Hooks to the hands of Egypt
You cast pearls before the swine
Transgression and depraved conduct
Thine vices all consign
...
In this time of dread and terror
When all we know is pain and fear
There is one solid foundation
For those willing to hear
...
Run along the good gestations
Like the swarming bees in the sun
Can be the songs of elation
That was never meant to be sung
...
Call on a darkness to enter stage right
Players dare to speak truth to light
See the talks with formal discourse
Then reach an impasse with no recourse
...
Baroque- European dressing
Confessional mark
Engineered with a blessing
Fleur de la flock of the ornate world
...
He's a life-sized
Marble bust
And who could name him
Who could frame him
...
Double pipe, Bagpipes, three-string aborigine
Shaman lute, bone flute tonality
Ancient Gymel, hymnal Seikilos Epitaph
Polyphony, drone note phonograph
...
It's only movement by selecting a stepping graceful repertoire
The forms that are known, they go beyond choreography
Here we go, musicians told to start
When push comes to pop, the couples are pulling apart
...
Now as you have the lyrics
I'll pour onto your scroll
All the things that writers might allude to in their role
And when that scroll gets heavy
...
The lion roared on a wooden bench
And the director sat with microphone in hand
The strips of film clippings were strewn across the floor
And the director looked up at the lights
...