Emil Aarestrup

Rating: 4.33
Rating: 4.33

Emil Aarestrup Poems

This blue that is called azure-blue,
This scoop of water, clump of earth,
This foolish nonsense of no worth,
...

Your lips bewitch with sweet enchantment,
Your gaze reveals a deep abyss;
Your voice contains unearthly music,
...

Was it a sin no one was with us?
Our wedding such a lone affair?
A stork the only tree-top witness
...

Naar jeg i Eenrum færdes
med stille Grublen vanker,
da er min Sjæl lysvaagen,
da sværme mine Tanker.
...

The Best Poem Of Emil Aarestrup

Admonition

This blue that is called azure-blue,
This scoop of water, clump of earth,
This foolish nonsense of no worth,
Called good and evil by some pedants too –

Oh, this diversion full of vain pretence!
This you can gape at? By and by
Will you take in a dream so wry
To call it life must mean you lack all sense?

Oh, surely there is more to life than this!
By human thought I could not make a hole
In this great veil, or fire in this black coal –
For thought itself is play that goes amiss –

Oh, if that Alexander were here now,
He’d proffer me his sword – and I – But see:
There with his scythe strides death ahead of me
To slice the knot he only needs one blow! –

Emil Aarestrup Comments

Fabrizio Frosini 18 October 2015

from Wikipedia: Aarestrup was born in Copenhagen, and died in Odense. He graduated in 1827 majoring in medicine. That same year, he married Caroline Aagard and they settled down in Nysted, on the Danish island of Lolland where he lived for most of his life but from 1849 he was a doctor on Funen. He was a close friend of the poet Christian Winther. Working as a doctor, he wrote poetry in his spare time. Only one book was published while he was alive, in 1838: Digte (Poems) . It was generally ignored by critics as well as the public at the time of its release. Another was published after his death in 1863: Efterladte Digte (Posthumous poems) . Among Danish lyricists, Aarestrup is considered one of the most genuine amorists. Especially in his ritornelles and short and emphasized verses he reaches mastery. As a verse technician he is influenced by the German poet Friedrich Rückert but finds his own form. Compared to most contemporary Danish love poets he is much more sensual, material and audacious though still respecting decorum. His tune is teasing, ironic, witty and elegant but sometimes with a hidden fear of death and vanity. Among his most famous poems must be mentioned Paa Sneen (“On the Snow”) , Angst (“Fear”) , Til Nanna (“For Nanna”) , Tidlig Skilsmisse (“Early Divorce”) and Var det Synd? (“Was It a Sin? ”) . Less known today are his few political poems that reveal his liberal sympathies. Although not recognized in his own time, he is now widely considered one of the most influential Danish poets and is still read in Denmark today. Normally his poetry is regarded an important precondition of the great symbolist lyric Sophus Claussen.

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