky or tay--to state my mind
Fore ane or ither;
For, gin I tak the first, I'm fou,
And gin the next, I'm dull as you:
Mix a' thegither.

X. (Walt Whitman, who didn't stay more than a minute):

One cup for myself-hood,
Many for you. Allons, camerados, we will drink together,
O hand-in-hand! That tea-spoon, please, when you've done with it.
What butter-colour'd hair you've got. I don't want to be personal.
All right, then, you needn't. You're a stale cadaver.
Eighteen-pence if the bottles are returned.
Allons, from all bat-eyed formula.

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