Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in 'Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.
He said to his friend, "If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light, --
One, if by land, and two, if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country folk to be up and to arm."
Then he said, "Good night!" and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The somerset, British man-of-war;
A phantom ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.
Meanwhile, his friend, through alley and street,
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
you've seen a strawberry
that's had a struggle; yet
was, where the fragments met,
a hedgehog or a star-
fish for the multitude
of seeds. What better food
than apple seeds - the fruit
within the fruit - locked in
In a world where you can 't see the person you love,
I would rather face the other away leaning into your back
And talk to you for hours,
Falling in love with every part of you that I can feel.
The angelic sound of your voice,
The way your hands touch mine
I can never look at you,
trees distribute all the productions, yet stand still to shadow the tired travelers in mid summer and for creepers or parasites do not fall again enhance the nature.
'Nam Sibyllam quidem Cumis ego ipse oculis meis
vidi in ampulla pendere, et cum illi pueri dicerent:
Sibylla ti theleis; respondebat illa: apothanein thelo.'
I. THE BURIAL OF THE DEAD
April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten,
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm' aus Litauen, echt deutsch.
And when we were children, staying at the archduke's,
My cousin's, he took me out on a sled,
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.
What are the roots that clutch, what branches grow
Out of this stony rubbish? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
Of asphodel, that greeny flower,
like a buttercup
upon its branching stem-
save that it's green and wooden-
I come, my sweet,
to sing to you.
We lived long together
a life filled,
if you will,
with flowers. So that
I love the silence,
the view from above,
the workers small,
The breeze is warm,
and whips my face again,
like waves upon the sand
Something that says a little often says it all
Not one kind look....one friendly word!
Wilt thou in chilling silence sit;
Nor through the social hour afford
One cheering smile, or beam of wit?
Yet still, absorbed in studious care,
Neglect to waste one look on me;
For then my happy eyes may dare
To gaze and dwell unchecked on thee.
And still in silence sit, nor deign
One gentle precious word to say;
For silent I may then remain,
Nor let my voice my soul betray.
This faltering voice, these conscious eyes,
My throbbing heart too plainly speak:
There timid hopeless passion lies,
And bids it silence keep, and break .
To me how dear this twilight hour,
Cheered by the faggot's varying blaze!
If this be mine, I ask no more
On morn's refulgent light to gaze:
For now, while on HIS glowing cheek
I see the fire's red radiance fall,
The darkest seat I softly seek,
And gaze on HIM , unseen by all.
Razors pain you;
Rivers are damp;
Acids stain you;
And drugs cause cramp.
Guns aren't lawful;
Gas smells awful;
You might as well live.
I want to be the orange tint on the evening clouds,
I want to be the flock of birds that fly across the setting sun,
I want to be the camera that captures the stories written in the stars,
I want to be the pen that yields the most beautiful of writings,
I want to be the horizon that separates land and sea,
I want to be the eraser that helps forget your mistakes,
I want to be a sight that cannot be unseen.
I want to be sweet morning chirrups that people wake to,
I want to be the bell that indicates the arrival of midnight,
The truth is like patent rights; guiding us with the muse of the laws of righteousness.
In the absence
You left behind
If you die before me
I would jump down into your grave
and hug you so innocently
that angels will become jealous.
Indoors by technology, outdoors by speedy transport
I travel the world
Today in Japan, tomorrow in Rome,
Next day by an ancient civilization or in Hawaii or Coast Ivory,
The low lands call
I am tempted to answer
They are offering me a free dwelling
Without having to conquer
The Peace Warrior Of Mzansi, among heroes - a colossus!
Sun Of The Nation; a rare gift of Providence.
Once, entangled in the web of racist succubus;
Unruffled he declares before High Justice:
(This is a composition in Pilipino Language the first one I did, the only one, and hope some of the Filipinos will get this funny poem in this site. The poem is updated with English translation)
Noong taong otsenta dekada
Il pleuvait sans cesse sur Brest ce jour-là
Et tu marchais souriante
Épanouie ravie ruisselante
you put this pen
in my hand and you
take the pen from you put this pen
On this dry prepared path walk heavy feet.
This is not "dinner music." This is a power structure.
"Come, pretty birds, present your lays,
And learn to chaunt a goddess praise;
Ye wood-nymphs, let your voices be
Employ'd to serve her deity:
If you had the choice of two women to wed,
(Though of course the idea is quite absurd)
And the first from her heels to her dainty head
Was charming in every sense of the word: