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6.3
/10 (3 votes)
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When I worked in the bookstore in Berkeley, upstairs some woman would sing, alluring as lava, husky as tar, sometimes it'd be a whole band driving us a little crazy downstairs because even good music heard through a ceiling gets nerve-wracking, a constant strain to make a whole of it, catch the lyrics slurred by plumbing prattle and footfall like you're getting complicated directions over a bad connection or trying to figure out just why it is you can't divide by zero. But I'd say to Michelle who did the ordering and sometimes would ask me should she order The Wasps of Puerto Rico, 55 bucks a shot, and I'd say No way, it'll rot on the shelf like everything else in Latin America what with the jungle, poverty, and burn off, so she'd order three and they'd sell immediately. More stuff to mess up the store. I hated customers, how they charged in, tusks dismantling the alphabet, ranting, raving in the thick accents of demand, something about Puerto Rico, something about wasps as if I was wired individually to each book and in back, they're stuffing Treasuries of Haiku in their pants, ripping covers off, who knows, twice I found empty flaps, volumes by Ricoeur who said I think, Everything is profoundly cracked, although it might have been an epigraph he used by someone else because that's all I ever got to read, an education of pithy, lost snippets, always trying to do a million things at once, our filing system like something out of Kafka, smudgy index cards organized by press, don't mix up a slash with a check, so I'd have to explain and search through Books in Print because they'd forgotten their glasses but really they were people looking for books who couldn't read! So I'd say to Michelle in the quiet hour between 3 and 3:15, Man, that girl can sing, and she'd just uh-huh because she too lived upstairs and even Pavarotti would get sickening, all that passion coming through a wall when you just want to eat your green beans, watch a little TV. I mean all music verges on pure irritation, noise, wearying, weary. Michelle feeding her turtle ripped up lettuce. Turtle called Myrtle of course who it was okay to bring to work, at least she wasn't breast- feeding at the front desk the way L did who was finally fired not only for not doing a thing but fouling up everyone else. I mean there you are, trying to calm a customer and she opens her blouse, ladles out this enormous breast, it had a tendency to knock out everything from anyone's head. Eternally nonplussed creature, I mean this turtle who I liked all right but how close can you get to a turtle? It pulls its head in, pushes it out, blinks--mostly I worried about stepping on it then some guy comes in waving a jar of Prego, screaming about the New Deal and, This is it, I think, I will die in Berkeley in a splatter of extra thick sauce, a corona of glass spread out like my incomplete poems, my brains spilled out like sensibility as outside the street starts percolating in the gelling light. Soon the protesters will be throwing rocks at the gym because a volleyball court's finally gone into People's Park like the university's been threatening to do through the ages of Aquarius and later cops shooting wooden pegs but that afternoon I'm getting my falafel lunch at the caboose on Bancroft from the guy who always asks me how I'm managing and tells me how he's sleeping, not too good, who could these days, and I say Amen, handing over my 2.25, giving this Arab a more mixed message than I intend and the guy in the tutu and evening gloves, the Love-Hate man with rouge in his beard is matching the blustering fundamentalist syllable by syllable: for every hell a bell, every damnation a dalmatian, shadow for shadow, wagging Bible against wagging New Age Singles, satori, samsara, and then I hear her like smoke my mother blew in my ear when I had an earache and I strain against what lashes me to the mast. We are stardust, we are golden, and there she is. She must weigh 300 pounds, head like a glop of Playdoh dropped on a mountain of smoldering hams, feet immense puddles in those specially designed fat shoes that lace on both sides and that voice like a swan hatching from a putrid egg and people tossing change into a tambourine, arrhythmic accompaniment to the drummer who closes his eyes, the guitarist who closes his eyes, the music passing through us all like some frail filament driven through a pole during a hurricane, through all our barriers of tissue toward outer space, the rapacious gardens of stars from which we've fallen, shuddering cores of cinder, whirlwinds of ash.
Dean Young
| Submitted Date |
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Monday, January 20, 2003 |
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Read poems about / on: haiku, music, education, sometimes, people, america, poverty, crazy, passion, hate, girl, change, woman, work, mother, green, lost, light, lyric, sleep
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