What we’ve got here is a failure to
communicate,
they said to Paul in “Cool Hand Luke.” Adieu
the loony gate
...
Never warlike, though by Wagner weaponed,
langsam, Mahler indicates, nicht schleppend,
first symphony’s third movement has material
whose fascination comes when what’s funereal
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Like us when on the telephone,
the dead communicate
in order not to be alone,
so children think. How great
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When we dance will you be gentle,
or bitter as the instrumental
lines of music in C Major
that, dying, barely thirty-ager,
...
Gas is what I used to guzzle,
and often still inclined to pass,
but now I have to pass on mazel,
running out on me, alas,
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Fondling Venus’s left breast,
Cupid gives her on her mouth a kiss.
Both are blatantly undressed
But you don’t wonder what’s amiss,
...
More amazing that the crucifixion
was, of course, the holocaust.
That’s why some believe it’s fiction,
view Jew-haters have endorsed.
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If moshing with a chick were kosher,
I’d lover to be her kosher mosher,
but since I have been told it’s treif
such dances with her are not safe,
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Bartholdy added to the name
of Mendlessohn made people who
feared antisemites hide with shame
the fact that Felix was a Jew.
...
A fable that’s agreed upon
according to Napoleon
is what we should call history,
but ascribe its mystery
...