Francis Scarfe

Francis Scarfe Poems

An Elegy for Tristan Tzara

In the hungry kitchen
The dog sings for its dinner.
...

Evening is part of the jig-saw truth of her,
ply-wood ply-flesh, her insolent reply
blinding the ace with a straight shot to centre,
the woman's a delicate devil in twenty places
...

Far away is one who now is sleeping
In the same world and the same darkness,
But not in my keeping.
Oh no, my arms could never stretch so far
...

4.

Those who love cats which do not even purr
Or which are thin and tired and very old,
Bend down to them in the street and stroke their fur
...

The alabaster legs of the lonely woman
hang from the window like white ensigns
out of the laughing window like false teeth
sheets, flagstaffs, telescopes, rolls of music,
...

See that satan pollarding a tree,
That geometric man straightening a road:
Surely such passions are perverse and odd
...

The sea still plunges where as naked boys
We dared the currents and the racing tides
That stamped red weals of fury on our thighs,
...

In after years, when you look back upon
This time, and upon me, who am no more
Close to your heart nor a shadow in your sun,
...

Francis Scarfe Biography

Francis Scarfe was an English poet, critic and novelist, who became an academic, translator and Director of the British Institute in Paris. He was born in South Shields; he was brought up from a young age at the Royal Merchant Seaman's Orphanage. He was educated at Durham University and Fitzwilliam College, Cambridge. He then studied at the Sorbonne. While in Paris he wrote surrealist verse, and dabbled in communism, from which he then retreated. He taught at the University of Glasgow briefly before the outbreak of World War II, in which he worked in the British Army's Education Corps. He was posted to Orkney, and the Faroe Islands. While in the Orkneys he lodged with the family of the young George Mackay Brown, on whom he was a major influence. His book from 1942 was one of the first to engage critically with the Auden Group, if superficially; he returned to Auden in a post-war book of greater depth. After the war he held a number of academic positions.)

The Best Poem Of Francis Scarfe

Kitchen Poem

An Elegy for Tristan Tzara

In the hungry kitchen
The dog sings for its dinner.
The housewife is writing her poem
On top of the frigidaire
Something like this:

    'Hear in the kitchen
    The crows fly home
    Into the red-robed trees
    That walk across the sky.

    Hear under the floor
    The three fountains rising and
    Trickling through the bridge
    Into the sea of poems.'

In the kitchen the housemother
Pours soup for her thousand children
As her man eats his silence
And the dog swallows its poem.

In all. the kitchens of Europe
The radio shouts good news:
'Millions have had no accident today
All wars have come to an end
An honest politician
In another country
Wants to become a plumber
All men will be equal, next year
Volcano vomits ice-cream
A silent poem has been invented.'

    In my holy kitchen
    I draw the blinds of night
    On the homes of sleep.
    I hold the world in my palms.
    Now that I am old
    I can measure life with words.
    There's a nightingale in my coffee.
    My bread is buttered with memories.
    Since the old woman died
    I have two souls.

When I was small we had a lucky black cat.
We had a magic horse-shoe on the wall,
It was rusty and brought no luck
But fetched the fields into the kitchen
And made us not forget horses.

When you are old you make your own magic.
You speak oftener for the dead.
You move free in the wonderland of the past.
You invent a future on the other shore of death.
You must speak for the dead,
You are their rusty horse-shoe
In all the kitchens of the world,
Not the mug on the radio
But a thought rescued from the past.

    (There was love in the thin soup
    A bone some lentils and great love.
    My mother's hands were clouds.
    There was a bluebird in the gasjet
    When she bathed us by the kitchen fire.

    There will be no such soup again
    Nor such transcendent poverty.
    I have lost the treasure of poverty.
    The old woman is dead and buried
    In her wonderland of oblivion,
    But lives in my kitchen poem
    In this 'sentimental' aside.)

Now that I am an old man, I think in bed.
I think nothing. I think poems -
The metronome of sleeplessness and death,
The art of being deliberately alone and yet
A centre in the vortex of the world,
Feelings stretched drum-tight on the grid of thought
As your decaying flesh taut on its bones,

Sensations phantom ideas dreams, pinned bugs
On the living conveyor-belt of experience,
While in the poem you are everybody else,
Each poem merging into another construct,
All poems rationally absurd impermanent
------------------DADA------------------
There being no poem ever, no poet ever.
An old man in a kitchen, cooking words.

    I am no poet I am
    Lived by unfinishable poems,
    The horse-shoe hammered
    On the anvil of my brain.

I think nothing. The poems think me.
I do not often write them down,
Being a structuration of the unknowable
That dies upon the page,
My inward poems whispered for the dead
While the living bury the living
With foul political slogans.

    An owl is hooting in my poem
    Which sleep will end.

    Good night, poet of life,
    Be with me always.
    I give you my kitchen poem,
    Immortal TRISTAN.

Francis Scarfe Comments

Carole Griggs 21 January 2018

His poem of CATS is so beautiful to me, as it is just how I feel about them. The most beauteous of all creatures....

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