Louise Erdrich

Louise Erdrich Poems

Louise Erdrich Biography

Louise Erdrich (born Karen Louise Erdrich, June 7, 1954) is an Ojibwe writer of novels, poetry, and children's books featuring Native American characters and settings. She is an enrolled member of the Turtle Mountain Band of Chippewa Indians, a band of the Anishinaabe (also known as Ojibwe and Chippewa). Erdrich is widely acclaimed as one of the most significant writers of the second wave of the Native American Renaissance. In 2009, her novel The Plague of Doves was a finalist for the Pulitzer Prize for Fiction and also received an Anisfield-Wolf Book Award. In November 2012, she received the National Book Award for Fiction for her novel The Round House. She will be awarded the Library of Congress Prize for American Fiction at the National Book Festival in September, 2015. She was married to author Michael Dorris and the two collaborated on a number of works. She is also the owner of Birchbark Books, a small independent bookstore in Minneapolis that focuses on Native American literature and the Native community in the Twin Cities.)

The Best Poem Of Louise Erdrich

Turtle Mountain Reservation

The heron makes a cross
flying low over the marsh.
Its heart is an old compass
pointing off in four directions.
It drags the world along,
the world it becomes.

My face surfaces in the green
beveled glass above the washstand.
My handprint in thick black powder
on the bedroom shade.
Home I could drink like thin fire
that gathers
like lead in my veins,
heart's armor, the coffee stains.

In the dust of the double hollyhock,
Theresa, one frail flame eating wind.
One slim candle
that snaps in the dry grass.
Ascending tall ladders
that walk to the edge of dusk.
Riding a blue cricket
through the tumult of the falling dawn.

At dusk the gray owl walks the length of the roof,
sharpening its talons on the shingles.
Grandpa leans back
between spoonfuls of canned soup
and repeats to himself a word
that belongs to a world
no one else can remember.

The day has not come
when from sloughs, the great salamander
lumbers through snow, salt, and fire
to be with him, throws the hatchet
of its head through the door of the three-room house
and eats the blue roses that are peeling off the walls.

Uncle Ray, drunk for three days
behind the jagged window
of a new government box,
drapes himself in fallen curtains, and dreams that the odd
beast seen near Cannonball, North Dakota,
crouches moaning at the door to his body. The latch
is the small hook and eye.

of religion. Twenty nuns
fall through clouds to park their butts
on the metal hasp. Surely that
would be considered miraculous almost anyplace,

but here in the Turtle Mountains
it is no more than common fact.
Raymond wakes,
but he can't shrug them off. He is looking up
dark tunnels of their sleeves,
and into their frozen armpits,
or is it heaven? He counts the points
of their hairs like stars.

One by one they blink out,
and Theresa comes forth
clothed in the lovely hair
she has been washing all day. She smells
like a hayfield, drifting pollen
of birch trees.
Her hair steals across her shoulders
like a postcard sunset.

All the boys tonight, goaded from below,
will approach her in The Blazer, The Tomahawk,
The White Roach Bar where everyone
gets up to cut the rug, wagging everything they got,
as the one bass drum of The Holy Greaseballs
lights a depth
charge through the smoke.

Grandpa leans closer to the bingo.
The small fortune his heart pumps for
is hidden in the stained, dancing numbers.
The Ping-Pong balls rise through colored lights,
brief as sparrows
God is in the sleight of the woman's hand.

He walks from Saint Ann's, limp and crazy
as the loon that calls its children
across the lake
in its broke, knowing laughter.
Hitchhiking home from the Mission, if he sings,
it is a loud, rasping wail
that saws through the spine
of Ira Comes Last, at the wheel.

Drawn up through the neck ropes,
drawn out of his stomach
by the spirit of the stones that line
the road and speak
to him only in their old agreement.
Ira knows the old man is nuts.
Lets him out at the road that leads up
over stars and the skulls of white cranes.

And through the soft explosions of cattail
and the scattering of seeds on still water,
walks Grandpa, all the time that there is in his hands
that have grown to be the twisted doubles
of the burrows of mole and badger,
that have come to be the absence
of birds in a nest.
Hands of earth, of this clay
I'm also made from.

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