Ellen Bryant Voigt
Up there on the mountain road, the fireworks
blistered and subsided, for once at eye level:
spatter of light like water flicked from the fingers;
the brief emergent pattern; and after the afterimage bled
from the night sky, a delayed and muffled thud
that must have seemed enormous down below,
the sound concomitant with the arranged
threat of fire above the bleachers.
I stood as tall and straight as possible,
trying to compensate, trying not to lean in my friend's
direction. Beside me, correcting height, he slouched
his shoulders, knees locked, one leg stuck out
to form a defensive angle with the other.
Thus we were most approximate
and most removed.
In the long pauses
between explosions, he'd signal conversation
by nodding vaguely toward the ragged pines.
I said my children would have loved the show.
He said we were watching youth at a great distance,
and I thought how the young
are truly boring, unvaried as they are
by the deep scar of doubt, the constant afterimage
of regret—no major tension in their bodies, no tender
hesitation, they don't yet know
that this is so much work, scraping
from the self its multiple desires; don't yet know
fatigue with self, the hunger for obliteration
that wakes us in the night at the dead hour
and fuels good sex.
Of course I didn't say it.
I realized he watched the fireworks
with the cool attention he had turned on women
dancing in the bar, a blunt uninvested gaze
calibrating every moving part, thighs,
breasts, the muscles of abandon.
I had wanted that gaze on me.
And as the evening dwindled to its nub,
its puddle of tallow, appetite without object,
as the men peeled off to seek
the least encumbered consolation
and the women grew expansive with regard—
how have I managed so long to stand among the paired
bodies, the raw pulsing music driving
loneliness into the air like scent,
and not be seized by longing,
not give anything to be summoned
into the larger soul two souls can make?
Watching the fireworks with my friend,
so little ease between us,
I see that I have armed myself;
fire changes everything it touches.
Perhaps he has foreseen this impediment.
Perhaps when he holds himself within himself,
a sheathed angular figure at my shoulder,
he means to be protective less of him
than me, keeping his complicating rage
inside his body. And what would it solve
if he took one hand from his pocket,
risking touch, risking invitation—
if he took my hand it would not alter
this explicit sadness.
The evening stalls,
the fireworks grow boring at this remove.
The traffic prowling the highway at our backs,
the couples, the families scuffling on the bank
must think us strangers to each other. Or,
more likely, with the celebrated fireworks thrusting
their brilliant repeating designs above the ridge,
we simply blur into the foreground,
like the fireflies dragging among the trees
their separate, discontinuous lanterns.
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Comments about this poem (Blue Ridge by Ellen Bryant Voigt )
Still I Rise
The Road Not Taken
If You Forget Me
Edgar Allan Poe
Stopping by Woods on a Snowy Evening
A Dream Within A Dream
Edgar Allan Poe
(12 July 1904 – 23 September 1973)
(March 26, 1874 – January 29, 1963)
- Indira Renganathan
(4 April 1928 - 28 May 2014)
Edgar Allan Poe
(19 January 1809 - 7 October 1849)
(1 February 1902 – 22 May 1967)
(10 December 1830 – 15 May 1886)
(16 August 1920 – 9 March 1994)
(9 November 1928 – 4 October 1974)
- The Road Not Taken, Robert Frost
- If You Forget Me, Pablo Neruda
- Invictus, William Ernest Henley
- Still I Rise, Maya Angelou
- Phenomenal Woman, Maya Angelou
- Stopping by Woods on a Snowy Evening, Robert Frost
- Annabel Lee, Edgar Allan Poe
- A Dream Within A Dream, Edgar Allan Poe
- Dreams, Langston Hughes
- Do Not Go Gentle Into That Good Night, Dylan Thomas