Lady of the Fen
By spring in rise from slumber long,
She smiles with light and morning song.
In fertile bloom as colours burst,
Her gentle arms, embrace while nurse.
A lady as by summer’s grace,
Adorned in ribbons and gilded lace.
Braids of green while flaxen hair,
With softest touch and temper fair.
As mother come by harvest moon,
In blush of shades, as flush with swoon.
By hand and gather, plough and till,
Thrash while bail, grind and mill.
In walk, the mistress, these acres wide,
Cast endless to horizons glide.
With frosted kiss and drifting skies,
A simple grace where beauty lies.
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Poet's Notes about The Poem
The given subject for the poem was “Fenland” and you were permitted to twist this into whatever shape and metaphor you wished.
I come from a farming background, I spent my childhood wandering acres of fenland plains, fishing for sticklebacks in ditches, angling in drains and looking for foxes and badgers. I was deeply exposed to the agricultural elements of the fen with its seasonal crops and labour.
The fenland scene changes a great deal from season to season, from the green shoots of spring with hedgerows bursting with may flower to the stark and open landscapes of winter.
In this poem, I have opted for a subtle approach, this isn’t an in your face advert for Fenland England but more a graceful glance at the metaphor that helps define it. Our lady is a nurse, nurturing the new shoots of crops as they spring, while wild flowers and blossom burst into colour.
She wears the ribbons of the fenland drains and the gilt yellow of oil seed rape that paints the fields surrounding. Her hair of wheat and barley is tied and contrast by braids of green, as would be hedgerow. I see summer about her, with butterflies and lightest breeze.
Come harvest and our lady labours hard while she blushes with the colours of autumn. The metaphor here is thinner, as we expose acts such as plough and till, grind and mill.
Finally, as winter comes, our lady walks amid wide horizons with endless skies. She is again plain and without colour, yet still beautiful.
The poem gives us the annual cycle of life in the Fens with the last verse conveniently leading back to the first.
Of course these are my views, I love that the reader may see something different and would even encourage them to do so. I don’t normally invite comment, but on this occasion I would like to ask, that if possible, you please let me know what you think.
Comments about this poem (Lady of the Fen by Andrew Barber )
Still I Rise
The Road Not Taken
If You Forget Me
Edgar Allan Poe
I Know Why The Caged Bird Sings
Stopping by Woods on a Snowy Evening
A Dream Within A Dream
Edgar Allan Poe
(4 April 1928 - 28 May 2014)
(March 26, 1874 – January 29, 1963)
(1 February 1902 – 22 May 1967)
Edgar Allan Poe
(19 January 1809 - 7 October 1849)
(12 July 1904 – 23 September 1973)
(10 December 1830 – 15 May 1886)
(26 April 1564 - 23 April 1616)
(28 November 1757 – 12 August 1827)
- Still I Rise, Maya Angelou
- Dreams, Langston Hughes
- The Road Not Taken, Robert Frost
- A Dream Within A Dream, Edgar Allan Poe
- I Know Why The Caged Bird Sings, Maya Angelou
- Phenomenal Woman, Maya Angelou
- Fire and Ice, Robert Frost
- Suicide in the Trenches, Siegfried Sassoon
- Daffodils, William Wordsworth
- If You Forget Me, Pablo Neruda