I weep for Adonais -he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: "With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!"
Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.
O, weep for Adonais -he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend; -oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.
Children - are staring of eyes so frightful,
Mischievous legs on a wooden floor,
Children - is sun in the gloomy motives,
Hypotheses' of happy sciences world.
Eternal disorder in the ring's gold,
Tender word's whispers in semi-sleep,
On the wall in a cozy child's room, the dreaming
Peaceful pictures of birds and sheep.
Out there in the dire hinterlands,
a vastness ebvelopes tropes of yesterday,
that will never be held again.
This wildness is not derivative; its real,
winding through a caligraphy of rocks,
like patterns placed with color in mind.
Urgencies of dryness causes the rain to
behave as unknowing saviors, bringing
I like haiku- they are so very brief yet cover so much ground
A bunch of the boys were whooping it up in the Malamute saloon;
The kid that handles the music-box was hitting a jag-time tune;
Back of the bar, in a solo game, sat Dangerous Dan McGrew,
And watching his luck was his light-o'-love, the lady that's known as Lou.
When out of the night, which was fifty below, and into the din and the glare,
There stumbled a miner fresh from the creeks, dog-dirty, and loaded for bear.
He looked like a man with a foot in the grave and scarcely the strength of a louse,
Yet he tilted a poke of dust on the bar, and he called for drinks for the house.
There was none could place the stranger's face, though we searched ourselves for a clue;
But we drank his health, and the last to drink was Dangerous Dan McGrew.
There's men that somehow just grip your eyes, and hold them hard like a spell;
And such was he, and he looked to me like a man who had lived in hell;
With a face most hair, and the dreary stare of a dog whose day is done,
As he watered the green stuff in his glass, and the drops fell one by one.
Then I got to figgering who he was, and wondering what he'd do,
And I turned my head - and there watching him was the lady that's known as Lou.
His eyes went rubbering round the room, and he seemed in a kind of daze,
Till at last that old piano fell in the way of his wandering gaze.
The rag-time kid was having a drink; there was no one else on the stool,
So the stranger stumbles across the room, and flops down there like a fool.
It's too nice a day to read a novel set in England.
We're within inches of the perfect distance from the sun,
the sky is blueberries and cream,
and the wind is as warm as air from a tire.
Even the headstones in the graveyard
Seem to stand up and say "Hello! My name is..."
It's enough to be sitting here on my porch,
thinking about Kermit Roosevelt,
Here I am my love,
Dressed in skin tonight.
For your smile tares this heart,
Wich runs for miles apart.
Wrapped in doubt I fear your silence,
For your eyes undress my wants.
Forgive me not for truth I am,
And leave my crown behind.
It is true that it is not a good thing to take everyone at face value- -especially in an age of so many face-lifts.
Lo! for this dark terrestrial ball
Forsakes his azure-paved hall
A prince of heav'nly birth!
Divine Humanity behold,
What wonders rise, what charms unfold
At his descent to earth!
The bosoms of the great and good
With wonder and delight he view'd,
And fix'd his empire there:
Him, close compressing to his breast,
The sire of gods and men address'd,
"My son, my heav'nly fair!
"Descend to earth, there place thy throne;
"To succour man's afflicted son
"Each human heart inspire:
"To act in bounties unconfin'd
"Enlarge the close contracted mind,
"And fill it with thy fire."
Quick as the word, with swift career
We find out the heart only by dismantling what
the heart knows. By redefining the morning,
we find a morning that comes just after darkness.
We can break through marriage into marriage.
By insisting on love we spoil it, get beyond
affection and wade mouth-deep into love.
We must unlearn the constellations to see the stars.
But going back toward childhood will not help.
The village is not better than Pittsburgh.
Only Pittsburgh is more than Pittsburgh.
I live within a circle
Drawn by my forefathers
To keep me safe and vigilant
Sometimes strangers come
Try to pull me out giving
Assurances- false and enticing
Many a time I long
To fly away straight to
Your presence is near
I wish you were here
1. Take a shower you don't want to smell.
2. Pick out an outfit that will blend in with the latest trends and won't make you a laughing stock of the school more than you already are
3. Put on some makeup so you can't even recognize yourself and your face tingles with an unbelievable issue. You can't satisfy otherwise you'll have ruined the hours of meticulous painting you apply to your face.
I will never forget you my dearest soulmate..
these old meomries will never fade...
you've always laid me in your shade...
whenever I trembled or felt afraid....
Poetry is sexy
Its lyrics aim to please
............sitting here in the stillness
...............staring out the window
...at darkness my friend and my foe.
My pan head
Mine you are
And Yours I am
Il pleuvait sans cesse sur Brest ce jour-là
Et tu marchais souriante
Épanouie ravie ruisselante
you put this pen
in my hand and you
take the pen from you put this pen
On this dry prepared path walk heavy feet.
This is not "dinner music." This is a power structure.
"Come, pretty birds, present your lays,
And learn to chaunt a goddess praise;
Ye wood-nymphs, let your voices be
Employ'd to serve her deity:
If you had the choice of two women to wed,
(Though of course the idea is quite absurd)
And the first from her heels to her dainty head
Was charming in every sense of the word:
A little while, a little while,
The weary task is put away,
And I can sing and I can smile,
Alike, while I have holiday.