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User Rating: |
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5.3
/10
(26
votes)
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She looked not unlike the anti-heroine of her own novels or was it the other way around? mousey but together, neatly dressed in an understated way like her Paris dressmaker mother who'd fled Vienna
Though in fact she was a brilliant bluestocking lecturer and trenchant critic who'd embarked, on the side, on novel writing
However the British don't like people who do two things well and the critics - mostly men - panned her rotten while the women reserved judgment.
She had a standard plot - mousey, together spinster meets possible, quiet Him who might be The One but who turns out too morally wet for Her.
But her increasing sublety with variations to this and increasing literary skills won her praise from feminist critics and even a minor prize.
I had expressed envious admiration for her trenchant criticism to a colleague; one day the unsolicited word came: she had expressed interest in meeting me...
A shared life of letters - the Sunday papers read in bed - with her reviews in them - the flow of sparkling wit -
a shared life of letters - the plot of all her books the same.. the failed romance, the material to hand... the literary world's knowing gossip..
I flunked it
Subsequently, on Friday afternoons, I sat opposite her on the bus from Piccadilly to her small but dress-maker- neat flat just off King's Road, Chelsea bought with the prize-money, I guess and the increased royalties (the men still scoffing at her standard plot, the women admiring her subtlety in describing the bruised but knowing human heart...)
I knew her face, from in the press; she didn't know mine. I sat opposite her on the bus - neatly dressed, together - contemplating in bittersweet incongruity the novel I never lived and she never wrote differently
Michael Shepherd
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Read poems about / on: paris, women, together, romance, money, mother, people, world, life, woman
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Comments about this poem (! A novel situation
by
Michael Shepherd
) |
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Click here to write your
comments about this poem (! A novel situation by
Michael Shepherd
)
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Julia Klimenova
(5/8/2006 2:06:00 AM) |
A sad and moving story. A woman afraid to live differently, unfulfilled, escaping to her novels, hoping to give her life a beautiful form, if not content. Wonderful write. Thank you.
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Michael Shepherd
(10/25/2005 7:31:00 AM) |
Max, I'm open to suggestions! What makes women read on from 'mousey' in her novels, like 'sharp-eyed', but which is visible in her appearance? Actually, she doesn't use her eyes on the bus - but in her writing - wow! She dresses the 'carefully thought-out underplayed chic' way Frenchwomen do...'neat'
doesn't carry much weight...gimme the woid, Max!
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Max Reif
(6/20/2005 6:57:00 AM) |
It drew me in instantly with the promise of its descriptive details about 'her'. I wanted to know more. I was yours.
Wasn't disappointed.
One caveat, I'm not sure if the word 'together' quite works. It's a hippie colloquialism that should have become so much 'part of the language' by now that one could use it anywhere. But I dunno, I'm not sure it has enough meat to pull its weight.
I'm only comfortable saying that because I loved your poem.
Any thoughts about it?
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Pradeep Dhavakumar
(2/13/2005 1:49:00 PM) |
Beautifully written. Loved the flow.One of your best.Thank you.
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Rich Hanson
(2/13/2005 12:35:00 PM) |
This is the kind of poem that I can only shake my head at and say 'God, I wish I could've written that.
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Michael Shepherd
(2/13/2005 10:20:00 AM) |
You have all the ingredients I have, Lenchen - farm-fresh, dawn-picked, touched with the dew of humanity - it's all there is, the larder's empty and I don't use substitutes...not a word isn't true, sniff, sob...
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Lenchen Elf
(2/13/2005 10:10:00 AM) |
Michael, this is superb... delicious, I want more, but know that this is plated-up as it should be tasted, thank you
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