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8.5
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(32
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I
He would drink by himself
And raise a weathered thumb
Towards the high shelf,
Calling another rum
And blackcurrant, without
Having to raise his voice,
Or order a quick stout
By a lifting of the eyes
And a discreet dumb-show
Of pulling off the top;
At closing time would go
In waders and peaked cap
Into the showery dark,
A dole-kept breadwinner
But a natural for work.
I loved his whole manner,
Sure-footed but too sly,
His deadpan sidling tact,
His fisherman's quick eye
And turned observant back.
Incomprehensible
To him, my other life.
Sometimes on the high stool,
Too busy with his knife
At a tobacco plug
And not meeting my eye,
In the pause after a slug
He mentioned poetry.
We would be on our own
And, always politic
And shy of condescension,
I would manage by some trick
To switch the talk to eels
Or lore of the horse and cart
Or the Provisionals.
But my tentative art
His turned back watches too:
He was blown to bits
Out drinking in a curfew
Others obeyed, three nights
After they shot dead
The thirteen men in Derry.
PARAS THIRTEEN, the walls said,
BOGSIDE NIL. That Wednesday
Everyone held
His breath and trembled.
II
It was a day of cold
Raw silence, wind-blown
Surplice and soutane:
Rained-on, flower-laden
Coffin after coffin
Seemed to float from the door
Of the packed cathedral
Like blossoms on slow water.
The common funeral
Unrolled its swaddling band,
Lapping, tightening
Till we were braced and bound
Like brothers in a ring.
But he would not be held
At home by his own crowd
Whatever threats were phoned,
Whatever black flags waved.
I see him as he turned
In that bombed offending place,
Remorse fused with terror
In his still knowable face,
His cornered outfaced stare
Blinding in the flash.
He had gone miles away
For he drank like a fish
Nightly, naturally
Swimming towards the lure
Of warm lit-up places,
The blurred mesh and murmur
Drifting among glasses
In the gregarious smoke.
How culpable was he
That last night when he broke
Our tribe's complicity?
'Now, you're supposed to be
An educated man,'
I hear him say. 'Puzzle me
The right answer to that one.'
III
I missed his funeral,
Those quiet walkers
And sideways talkers
Shoaling out of his lane
To the respectable
Purring of the hearse...
They move in equal pace
With the habitual
Slow consolation
Of a dawdling engine,
The line lifted, hand
Over fist, cold sunshine
On the water, the land
Banked under fog: that morning
I was taken in his boat,
The screw purling, turning
Indolent fathoms white,
I tasted freedom with him.
To get out early, haul
Steadily off the bottom,
Dispraise the catch, and smile
As you find a rhythm
Working you, slow mile by mile,
Into your proper haunt
Somewhere, well out, beyond...
Dawn-sniffing revenant,
Plodder through midnight rain,
Question me again.
Seamus Heaney
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Read poems about / on: funeral, swimming, fog, poetry, water, sunshine, horse, fish, freedom, flower, sometimes, silence, work, rain, smile, wind, home, dark, fishing
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Comments about this poem (Casualty
by
Seamus Heaney
) |
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comments about this poem (Casualty by
Seamus Heaney
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Johnny Muir
(6/17/2008 7:51:00 AM) |
Hi, I work for the BBC in Belfast and am working on a documentary to mark Seamus Heaney's 70th birthday. His work is studied (and written about in exams) by people all over the world and I am trying to find out what impact it has them. In this poem he writes about events in Co Derry, Ireland in the 1970s - yet it clearly has a resonance today. I would love to hear anyone's comments on what Heaney's poetry means to them. Tell me about individual poems that have made an impact on you and why!
Cheers,
johnny.muir@bbc.co.uk
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Not a member No 4
(12/29/2006 3:38:00 PM) |
I certainly won't argue with any of what Peter says, because Heaney is saying so much here and Peter has it covered, but there seems to be a great deal of emphasis on the phrase 'I tasted freedom with him'. Something of the affinity between them may have come from that sharing. This kind of work demonstrates the genius of the man! Terrific stuff.
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Peter Gunn
(2/19/2006 6:15:00 AM) |
Heaney's love for this man's Irishness, his lack of gyle, his profound inner awareness of life's ironies, are the foundation stones that ring out from this poem. Perhaps it was Heaney's ability to describe his fellows.. and perceive and name their roots that distinguishes him as a poetic soul.
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