The badger grunting on his woodland track
With shaggy hide and sharp nose scrowed with black
Roots in the bushes and the woods, and makes
A great high burrow in the ferns and brakes.
With nose on ground he runs an awkward pace,
And anything will beat him in the race.
The shepherd's dog will run him to his den
Followed and hooted by the dogs and men.
The woodman when the hunting comes about
Goes round at night to stop the foxes out
And hurrying through the bushes to the chin
Breaks the old holes, and tumbles headlong in.
When midnight comes a host of dogs and men
Go out and track the badger to his den,
And put a sack within the hole, and lie
Till the old grunting badger passes bye.
He comes and hears—they let the strongest loose.
The old fox hears the noise and drops the goose.
The poacher shoots and hurries from the cry,
And the old hare half wounded buzzes bye.
They get a forked stick to bear him down
And clap the dogs and take him to the town,
And bait him all the day with many dogs,
And laugh and shout and fright the scampering hogs.
He runs along and bites at all he meets:
They shout and hollo down the noisy streets.
He turns about to face the loud uproar
And drives the rebels to their very door.
The frequent stone is hurled where e'er they go;
When badgers fight, then every one's a foe.
Why did he promise me
that we would build ourselves
an ark all by ourselves
out in back of the house
on New York Avenue
in Union City New Jersey
to the singing of the streetcars
after the story
of Noah whom nobody
believed about the waters
A garden of wants, thoughts & fears
Inscribing pages inked with only tears
Lying on empty pages, guarded secrets
Locked away so as to never speak it
Behind closed doors cobwebs of wounds
Mirrors cutting beneath albino moons
'A Mother is the complete human being on earth, the caring and loving person, the only one to whom daughters write the greatest tribute, the safest place to come home... a Mother is like Home....' (Sylvia Frances Chan) from her poem: 'My Tribute to MOTHER.....Day'
I am not yours, not lost in you,
Not lost, although I long to be
Lost as a candle lit at noon,
Lost as a snowflake in the sea.
You love me, and I find you still
A spirit beautiful and bright,
Yet I am I, who long to be
Lost as a light is lost in light.
Oh plunge me deep in love- put out
My senses, leave me deaf and blind,
Swept by the tempest of your love,
A taper in a rushing wind.
Dim vales- and shadowy floods-
And cloudy-looking woods,
Whose forms we can't discover
For the tears that drip all over!
Huge moons there wax and wane-
Again- again- again-
Every moment of the night-
Forever changing places-
And they put out the star-light
With the breath from their pale faces.
I don't know where to go,
Where will I go?
Everywhere there is obstruction,
And everywhere there is competition!
Everywhere, I am chained,
I am answerable to my parents,
wife, and to my boss!
fighting for religion is like bulldozing your garden because someone stole a flower
Farewell!--God knows when we shall meet again.
I have a faint cold fear thrills through my veins
That almost freezes up the heat of life:
I'll call them back again to comfort me;--
Nurse!--What should she do here?
My dismal scene I needs must act alone.--
What if this mixture do not work at all?
Shall I be married, then, to-morrow morning?--
No, No!--this shall forbid it:--lie thou there.--
What if it be a poison, which the friar
Subtly hath minister'd to have me dead,
Lest in this marriage he should be dishonour'd,
Because he married me before to Romeo?
I fear it is: and yet methinks it should not,
For he hath still been tried a holy man:--
I will not entertain so bad a thought.--
How if, when I am laid into the tomb,
I wake before the time that Romeo
Come to redeem me? there's a fearful point!
Shall I not then be stifled in the vault,
To whose foul mouth no healthsome air breathes in,
And there die strangled ere my Romeo comes?
Or, if I live, is it not very like
The horrible conceit of death and night,
Together with the terror of the place,--
As in a vault, an ancient receptacle,
Where, for this many hundred years, the bones
Of all my buried ancestors are pack'd;
Where bloody Tybalt, yet but green in earth,
There’s nothing so exasperates a true Australian youth,
Whatever be his rank in life, be he cultured or uncouth,
As the manner of a London swell. Now it chanced, the other day,
That one came out, consigned to me—a cousin, by the way.
As he landed from the steamer at the somewhat dirty pier,
He took my hand; and lispingly remarked, ‘How very queer!
I’m glad, of course, to see you—but you must admit this place,
With all its mixed surroundings, is a national disgrace.’
Our house is not the biggest house…to some it may even seem small…
but I'm amazed at the amount of memories housed within its walls.
Our home has seen many seeds of love…planted…nurtured…encourage to bloom…
and watched as a host of wonderful memories…found their way into each room.
Our front door…probably the most important part of the house
for, over the years, we've learned
it's where our family enters…exits…and where we, now, wait for their return.
It's scary how some unambitious men choose a life of comfortable waiting for death while manlier swines shake the pillars of the space.
In the absence
You left behind
If you die before me
I would jump down into your grave
and hug you so innocently
that angels will become jealous.
Indoors by technology, outdoors by speedy transport
I travel the world
Today in Japan, tomorrow in Rome,
Next day by an ancient civilization or in Hawaii or Coast Ivory,
The low lands call
I am tempted to answer
They are offering me a free dwelling
Without having to conquer
The Peace Warrior Of Mzansi, among heroes - a colossus!
Sun Of The Nation; a rare gift of Providence.
Once, entangled in the web of racist succubus;
Unruffled he declares before High Justice:
(This is a composition in Pilipino Language the first one I did, the only one, and hope some of the Filipinos will get this funny poem in this site. The poem is updated with English translation)
Noong taong otsenta dekada
Il pleuvait sans cesse sur Brest ce jour-là
Et tu marchais souriante
Épanouie ravie ruisselante
you put this pen
in my hand and you
take the pen from you put this pen
On this dry prepared path walk heavy feet.
This is not "dinner music." This is a power structure.
"Come, pretty birds, present your lays,
And learn to chaunt a goddess praise;
Ye wood-nymphs, let your voices be
Employ'd to serve her deity:
If you had the choice of two women to wed,
(Though of course the idea is quite absurd)
And the first from her heels to her dainty head
Was charming in every sense of the word: