What you have heard is true. I was in his house.
His wife carried a tray of coffee and sugar. His
daughter filed her nails, his son went out for the
night. There were daily papers, pet dogs, a pistol
...
By way of a vanished bridge we cross this river
as a cloud of lifted snow would ascend a mountain.
She has always been afraid to come here.
...
Dipping our bread in oil tins
we talked of morning peeling
open our rooms to a moment
of almonds, olives and wind
...
Our life is a fire dampened, or a fire shut up in stone.
--Jacob Boehme, De Incarnatione Verbi
Outside everything visible and invisible a blazing maple.
...
In Spanish he whispers there is no time left.
It is the sound of scythes arcing in wheat,
the ache of some field song in Salvador.
The wind along the prison, cautious
...
Grandma, come back, I forgot
How much lard for these rolls
Think you can put yourself in the ground
...
The page opens to snow on a field: boot-holed month, black hour
the bottle in your coat half voda half winter light.
To what and to whom does one say yes?
If God were the uncertain, would you cling to him?
...
Sleep to sleep through thirty years of night,
a child herself with child,
for whom we searched
...
Horses were turned loose in the child's sorrow. Black and roan, cantering through snow.
The way light fills the hand with light, November with graves, infancy with white.
White. Given lilacs, lilacs disappear. Then low voices rising in walls.
The way they withdrew from the child's body and spoke as if it were not there.
...
Carolyn Forché is an American poet, translator, and human rights advocate. She is known for her poetry that addresses political and social issues, particularly her experiences with war and violence. Here are some of Carolyn Forche’s famous poems:
"The Colonel" - This poem is perhaps Forché's most famous work, and describes a chilling encounter with a Salvadoran military official during the country's civil war.
"The Visitor" - This poem explores themes of displacement and cultural identity through the lens of a visit to a displaced persons camp in Cambodia.
"Elegy" - In this poem, Forché reflects on the death of her father and the impact of grief on the human experience.
"The Museum of Stones" - This poem uses the metaphor of a museum to explore the history of violence and suffering in the world.
"The Angel of History" - This poem is a meditation on the concept of history and how it shapes our understanding of the present.
"Against Forgetting" - This poem is a call to remember the atrocities of war and genocide, and to continue fighting for justice and human rights.
"The Memory of Elena" - This poem is a tribute to Forché's friend Elena, who was killed during the Salvadoran civil war.
"The Boatman" - This poem describes the journey of refugees fleeing war and persecution, and the human toll of displacement and forced migration.
"The Return" - This poem explores the complexities of returning to a place that has been transformed by war and violence.
"On Earth" - This poem reflects on the fragility and beauty of life on our planet, and the urgent need to protect it.
The theme of witness is central to Carolyn Forché's poetry. As a poet and a human rights advocate, Forché has often borne witness to the atrocities of war, genocide, and political violence. Her poetry serves as a witness to these events and their impact on human lives, often exploring themes such as trauma, memory, displacement, and the struggle for justice and human rights.
Forché's poetry of witness seeks to give voice to the victims of violence and oppression, while also challenging readers to confront the uncomfortable realities of the world. Her poems often convey a sense of urgency and moral responsibility, urging readers to bear witness to the suffering of others and to take action to prevent such atrocities from happening again.
Through her use of vivid imagery, powerful metaphors, and haunting language, Forché's poetry of witness serves as a testimony to the resilience and dignity of the human spirit in the face of immense adversity. Her work reminds us of the importance of empathy, compassion, and solidarity in the face of injustice, and the need to bear witness to the truths of our shared humanity.
Carolyn Forché is an American poet, translator, and human rights advocate. She was born on April 28, 1950, in Detroit, Michigan. Forché received her undergraduate degree from Michigan State University and her MFA from Bowling Green State University.
Forché's poetry often addresses political and social issues, particularly her experiences with war and violence. She is known for her poetry of witness, which seeks to bear witness to the suffering of others and to challenge readers to confront uncomfortable truths about the world. Forché's most famous work is "The Colonel," which describes a chilling encounter with a Salvadoran military official during the country's civil war.
In addition to her poetry, Forché is also a noted translator and editor. She has translated the works of poets such as Mahmoud Darwish and Claribel Alegría, and has edited several anthologies of poetry, including "Against Forgetting: Twentieth-Century Poetry of Witness." Forché has also been a vocal advocate for human rights and social justice, and has served as a human rights envoy for the United States Department of State.
Forché has received numerous awards and honors for her work, including the Yale Younger Poets Award, the Robert Creeley Award, and the Academy of American Poets Fellowship. She is currently a professor of English at Georgetown University.
Carolyn Forché has published several books of poetry, translations, and memoir. Here are some of her notable books:
"Gathering the Tribes" (1976) - Forché's debut poetry collection, which explores themes of family, identity, and spirituality.
"The Country Between Us" (1981) - A collection of poems that draws from Forché's experiences as a journalist in El Salvador during the country's civil war.
"The Angel of History" (1994) - A collection of poems that meditates on the relationship between history and personal experience.
"Against Forgetting: Twentieth-Century Poetry of Witness" (1993) - An anthology of poetry edited by Forché, which includes the work of poets who have witnessed and responded to war, genocide, and political violence.
"The Blue Clerk: Ars Poetica in 59 Versos" (2018) - A book-length poem that reflects on the nature of language, creativity, and the role of the poet.
"What You Have Heard Is True: A Memoir of Witness and Resistance" (2019) - A memoir that recounts Forché's experiences in El Salvador during the civil war, where she worked as a human rights activist.
"In the Lateness of the World" (2020) - A collection of poems that explores themes of time, mortality, and the fragility of the natural world.
Carolyn Forché is an American poet, translator, and human rights advocate, born on April 28, 1950, in Detroit, Michigan. She received her undergraduate degree from Michigan State University and her MFA from Bowling Green State University. Forché's poetry often addresses political and social issues, particularly her experiences with war and violence. She is known for her poetry of witness, which seeks to bear witness to the suffering of others and to challenge readers to confront uncomfortable truths about the world.
Forché's most famous work is "The Colonel," which describes a chilling encounter with a Salvadoran military official during the country's civil war. In addition to her poetry, Forché is also a noted translator and editor. She has translated the works of poets such as Mahmoud Darwish and Claribel Alegría and has edited several anthologies of poetry, including "Against Forgetting: Twentieth-Century Poetry of Witness."
Forché has been a vocal advocate for human rights and social justice, and has served as a human rights envoy for the United States Department of State. She has received numerous awards and honors for her work, including the Yale Younger Poets Award, the Robert Creeley Award, and the Academy of American Poets Fellowship. Forché is currently a professor of English at Georgetown University. Her most recent book is "In the Lateness of the World," a collection of poems published in 2020.