How shall a generation know its story
If it will know no other? When, among
The scoffers at the Institute, Pasteur
Heard one deny the cause of child-birth fever,
...
Love is no more.
It died as the mind dies: the pure desire
Relinquishing the blissful form it wore,
The ample joy and clarity expire.
...
All winter long you listened for the boom
Of distant cannon wheeled into their place.
Sometimes outside beneath a bombers’ moon
...
Before he wrote a poem, he learned the measure
That living in the future gives a farm--
Propinquity of mules and cows, the charmed
Insouciance of hens, the fellowship,
...
Her unawed face, whose pose so long assumed
Is touched with what reality we feel,
Bends to itself and, to itself resumed,
...
I’ll go among the dead to see my friend.
The place I leave is beautiful: the sea
Repeats the winds’ far swell in its long sound,
...
With their harsh leaves old rhododendrons fill
The crevices in grave plots' broken stones.
The bees renew the blossoms they destroy,
While in the burning air the pines rise still,
...
I summon up Panofskv from his bed
Among the famous dead
To build a tomb which, since I am not read,
Suffers the stone’s mortality instead;
...
Walking back to the office after lunch,
I saw Hans. “Mister Isham, Mister Isham,”
He called out in his hurry, “Herr Wegner needs you.
...
1
The autumn shade is thin. Grey leaves lie faint
Where they will lie, and, where the thick green was,
...
The clairvoyante, a major general’s wife,
The secretaries’ sibyl, read the letters
...
The angel of self-discipline, her guardian
Since she first knew and had to go away
From home that spring to have her child with strangers,
...
We, who were long together homeless, raise
Brick walls, wood floors, a roof, and windows up
To what sustained us in those threatening days
...
Every month or so, Sundays, we walked the line,
The limit and the boundary. Past the sweet gum
Superb above the cabin, along the wall—
...
Edgar Bowers was an American poet who won the Bollingen Prize in Poetry in 1989. Bowers was born in Rome, Georgia in 1924. During World War II he joined the military and served in Counter-intelligence against Germany. He graduated from the University of North Carolina at Chapel Hill in 1950 and did graduate work in English literature at Stanford University. Bowers published several books of poetry, including The Form of Loss, For Louis Pasteur, and The Astronomers. He won two fellowships from the Guggenheim Foundation, and taught at Duke University and the University of California, Santa Barbara. In Bowers's obituary, the English poet Clive Wilmer wrote, 'The title poem of his 1990 collection, For Louis Pasteur, announces his key loyalties. He confessed to celebrating every year the birthdays of three heroes: Pasteur, Mozart and Paul Valéry, all of whom suggest admiration for the life of the mind lived at its highest pitch - a concern for science and its social uses, and a love of art that is elegant, cerebral and orderly.' That is one part of Bowers. Another aspect is picked up by Thom Gunn on the back of Bowers's Collected Poems: 'Bowers started with youthful stoicism, but the feeling is now governed by an increasing acceptance of the physical world.' That 'physical world' encompasses sex and love, which are refracted through his restrained and lapidary lines. The effect of this contrast is striking: at once balanced and engaged; detached but acutely aware of sensual satisfactions. The style owes much to the artistic ethos of Yvor Winters, under whom Bowers studied at Stanford, but his achievement far surpasses that of his mentor, and his other students, such as J. V. Cunningham. He often wrote in rhyme, but also produced some of the finest blank verse in the English language. He wrote very little (his Collected Poems weighs in at 168 pages), due no doubt to the careful consideration behind every single line. But that care never forecloses on the wilder aspects of human existence--the needs, joys and violence. Bowers retired in 1991 and died in San Francisco in 2000.)
For Louis Pasteur
How shall a generation know its story
If it will know no other? When, among
The scoffers at the Institute, Pasteur
Heard one deny the cause of child-birth fever,
Indignantly he drew upon the blackboard,
For all to see, the Streptococcus chain.
His mind was like Odysseus and Plato
Exploring a new cosmos in the old
As if he wrote a poem--his enemy
Suffering, disease, and death, the battleground
His introspection. "Science and peace," he said,
"Will win out over ignorance and war,"
But then, the virus mutant in his vein,
"Death to the Prussian!" and "revenge, revenge!"
How shall my generation tell its story?
Their fathers jobless, boys for the CCC
And NYA, the future like a stairwell
To floors without a window or a door,
And then the army: bayonet drill and foxhole;
Bombing to rubble cities with textbook names
Later to bulldoze streets for; their green bodies
Drowned in the greener surfs of rumored France.
My childhood friend, George Humphreys, whom I still see
Still ten years old, his uncombed hair and grin
Moment by moment in the Hürtgen dark
Until the one step full in the sniper's sight,
His pastor father emptied by the grief.
Clark Harrison, at nineteen a survivor,
Never to walk or have a child or be
A senator or governor. Herr Wegner,
Who led his little troop, their standards high
And sabers drawn, against a panzer corps,
Emerging from among the shades at Dachau
Stacked like firewood for someone else to burn;
And Gerd Radomski, listening to broadcasts
Of names, a yearlong babel of the missing,
To find his wife and children. Then they came home,
Near middle age at twenty-two, to find
A new reunion of the church and state,
Cynical Constantines who need no name,
Domestic tranquility beaten to a sword,
Sons wasted by another lie in Asia,
Or Strangeloves they had feared that August day;
And they like runners, stung, behind a flag,
Running within a circle, bereft of joy.
Hearing of the disaster at Sedan
And the retreat worse than the one from Moscow,
Their son among the missing or the dead,
Pasteur and his wife Mary hired a carriage
And, traveling to the east where he might try
His way to Paris, stopping to ask each youth
And comfort every orphan of the state's
Irascibility, found him at last
And, unsurprised, embraced and took him in.
Two wars later, the Prussian, once again
The son of Mars, in Paris, Joseph Meister--
The first boy cured of rabies, now the keeper
Of Pasteur's mausoleum--when commanded
To open it for them, though over seventy,
Lest he betray the master, took his life.
I like to think of Pasteur in Elysium
Beneath the sunny pine of ripe Provence
Tenderly raising black sheep, butterflies,
Silkworms, and a new culture, for delight,
Teaching his daughter to use a microscope
And musing through a wonder--sacred passion,
Practice and metaphysic all the same.
And, each year, honor three births: Valéry,
Humbling his pride by trying to write well,
Mozart, who lives still, keeping my attention
Repeatedly outside the reach of pride,
And him whose mark I witness as a trust.
Others he saves but could not save himself--
Socrates, Galen, Hippocrates--the spirit
Fastened by love upon the human cross.
Another giant, lost in virtual anonymity, but canonical just the same. Great lyrical poetry here, almost on par with Stevens. A joy to read him.
If Edgar Bowers' art in writing poetry is neglected, it indicts the sinking art of reading poetry.