Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in 'Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.
He said to his friend, "If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light, --
One, if by land, and two, if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country folk to be up and to arm."
Then he said, "Good night!" and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The somerset, British man-of-war;
A phantom ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.
Meanwhile, his friend, through alley and street,
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
you've seen a strawberry
that's had a struggle; yet
was, where the fragments met,
a hedgehog or a star-
fish for the multitude
of seeds. What better food
than apple seeds - the fruit
within the fruit - locked in
I stand in quiet by the stream,
and wait for a key.
Either I was left behind or I
left something close;
a part of my life doesn't move.
There's a loss as if all
of history has been replayed
in the dramas lived here.
trees distribute all the productions, yet stand still to shadow the tired travelers in mid summer and for creepers or parasites do not fall again enhance the nature.
'Nam Sibyllam quidem Cumis ego ipse oculis meis
vidi in ampulla pendere, et cum illi pueri dicerent:
Sibylla ti theleis; respondebat illa: apothanein thelo.'
I. THE BURIAL OF THE DEAD
April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten,
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm' aus Litauen, echt deutsch.
And when we were children, staying at the archduke's,
My cousin's, he took me out on a sled,
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.
What are the roots that clutch, what branches grow
Out of this stony rubbish? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
Of asphodel, that greeny flower,
like a buttercup
upon its branching stem-
save that it's green and wooden-
I come, my sweet,
to sing to you.
We lived long together
a life filled,
if you will,
with flowers. So that
Charles L. East
The hand of time
shall soon close itself about me.
The winds of winter foretell the final days
Something that says a little often says it all
She walks in Beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which Heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.
And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
A brilliance takes up residence in flaws—
a brilliance all the unchipped faces of design
refuse. The wine collects its starlets
at a lip's fault, sunlight where the nicked
glass angles, and affection where the eye
is least correctable, where arrows of
unquivered light are lodged, where someone
else's eyes have come to be concerned.
For beauty's sake, assault and drive and burn
Farewell my rude Harp and my still ruder Lyre!
For season your tones may not fall on my ear;
At the bench will hard labor repress rhyming fire,
And Fact over Fancy triumphant appear.
Yet I will remember the exquisite pleasure
For full thirty years freely rendered by you;
How oft in that time you have proved a rich treasure-
Still constant abiding and evermore true.
The truth is like patent rights; guiding us with the muse of the laws of righteousness.
Your presence is near
I wish you were here
1. Take a shower you don't want to smell.
2. Pick out an outfit that will blend in with the latest trends and won't make you a laughing stock of the school more than you already are
3. Put on some makeup so you can't even recognize yourself and your face tingles with an unbelievable issue. You can't satisfy otherwise you'll have ruined the hours of meticulous painting you apply to your face.
I will never forget you my dearest soulmate..
these old meomries will never fade...
you've always laid me in your shade...
whenever I trembled or felt afraid....
He was before his beloved,
Kneeling on his thighs……..
His shoulders were down,
With his soulful cries…….
My pan head
Mine you are
And Yours I am
Il pleuvait sans cesse sur Brest ce jour-là
Et tu marchais souriante
Épanouie ravie ruisselante
you put this pen
in my hand and you
take the pen from you put this pen
On this dry prepared path walk heavy feet.
This is not "dinner music." This is a power structure.
"Come, pretty birds, present your lays,
And learn to chaunt a goddess praise;
Ye wood-nymphs, let your voices be
Employ'd to serve her deity:
If you had the choice of two women to wed,
(Though of course the idea is quite absurd)
And the first from her heels to her dainty head
Was charming in every sense of the word: