Anna Journey (born November 1980, in Arlington, Virginia) is an American poet who was recently awarded a 2011 National Endowment for the Arts Fellowship for Poetry. She is the author of two collections of poetry: If Birds Gather Your Hair for Nesting (University of Georgia Press, 2009), which was selected by Thomas Lux for the National Poetry Series, and Vulgar Remedies (Louisiana State University Press, 2013). She teaches creative writing and literature at the University of Southern California, where she is an Assistant Professor of English.
for David
We imagine Natalie held a gelatinous green
sliver on her tongue, that its watery
...
I've wanted to visit the genetically modified goat
spliced with silkworm DNA
spinning white threads from its pink udders
like a piebald spider. I've wondered how much
...
My ex-lover received it at seventeen
skiing the steep slope at Wintergreen called
Devil's Elbow. The early snowmelt along the Blue
Ridge had slipped the white limb of a birch
through the crust, jutted that camouflaged tip
into the center of the trail. He hit it, full speed,
flipped over his ski poles. One of them split
his vocal cords with its aluminum point. He sprawled
in the snow, his pink throat skewered like Saint
Sebastian or the raw quiver of his Greek father's
peppered lamb kebobs. The doctors didn't let him speak
for a year and when he finally tried his choirboy
voice had gravel in it. His tenor had a bloody
birch limb in it, had a knife in it, had a whole lower
octave clotted in it, had a wound and a wound's
cracked whisper in it. The first time I heard him
sing in his blues band, five years after the accident,
I told him his smoked rasp sounded
exactly like Tom Waits. Like my grandfather
sixty years since the iron lung. I couldn't believe
a growl like that crawled up from the lips
of a former Catholic schoolboy. But as he shut off
the halogen overhead—leaving only the ultraviolet
of his bedside's black light—he stroked my cheek,
crooned, Goodnight, Irene. His teeth and his throat's
three-inch scar glowed a green neon.
...
My parents come from a place where all the houses stop
at one story
for the heat. Where every porch—front
and back—simmers in black screens that sieve
mosquitoes from our blood. Where everyone knows
there's only one kind of tea:
served sweet. The first time my father
introduced my mother to his parents,
his mother made my mother change
the bed sheets in the guest room. She'd believed it
a gesture of intimacy. My grandmother
saved lavender hotel soaps and lotions
to wrap and mail as gifts at Christmas. My grandfather
once shot the head off a rattlesnake
in the gravel driveway of the house he built
in Greenwood. He gave the dry rattle to my mother
the same week I was born, saying, Why don't you
make something out of it.
...
I've wanted to visit the genetically modified goat
spliced with silkworm DNA
spinning white threads from its pink udders
like a piebald spider. I've wondered how much
for a whole goat silk dress? Always I save
the spiders that shimmy near my eyes
but never the bristled silverfish
which drop to the boatwood dinner table
from the skylight. Come Indian Summer
the fuchsia bougainvillea unpurses
its dry lips, licks the sweat
from my neck. My mother tells her childhood
best friend—who's dying from liver
cancer in Jackson, who consults
a Pentecostal woman who speaks
in tongues—that her two daughters
are atheists. Meaning my little sister and me.
Somewhere there's a goat that squirts
a rare silk so bizarre maybe
no one would actually wear it. That webbed dress
sticking to my chest, the grandfather
clock, all over the bedroom walls like a past
that drags everything with it. The thread
leading back to an animal I badly
need to believe in. Its impossible milk
steams in the twilight. There's a dress
that rises from its udders with a misted
sleeve I can almost see.
...