Izaak Walton

Izaak Walton Poems

Izaak Walton Biography

Izaak Walton (9 August 1593 – 15 December 1683) was an English writer. Best known as the author of The Compleat Angler, he also wrote a number of short biographies which have been collected under the title of Walton's Lives. Walton was born at Stafford; the register of his baptism gives his father's name as Gervase. His father, who was an innkeeper as well as a landlord of a tavern, died before Izaak was three. His mother then married another innkeeper. He settled in London where he began trading as an ironmonger in a small shop in the upper story of Thomas Gresham's Royal Burse or Exchange in Cornhill. In 1614 he had a shop in Fleet Street, two doors west of Chancery Lane in the parish of St Dunstan's. At about this time he became friendly with Dr John Donne, then vicar of the parish church. Walton's first wife was Rachel Floud (married December 1626), a great-great-niece of Archbishop Cranmer. She died in 1640. He married again soon after, his second wife being Anne Ken—the pastoral Kenna of The Angler's Wish—stepsister of Thomas Ken, afterwards bishop of Bath and Wells. After the Royalist defeat at Marston Moor, Walton retired from his trade. He went to live near his birthplace in Stafford, where he had bought some land; but by 1650 he was again living in Clerkenwell. The first edition of his famous book The Compleat Angler was published in 1653. His second wife died in 1662, and was buried in Worcester Cathedral, where there is a monument to her memory. One of his daughters married Dr Hawkins, a prebendary of Winchester. The Compleat Angler was first published in 1653, but Walton continued to add to it for a quarter of a century. It was dedicated to John Offley, his most honoured friend. There was a second edition in 1655, a third in 1661 (identical with that of 1664), a fourth in 1668 and a fifth in 1676. In this last edition the thirteen chapters of the original have grown to twenty-one, and a second part was added by his friend and brother angler Charles Cotton, who took up Venator where Walton had left him and completed his instruction in fly fishing and the making of flies. Walton did not profess to be an expert with the fly; the fly fishing in his first edition was contributed by Thomas Barker, a retired cook and humorist, who produced a treatise of his own in 1659; but in the use of the live worm, the grasshopper and the frog "Piscator" himself could speak as a master. The famous passage about the frog, often misquoted as being about the worm—"use him as though you loved him, that is, harm him as little as you may possibly, that he may live the longer"—appears in the original edition. The additions made as the work grew did not affect the technical part alone; happy quotations, new turns of phrase, songs, poems and anecdotes were introduced as if the leisurely author, who wrote it as a recreation, had kept it constantly in his mind and talked it over point by point with his numerous brethren. There were originally only two interlocutors in the opening scene, "Piscator" and "Viator"; but in the second edition, as if in answer to an objection that "Piscator" had it too much in his own way in praise of angling, he introduced the falconer, "Auceps," changed "Viator" into "Venator" and made the new companions each dilate on the joys of his favourite sport. The best-known old edition of the Angler is J Major's (2nd ed., 1824). The book was edited by Andrew Lang in 1896, and various modern editions have appeared. The standard biography is that by Sir Harris Nicolas, prefixed to an edition of the Angler (1836). There are notices also, with additional scraps of fact, annexed to two American editions, Bethune's (1847) and Dowling's (1857). Walton also rendered affectionate service to the memory of his friends Sir John Skeffington and John Chalkhill, editing with prefatory notices Skeffington's Hero of Lorenzo in 1652 and Chalkhill's Thealma and Clearchus a few months before his own death in 1683. His poems and prose fragments were collected in 1878 under the title of Waltoniana. The full title of Walton's book of short biographies is, Lives of John Donne, Henry Wotton, Rich'd Hooker, George Herbert, &C. His leisurely labours as a biographer seem to have grown out of his devotion to angling. It was probably as an angler that he made the acquaintance of Sir Henry Wotton, but it is clear that Walton had more than a love of fishing and a humorous temper to recommend him to the friendship of the accomplished ambassador. At any rate, Wotton, who had intended to write the life of John Donne, and had already corresponded with Walton on the subject, left the task to him. Walton had already contributed an Elegy to the 1633 edition of Donne’s poems, and he completed and published the life, much to the satisfaction of the most learned critics, in 1640. Sir Henry Wotton dying in 1639, Walton undertook his life also; it was finished in 1642 and published in 1651. His life of Hooker was published in 1662, that of George Herbert in 1670 and that of Bishop Robert Sanderson in 1678. All these subjects were endeared to the biographer by a certain gentleness of disposition and cheerful piety; three of them at least—Donne, Wotton and Herbert—were anglers. Their lives were evidently written with loving pains, in the same leisurely fashion as his Angler, and like it are of value less as exact knowledge than as harmonious and complete pictures of character. An edition of Walton's Lives, by G Sampson, appeared in 1903. See also Izaak Walton and his Friends, by S Martin (1903). Other literary works Walton also rendered affectionate service to the memory of his friends Sir John Skeffington and John Chalkhill, editing with prefatory notices Skeffington's Hero of Lorenzo in 1652 and Chalkhill's Thealma and Clearchus a few months before his own death in 1683. His poems and prose fragments were collected in 1878 under the title of Waltoniana. Walton has appeared in several works of literature: * Charles Dickens uses the name Izaak Walton in A Tale of Two Cities to develop an extended metaphor comparing Jerry Cruncher's night-time "occupation" of grave robbing to fishing. * Washington Irving's humorous essay "The Angler" comments on Walton's popularity; the work can be found in The Sketch Book of Geoffrey Crayon available via Project Gutenberg. * Walton is mentioned in Jules Verne's classic The Mysterious Island when the castaways decide to use snares to catch birds: "He took Herbert to some distance from the nests, and there prepared his singular apparatus with all the care which a disciple of Izaak Walton would have used." * Walton is also the protagonist of Howard Waldrop's short story "God's Hooks!" (1982). * In the best selling semi-autobiographical novel The River Why (1983) by David James Duncan, The Compleat Angler serves as the most revered book in the irreverent fly fisherman Gus Orviston's childhood home, his parents quoting and misquoting the treatise to obsessively argue their respective sides of the artificial fly versus natural bait controversy. * Walton appears as "Piscator" in the novel Silverlock by John Myers Myers and under his own name in the novel Conceit by Mary Novik. * Walton comes under fire in Norman Maclean's short story A River Runs Through It, later filmed under the same name. * Ben Bova has a character named "Isaac Walton" in The Precipice, first book of the Asteroid Wars, of whom it is joked that he came to the Moon to escape fishing jokes. * Donna Tartt's novel The Secret History has the character Bunny erroneously closely linking Walton and John Donne in an imaginary belief in "metahemeralism". * Gilbert Ryle uses him in his book The Concept of Mind as an example for knowledge before theorie.)

