Francis Burdett Thomas Coutts-Nevill

Francis Burdett Thomas Coutts-Nevill Poems

Do what we will,
One horror haunts us still,
And down the course where shines the goal
For the swift contest of the soul
...

Art thou awake at last, or wilt thou sleep
Still on the downy cushions of thy sloth,
Trusting the ambient armour of the deep
...

Francis Burdett Thomas Coutts-Nevill Biography

Francis Burdett Thomas Nevill Money-Coutts, 5th Baron Latymer (18 September 1852 – 8 June 1923) was a London solicitor, poet, librettist, and wealthy heir to the fortune of the Coutts banking family. He is now remembered chiefly as a patron and collaborator of the Spanish composer Isaac Albéniz.. His father was the Reverend James Drummond Money (d. 1875), and his mother was Clara Burdett (d. 1899). Clara was the daughter of Sir Francis Burdett (1770–1844) and Sophia Coutts (d. 1844). Sophia was one of three daughters of the wealthy banker Thomas Coutts. In 1875 Francis Money, as he was then named, married Edith Ellen Churchill. In 1881, his mother Clara's sister Angela Burdett violated the terms of the will making her the sole heir of the Coutts fortune, by marrying a foreigner (an American 40 years her junior). Seeing an opportunity, Clara and her son adopted the name "Coutts," as required by the will, and contested Angela's claims. A settlement was reached, and Angela received two-fifths of the income until her death in 1906, at which time Francis became the sole beneficiary. Education and professional life Money attended Eton College and the University of Cambridge (MA; LL. M., 1878). He became a barrister in 1879 and later worked as a solicitor in Surrey. Although often described as a banker, he was too interested in the arts to be a serious banker. He was at one point considered for a partnership in the firm, but this idea was abandoned, as he was thought too unstable in temperament for such a position. In any case, his preferred vocation was as an author. Adopting the pen name of "Mountjoy," he wrote and published at least 23 works between 1896 and 1923. Many of these were collections of poems (see List of works). He also worked for publisher John Lane in London, writing prefaces for, and editing, collections of poems by other authors, including Alfred, Lord Tennyson (Flowers of Parnassus, 27 volumes, 1900–1906) and Jeremy Taylor (The Marriage Ring, 1907). Collaboration with Albéniz In the late 1880s Money-Coutts became involved with the finances of the Lyric and Prince of Wales Theatres. Through this connection he became an admirer of the music of Albéniz. Soon he became acquainted with the composer, eventually becoming an intimate friend and benefactor. They collaborated on a series of operas, for which Coutts wrote the libretti. The first opera in the series was Henry Clifford (1895), followed by Pepita Jiménez (1896), and an Arthurian trilogy, of which only one part, Merlin (1902), was completed and staged.)

The Best Poem Of Francis Burdett Thomas Coutts-Nevill

The Guardian Demon

Do what we will,
One horror haunts us still,
And down the course where shines the goal
For the swift contest of the soul
A Spectre glides; where'er we set
Our footsteps, there will he be met,
Our guardian demon: grant us grace
To lift the veil that hides his face!

If once we dare
Those eyes beneath his hair,
If once that demon visage see,
His power is spent, he leaves us free;
But if we try to pass him by,
He'll seize our hand and presently
Will lead us to that land of dream
Where lost men grovel and blaspheme.

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