Poets

Medbh McGuckian was born in 1950 to Catholic parents in Belfast, Northern Ireland. She studied with Seamus Heaney at Queen’s University, earning a BA and MA, and later returned as the university’s first female writer-in-residence.

McGuckian’s poems are layered collages of feminine and domestic imagery complicated by a liminal, active syntax that, in drawing attention to the weight of one phrase on another, emphasizes and questions our constructions of power and gender. Her work is reminiscent of Rainer Maria Rilke in its emotional scope and John Ashbery in its creation of rich interior landscapes. Praising McGuckian’s Selected Poems (1997), Seamus Heaney said, “Her language is like the inner lining of consciousness, the inner lining of English itself, and it moves amphibiously between the dreamlife and her actual domestic and historical experience as a woman in late-20th-century Ireland.”

McGuckian has earned significant critical acclaim over the course of her career. Her poem “The Flitting,” published under a male pseudonym, won the 1979 National Poetry Competition. In 1980 McGuckian published two chapbooks of poetry and also won the prestigious Eric Gregory Award. Her first collection, The Flower Master (1982), won the Poetry Society’s Alice Hunt Bartlett Prize, the Rooney Prize for Irish Literature, and an award from the Ireland Arts Council. On Ballycastle Beach (1988) won the Cheltenham Award, and The Currach Requires No Harbours (2007) was short-listed for the I..