Warren Falcon (04/23/52 - xxxx / Spartanburg, South Carolina, USA)
Moments From The Orange World
Here is a poem which partakes of 'harvest' - death, dreams, love, dirge and demi-urge, the task of harvesting consciousness from unconsciousness, from the clash and claw and cling of opposites, each has their tasks, the dogs on the edge of the orange world, Death, too, has it's purpose rendering from that which nascently exists and is coming to be to not be again. Selves and part-selves are birthed/deathed to incarnate myriad possibilities of being which is the human experiment, each is a harvest returned to fallow ground. Each is a murmur, a sound expressed then passing into stillness. And myth.
Murmur: '(A) to make the sound mu mu or mumu, to murmur with closed lips, to mutter, to moan...(B) to drink with closed lips, to suck in...' - Liddell & Scott, Greek-English Lexicon,1897 ed.
'In such cases myth is the truth of fact, not fact the truth of myth.' - Kathleen Raine, 'On the Mythological, ' Defending Ancient Springs'
'The repressed value contains transformative energies and a consciousness of its own...' - Charles Ponce
'The Saviors do not lend themselves to art successfully: they are outside the pale, beyond, as incomprehensible in their love as in their example. They have never become incorporated in the blood stream. Forsaking the world, they become as the idols they sought to destroy. This is human perversity. Throughout the ages it displays itself in the individual life, and now and then it bursts forth in cosmic waves of futility and self-destruction.' - Henry Miller in an essay on Kenneth Patchen
As Dew On Grass Sleeves No Longer Stiffening In The Wind
- Moments From The Orange World - After Kenneth Patchen
'...do not grieve, therefore, those who are lost to you; they were ever so to themselves...'
- Kenneth Patchen - from 'There Is One Who Watches'
I've lost my way and wait for signs.
Distant signal fires indicate 'wait here'.
No gate ahead. The iron dogs are waiting over there
to chew all who approach edges of the orange world.
Best to settle in, grin at stinking Death who is
sinking into the ground winking at me as if to say,
You will soon sink. You will soon sink.
Who do you think you are or were?
Step forward if you dare.
I've observed how furred things give up without much complaint.
They grab often enough so Death grabs back.
They sigh or call out in their animal way, Son of a b*tch!
but in the end they relent and they sink leaving only their
pink tongues spread out over the dawn as if to say.
I blink in the dark looking at edges distant fire.
I wink back at Death who's left only a bony hand
on the ground where He waits just beneath.
How trite He is but it does the job, conveys His trap clearly.
When dawn tongues awaken licking dew from my face,
and my fears, I shall raise both my hands, too, as if to say.
And flaunting these two hands to Death's one, and with flesh,
I shall walk away the way I came having done with burning signs
and a night's work of waiting, my presence taunting the dogs,
Death baiting as if He has forgotten one hand upon the dirt.
We have flirted, Death and me. Not the kind of company
I like to keep preferring furred things to winking bones,
Death's head all teeth and no whistle. But I earn my pay.
I walk away, my own tongue licking as if to say.
I can barely contain myself arriving back at camp where
She waits dreaming shyly in our tent, a Bedouin soul bending
gently over wells in Her keeping on Gentler Hill.
I shall lick Her face then. I shall not tell Her how
I have survived the night with Death at my feet,
the taunting signals over there at the edges, iron dogs alert.
I shall not hurt Her with knowledge of this orange world,
all the dark things within it. I shall softly settle beside Her
where She breezes as dew on grass sleeves no longer
stiffening against the wind.
I shall bring Her in as a fisherman brings
in his boat, softly singing a fisherman's tale,
his throat a song-sore nocturne rocking night waves,
beacons ashore flaring where his Love lies sleeping
awaiting conjectures, his folding, folding into Her
gently suspiring guesses -
Is my love away at sea, at sea,
dark as wine presses as he will
surely press me?
O drink from the wells I tend -
I earn my pay - and away with
Distant lights demur sure in their beckoning.
Sudden, he turns singing boat and heart to shore,
starfish near at hand yearning beyond foam for depth.
Dawn tongues slowly raise up the land-sunken houses,
stilled curtains in darkened windows not yet stirring.
Nearing, he shall not shake the dew from his cloak but gather
as much as he can to bathe Her - feet, hands, those parts
Death cannot sink into but he can. And life will continue on.
As will the other, his lost brother of the inland tent
now gratefully at rest forgetting the ever orange world,
edge fires signaling unseen until dark,
and then the dogs,
and Death's hand,
and then back to work again.
Poet Other Poems
- 3 AM Kingfisher Sonata
- A Grief Earned - An Ode Beginning & Endi...
- A Gypsy Cab Author Caught In A Texas Mi...
- A Poem In Fragments Beginning With A Lin...
- A Shabbos Poem Beginning With A Line Fro...
- Abandoned Train Station Near Grandmother...
- After Folly - An Aging Poet Addresses On...
- Alchemical Passes For Father and Son - T...
- Amir, Prince Of Treetops, Now Sleeps In ...
- 'And The Daylight Separated The Mad Boy ...
- Annunciation - for Cesar Vallejo
- Anunciación - para César Vallejo
- Archeology - What The Stele Says 'Upon T...
- Are You Hungry? A Poem For Departure
Read this poem in other languages
This poem has not been translated into any other language yet.
Comments about this poem (Are You Hungry? A Poem For Departure by Warren Falcon )
Top 500 Poems
The Road Not Taken
If You Forget Me
Still I Rise
Edgar Allan Poe
I Know Why The Caged Bird Sings
Stopping by Woods on a Snowy Evening
William Ernest Henley