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Today we have naming of parts. Yesterday, We had daily cleaning. And tomorrow morning, We shall have what to do after firing. But today, Today we have naming of parts. Japonica Glistens likecoral in all the neighboring gardens, And today we have naming of parts.
This is the lower sling swivel. And this Is the upper sling swivel, whose use you will see, When you are given your slings. And this is the piling swivel, Which in your case you have not got. The branches Hold in the gardens their silent, eloquent gestures, Which in our case we have not got.
This is the safety-catch, which is always released With an easy flick of the thumb. And please do not let me See anyone using his finger. You can do it quite easy If you have any strength in your thumb. The blossoms Are fragile and motionless, never letting anyone see Any of them using their finger.
And this you can see is the bolt. The purpose of this Is to open the breech, as you see. We can slide it Rapidly backwards and forwards: we call this Easing the spring. And rapidly backwards and forwards The early bees are assaulting and fumbling the flowers: They call is easing the Spring.
They call is easing the Spring: it is perfectly easy If you have any strength in your thumb: like the bolt, And the breech, the cocking-piece, and the point of balance, Which in our case we have not got; and the almond blossom Silent in all of the gardens and the bees going backwards and forwards, For today we have the naming of parts.
Henry Reed
Read poems about / on: today, spring, strength, flower
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9.1
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Click here to write your comments about this poem (Naming of Parts by Henry Reed)
Michael Shepherd (4/29/2006 4:41:00 AM)
I remember hearing Reed reading this poem, and it was in the same voice throughout; he is recounting the instruction he had learned by heart as part of the day's events. |
Paul Lester (4/10/2006 5:16:00 AM)
I can see why you'd feel that, Francois, but the omission of italics or inverted commas here was very deliberate on Reed's part, and I feel it does highlight the unsettling sense of where the boundaries between 'nature' and 'culture' are to be drawn.Also, I recall hearing Reed say that when the poem is recited he intended that it should be without any change in the speaking voice to signal difference of character. |
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