The Best Poem Of Izaak Walton

An Elegie Upon Dr. Donne

Our _Donne_ is dead; England should mourne, may say
We had a man where language chose to stay
And shew her gracefull power. I would not praise
That and his vast wit (which in these vaine dayes
Make many proud) but, as they serv'd to unlock
That Cabinet, his minde: where such a stock
Of knowledge was repos'd, as all lament
(Or should) this generall cause of discontent.
And I rejoyce I am not so severe,
But (as I write a line) to weepe a teare
For his decease; Such sad extremities
May make such men as I write Elegies.
And wonder not; for, when a generall losse
Falls on a nation, and they slight the crosse,
God hath rais'd Prophets to awaken them
From stupifaction; witnesse my milde pen,
Not us'd to upbraid the world, though now it must
Freely and boldly, for, the cause is just.
Dull age, Oh I would spare thee, but th'art worse,
Thou art not onely dull, but hast a curse
Of black ingratitude; if not, couldst thou
Part with _miraculous Donne_, and make no vow
For thee, and thine, successively to pay
A sad remembrance to his dying day?
Did his youth scatter _Poetry_, wherein
Was all Philosophy? was every sinne,
Character'd in his _Satyrs_? Made so foule
That some have fear'd their shapes, and kept their soule
Safer by reading verse? Did he give _dayes_
Past marble monuments, to those, whose praise
He would perpetuate? Did he (I feare
The dull will doubt these at his twentieth year?
But, more matur'd; Did his full soule conceive,
And in harmonious-holy-numbers weave
A _Crown of sacred sonnets_, fit to adorne
A dying Martyrs brow: or, to be worne
On that blest head of _Mary Magdalen_,
After she wip'd Christs feet, but not till then?
Did hee (fit for such penitents as shee
And he to use) leave us a _Litany_,
Which all devout men love, and sure, it shall,
As times grow better, grow more classicall?
Did he write _Hymnes_, for piety, for wit,
Equall to those, great grave _Prudentius_ writ?
Spake he all _Languages_? knew he all Lawes?
The grounds and use of _Physick_; but because
'Twas mercenary, wav'd it? Went to see
That blessed place of _Christs nativity_?
Did he returne and preach him? preach him so
As since S. _Paul_ none did, none could? Those know,
(Such as were blest to heare him) this is truth.
Did he confirm thy aged? convert thy youth?
Did he these wonders? And is this deare losse
Mourn'd by so few? (few for so great a crosse.)
But sure the silent are ambitious all
To be Close Mourners at his Funerall;
If not; In common pitty they forbare
By repetitions to renew our care;
Or, knowing, griefe conceiv'd, conceal'd, consumes
Man irreparably, (as poyson'd fumes
Doe waste the braine) make silence a safe way,
To'inlarge the Soule from these walls, mud and clay,
(Materials of this body) to remaine
With _Donne_ in heaven, where no promiscuous pain
Lessens the joy we have, for, with _him_, all
Are satisfy'd with _joyes essentiall_.
Dwell on this joy my thoughts; oh, doe not call
Griefe back, by thinking of his Funerall;
Forget hee lov'd mee; Waste not my sad yeares;
(Which hast to _Davids_ seventy,) fill'd with feares
And sorrow for his death; Forget his parts,
Which finde a living grave in good mens hearts;
And, (for, my first is dayly payd for sinne)
Forget to pay my second sigh for him:
Forget his powerfull preaching; and forget
I am his _Convert_. Oh my frailty! let
My flesh be no more heard, it will obtrude
This lethargy: so should my gratitude,
My flowes of gratitude should so be broke;
Which can no more be, than _Donnes_ vertues spoke
By any but himselfe; for which cause, I
Write no _Encomium_, but this _Elegie_,
Which, as a free-will-offring, I here give
Fame, and the world, and parting with it grieve
I want abilities, fit to set forth
A monument, great, as Donnes matchlesse worth.

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